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Estás en un aprieto. Y el único hombre que puede ayudarte exige algo a cambio, pero no te dirá lo que es hasta después de cumplir su parte del trato ¿Te atreves? ¡Un desastre! Es la única forma en la que Paige puede describir lo sucedido. Su pareja de baile ha sufrido una lesión. ¿Cómo se supone que va a aprobar el examen final de la academia de baile? Al fin y al cabo, un hombre que aprenda todas sus rutinas y armonice perfectamente con ella no puede encontrarse en cualquier esquina. Sin embargo, Paige encuentra a ese hombre de forma totalmente inesperada cuando le hace una visita a su hermano.

If there's no place like home, that's more than okay for Mara Makinen. In fact, she prefers it that way. Going back to the place where she made the worst mistake of her life? Not ideal. So when a family emergency forces Mara to return home to her small lake town in Maine after seven years, she knows there's only one way she'll get through it unscathed: avoid Ambrose King at all costs. But that might prove difficult considering he lives right across the street.

In this bilingual poetry collection, Roberto Germán, shares writing across 20 years of his life. The poems tell stories of love, relationships, race, identity, and everyday living. These subjects divide the book into three parts. The poetic forms include free verse, rhyme, haiku and more, all relatable and real with vivid detail. As he explores what it's like to be a young man growing into his identity, the audiences are invited into a rarely explored point of view with this level of imagery and sensorial writing.

En las aguas del estrecho de Gibraltar, la desigualdad se convierte en negocio: miles de toneladas de resina de cannabis cultivadas en las montañas de Marruecos llegan hasta las costas andaluzas en forma de fardos de hachís, y desde aquí son distribuidas por las calles de toda Europa. La red de tráfico se ha ido extendiendo por la costa andaluza y por Ceuta y Melilla, ha sumado nuevas mercancías como la cocaína, ha expandido sus contactos a los cárteles colombianos y mexicanos, y a bandas europeas, se ha intentado introducir en las instituciones y se ha vuelto más violenta e impenetrable.

«Te diré que a Dios no podrían importarle menos los pobres. Dime, ¿por qué tenemos que vivir aquí de este modo? ¿Qué hemos hecho para merecer esto? Eres tan bueno y, sin embargo, sufres tanto», le dice un niño a su madre en este clásico en literatura migrante de Tomás Rivera. Fuera del gallinero en el que viven, su padre llora de dolor por los insoportables calambres que le provoca trabajar todo el día en el campo a merced del sol. El niño no es capaz de entender la fe de sus padres para con un dios capaz de imponer semejante sufrimiento, pobreza e injusticia a personas inocentes.

Years ago, Saint walked away from the girl he loved to fulfill his duty. Now he’s struggling to build bridges between his drifting family, take on more responsibilities at his uncle’s construction company, figure out why his daughter refuses to talk at school and curtail his mischievous abuelo’s escalating pranks. Then she walks back into his life.

Toño Azpilcueta pasa sus días entre su trabajo en un colegio, su familia y su gran pasión, la música criolla, sobre la que lleva investigando desde su juventud. Un día, una llamada le cambia la vida. Una invitación para ir a escuchar a un guitarrista desconocido, Lalo Molfino, personaje del que nadie sabe demasiado pero de gran talento, parece confirmar todas sus intuiciones: el amor profundo que siente por los valses, marineras, polkas y huainos peruanos tiene una razón más allá del placer de escucharlos (o bailarlos).

El círculo se cierra. Luis Restrepo debe empezar una nueva etapa de su vida. Con Luciana a punto de dar a luz, confundido, desconfiado, hundido en la desesperación, Restrepo planea el gran golpe que le permitirá dejar detrás toda la sangre y el dolor para, al fin, disfrutar de un futuro tranquilo y sin complicaciones.

In this collection of over 100 poems, Richard Blanco has carefully selected poems from his previous books that represent his evolution as a writer grappling with his identity, working to find and define “home,” and bookended them with new poems that address those issues from a fresh, more mature perspective, allowing him to approach surrendering the pain and urgency of his past explorations.

The Nightingale & The Rose is one of Oscar Wilde’s most poignant short stories. A nightingale overhears a student lamenting that he hasn’t a red rose to give to his true love, so she sets out to find a rose, but must sacrifice a great deal to get it. The Nightingale & The Rose was first published in The Happy Prince and Other Tales in 1888.

Sin City is one of the most notorious cities with a high murder rate. Crime Money Drugs; C.M.D. These streets are known to get down or lay down. High crime and drug rate, it’s just high violence period. In Sin City, we had it all for a small city, we’re known as the Cocaine Kingdom, every part of town was Chaos; there was the South Sonic Crew, The North Kackalakas, and the East Bangalagas. Outsiders were scared to enter these Bandlands because every corner had Beef and every street you caught static.

Contained in this book are 25 poems, each speaking about a multitude of different subjects. Each one is written in a different style, such as rhyme and free verse, and are sure to please!

Hernán Cortés toma la pluma nuevamente hacia el final de su vida. Esta vez no se dirige al emperador ni a un numeroso y anónimo lector, sino a su primogénito, Martín Cortés, hijo de la Malinche, para contarle su vida. Le habla de su infancia en Medellín, de sus días de estudiante en Salamanca y, por supuesto, de su llegada al Nuevo Mundo y de sus amores con doña Marina. Acompañamos a Martín en el descubrimiento de sus padres. Hallamos a una mujer dulce y determinada, arquitecta del México moderno.

In these rapidly changing times, it is more important than ever to know ourselves well and fully, even and especially in the face of turmoil. The Way Forward encourages listeners to connect more deeply to their intuition, using it to remain focused and grounded amidst a world in constant flux. In his latest collection of poetry and short prose, Yung Pueblo offers clear strategies for managing the unknown, inhabiting your personal power, and bringing your truest, healthiest self to relationships.

Winner of the National Book Award for Fiction A Best Book of the Year: The Washington Post, Time, BookPage A Must-Read: The New York Times, Time, Los Angeles Times, Chicago Tribune, The Guardian, Boston Herald, Literary Hub, The Rumpus, The Bay Area Reporter, Datebook, Electric Literature, The...

Benjamin Alire Sáenz's stories reveal how all borders—real, imagined, sexual, human, the line between dark and light, addict and straight—entangle those who live on either side. Take, for instance, the Kentucky Club on Avenida Juárez two blocks south of the Rio Grande. It's a touchstone for each of Sáenz's stories. His characters walk by, they might go in for a drink or to score, or they might just stay there for a while and let their story be told. Sáenz knows that the Kentucky Club, like special watering holes in all cities, is the contrary to borders.

La primera novela de Albalucía Ángel es una obra torrencial y adelantada a su tiempo que mezcla vivencias, digresiones y quimeras para trasladar al lector, a través de la mente de su protagonista, en un viaje frenético que lo llevará a toda velocidad a París, Roma, las islas griegas o Venus en una narración sin límites de género ni convenciones de estilo. Una obra que supuso un antes y un después para la literatura latinoamericana escrita por mujeres e introdujo con arrebato la experimentación posmodernista en la narrativa colombiana.

Hugo Contreras’s world in Miami has shrunk. Since his wife died, Hugo’s debt from her medical bills has become insurmountable. He shuffles between his efficiency apartment, La Carreta (his favorite place for a cafecito), and a botanica in a strip mall where he works as the resident babaláwo.

It's 1949 and two young Cuban musicians make their way from Havana to the grand stage of New York City. It is the era of mambo, and the Castillo brothers, workers by day, become stars of the dance halls by night, where their orchestra plays the lush, sensuous, pulsing music that earns them the title of the Mambo Kings. This is their moment of youth, exuberance, love, and freedom―a golden time that decades later is remembered with nostalgia and deep affection.

Mariella Saavedra Carquin confronts hard truths in this powerful debut collection, pushing through layered complexities of immigration, race, and identity to find a way forward.