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To the outside observer, Vivian is a success story—a dedicated lawyer who advocates for mentally ill patients at a New York City psychiatric hospital. Privately, Vivian contends with the memories and aftereffects of her bad childhood—compounded by the everyday stresses of being a Black Latinx woman in America. She lives in a constant state of hypervigilant awareness that makes even a simple subway ride into a heart-pounding drama.

Cousins Mari, Erica, Selena, and Gracie are inseparable. They aren’t just family but best friends—sharing secrets, traditions, and a fierce love for their abuelita. But their idyllic childhood ends when Mari’s parents divorce, forcing her to move away. With Mari gone, the girls’ tight-knit bond unravels.

A trans taco waitress. A man painted in silver. A Haitian priest. An old lady who dances. What's their connection in the streets of Mexico City?

There’s only one solution for a nasty case of writer’s block, and that’s murder. Specifically, that of one Mercy McCabe, a cunning SoHo art dealer who was once our Latina narrator’s rival for the scrumptious Bebe. When she discovers that McCabe has squandered Bebe’s affections after stealing her away, revenge is not enough: She must admit her guilt, sentence herself, and beg for her own execution, Soviet-style.

Carlota Moreau: A young woman growing up on a distant and luxuriant estate, safe from the conflict and strife of the Yucatán peninsula. The only daughter of a researcher who is either a genius or a madman. Montgomery Laughton: A melancholic overseer with a tragic past and a propensity for alcohol. An outcast who assists Dr. Moreau with his experiments, which are financed by the Lizaldes, owners of magnificent haciendas and plentiful coffers. The hybrids: The fruits of the doctor’s labor, destined to blindly obey their creator and remain in the shadows.

Working a dead-end job and newly single, Jules decides that she’s finally going to go after her dream of owning a café. She needs savings to get there, and while searching for the perfect side job, she’s stumbled upon a very quick but illegal path. Through this new venture, she meets three very different men she’d never dream she’d be with: a cop, an undocumented lover, and a mafia king...they all seem to offer her something she needs, as she climbs her way to her goal.

2018. Belinda Alvarez has returned to Texas for the wedding of her best friend, Veronica. The farm is the site of an urban legend, la Reina de las Chicharras - the Queen of the Cicadas. In 1950s South Texas, a farmworker from San Luis Potosi, Mexico, is murdered. Her death is ignored by the town, but not the Aztec goddess of death, Mictecacíhuatl. The goddess hears her dying cries and creates a plan for both to be physically reborn by feeding on vengeance and worship.

Cara Romero thought she would work at the factory of little lamps for the rest of her life. But when, in her mid-50s, she loses her job in the Great Recession, she is forced back into the job market for the first time in decades. Set up with a job counselor, Cara instead begins to narrate the story of her life.

Twenty-year-old Deza was supposed to be just another hot girl emcee, but when a bonus track strikes a surprising social chord, it rockets her album to the top of the charts - and her record label promotes her to headline their first-ever all-female national tour. As Deza attempts to live up to her new reputation, her inexperience generates tour drama. And when her female DJ quits, the label replaces her with the last thing Deza needs: the sexy guy DJ she flirted with at a club.

Solitario Cisneros thought his life was over long ago. He lost his wife, his family, even his country in the late 1870s when the Rio Grande shifted course, stranding the Mexican town of Olvido on the Texas side of the border. He’d made his brooding peace with retiring his gun and badge, hiding out on his ranch, and communing with horses and ghosts.

¿Cuál es la verdadera intención de Ugo Conti cuando decide tomar un vuelo hacia México? Napolitano, hijo de una prostituta, Ugo logra, con total habilidad, entrar a la aristocracia italiana y, por extrañas circunstancias, adopta el nombre y título del príncipe Conti, quien por un defecto de nacimiento permanece internado en un lugar especial.

Una mujer se enamora de un vecino por cómo cuida las plantas de su terraza. Un hombre organiza una fiesta con todos sus seres queridos para celebrar el final de una larga enfermedad. Una niña acompaña a su madre a ver pisos que nunca podrán permitirse y un padre lleva a su hija adoptada a conocer a su madre biológica....

After the tragic death of her parents when she was just four years old, Raqi is sent to live with her uncle Dodge in Escondido, California. Taking after her Mexican father, Raqi immediately faces hostility from the members of Dodge’s all-White, one-percenter motorcycle club, the Lawless, and from her uncle himself. Being raised by a drug addict is no picnic, and Raqi must quickly learn how to survive. She manages to form a few friendships. Still, as soon as she can, she leaves the violence and bigotry behind and doesn’t look back.

Primavera con una esquina rota es un testimonio directo y dolorido que trata de una sociedad escindida, fracturada por la represión y el autoritarismo, e intenta ser un puente entre dos regiones -el Uruguay bajo la dictadura y el Uruguay del exilio- que constituyen un solo y lacerado país.

Juliana es un alma solitaria. Ha elegido una vida hedonista, dedicada al arte, a viajar, a escribir. Pero, sobre todas las cosas, Juliana es lectora. Ama los libros, y no concibe su vida sin ellos.

En 1965, un grupo de comandos israelíes se infiltró clandestinamente en Uruguay con la misión de ejecutar a Herberts Cukurs, un antiguo criminal de guerra nazi. Lo hicieron de manera tan brutal que el mundo sintió un escalofrío.

A sus sesenta años, la vida pública de Albino Reyes se divide entre sus clases de literatura en un colegio y su rutina como cantante en un humilde local de música criolla. El monótono transcurrir de sus días es el resultado de una burocrática soledad donde flotan el amoroso recuerdo de su esposa muerta, las pocas charlas con familiares y amigos, y sus meditaciones sobre el arte que lo constituye: el vals peruano.

Una nueva batalla se libra en los impasibles campos de Yanahuanca. Varios meses después de la masacre de Rancas, los pobladores de Chinche deciden acabar con los abusos de las autoridades. Los dirige Fermín Espinoza, Garabombo, el mítico comunero dueño de una excepcional y única "enfermedad" que lo hace invisible ante los ojos de jueces, policías y hacendados.

¿Recibir y callar la confesión de un crimen pasional nos vuelve su cómplice? ¿Podemos escapar al peso del pasado? ¿Somos los protagonistas de nuestro destino o simples comparsas? Esta y otras preguntas nos plantea Héctor Aguilar Camín en esta emblemática novela de elecciones extremas. Después del éxito de Adiós a los padres, la celebrada novela de Héctor Aguilar Camín, Toda la vida marca su regreso a la ficción en estado puro donde las palabras trabajan al servicio de una perturbadora historia de amor, celos y poder que no dejará indiferente a nadie.

La máscara, el maquillaje que reformula las identidades: José Donoso ha buscado siempre en sus relatos, obsesivamente, ese otro rostro posible de los seres y las cosas. El lugar sin límites (novela que llevó al cine el mexicano Arturo Ripstein) juega eficazmente con el engañoso espejo de los sexos en un prostíbulo de pueblo, especie de infierno anodino donde confluyen no sólo las pasiones eróticas, sino además los sórdidos juegos de poder y dominación que suelen marcar los territorios degradados.