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After his son is convicted of murder, Vietnam War veteran Jeremiah Fitzjurls takes over the care of his granddaughter, Joanna, raising her with as much warmth as can be found in an Ozark junkyard outfitted to be an armory. He teaches her how to shoot and fight, but there is not enough training in the world to protect her when the dreaded Ledfords, notorious meth dealers and fanatical white supremacists, come to collect on Joanna as payment for a long-overdue blood debt.

After his son is convicted of capital murder, Vietnam War veteran Jeremiah Fitzjurls takes over the care of his granddaughter, Joanna, raising her with as much warmth as can be found in an Ozark junkyard outfitted to be an armory. He teaches her how to shoot and fight, but there is not enough training in the world to protect her when the dreaded Ledfords, notorious meth dealers and fanatical white supremacists, come to collect on Joanna as payment for a long-overdue blood debt.

Magnolia Brown is nineteen years old, broke, and effectively an orphan. She feels stuck and haunted: by her overdrawn bank account, her predatory landlord, and the ghost of her late grandmother Mama Brown. One night, while working at her dead-end gas station job, a mysterious, slick stranger named Cotton walks in and offers to turn Magnolia’s luck around with a lucrative “modeling” job at his family’s funeral home. She accepts. But despite things looking up, Magnolia’s problems fatten along with her wallet.

When the mysterious death of a childhood friend forces homicide detective Alex Abrams to return to her hometown, she’s pulled back into a world of dark secrets and painful memories she thought she’d left behind. Alex, a battle-hardened Iraq War veteran, is forced to confront the ghosts of her past—and the deadly truth lurking in the shadows of her tight-knit community. Teaming up with her twin brother, Lucca, Alex soon uncovers a chilling pattern of so-called "accidental" deaths—each one more calculated and chilling than the last.

Event planner Hattie Norwood only came back home to Mountain View, South Carolina to support her parents as they receive word that the family peanut farm is infertile. This news doesn’t come as a surprise to Hattie, and she plans to return to Charlotte at the weekend’s end. But then the town councilwoman begs Hattie to use her event planning prowess to help Mountain View put on a musical benefit to stop the construction of the new Carolina Panthers stadium.

Delilah Jones was once my saving grace. Now, she might just become my ruin. Normally I'd do everything to avoid her in our small town of Willow Brook Falls, but that's impossible since she's now my daughter's new nanny. She's also way too young for me, and completely off limits. But there's just one problem. Even after all this time, I still can't seem to resist her.

I'm Remi Drake, the king of Memphis nightlife. At under thirty, I own the hottest spots in town, and believe me, I enjoy every perk that comes with it. Echo is my sister's friend. She was the designated ugly fat friend (DUFF) in high school. Now, she's a cancer researcher with a PhD. She's no longer fat but curvy and sexy. Then there's that amazing brain of hers. Plus, she's always had a thing for me. One night, things get out of hand, and I pitch the idea of an acquaintance-with-benefits relationship: no strings, no promises, and most importantly, no one can ever know.

Young Adam, who has been raised in Harlem by his white father, George, and Black mother, Thelma, goes back to his parents' home state of Alabama to participate in the voting rights campaign, only to be brutalized in the Bloody Sunday melee. He is still recovering from this when he is struck a heavy emotional blow, learning for the first time—and in the cruelest way imaginable—of a family secret that sends him spiraling and plunging further into danger. To save him, and any hope for their relationship, Thelma is drawn back, for the first time in twenty years, to the South.

Her peculiar great-grandmother warned her of the family curse. But that's when she believed in magic, seventh tribes, and petal people. Not anymore. Cassandra Cleopatra Collard is all grown-up. Grown up and in trouble. At twenty-five, she finds herself in the tabloids of the local gossip column accused of starting a strange, freakish fire, along with bizarre cultist behavior unbefitting to her bible belt small town. Cass has no memory of the incident, just a gash on her palm in the shape of a seven.

A seventh-grade girl travels to south Alabama where her grandmother is being cared for by incapable extended family members. The mother is overwhelmed with grief. But the girl, busy with her own relationship troubles, witnesses something else disturbing. Her Last Time in Dothan is a short story from Halle Hill’s Good Women, which delves into the lives of twelve Black women across the Appalachian South.

Dell gets an emergency call at work: Her best friend’s baby is due today, and something has gone terribly wrong. Speeding across town to beat anyone home, to take down the Welcome Home Baby signs, Dell finds herself revisiting the road that got them both here. The Miracle is a short story from Halle Hill’s Good Women, which delves into the lives of twelve Black women across the Appalachian South.

A woman boards a Greyhound bus to Florida with her ailing sugar daddy on a long journey to meet his mother. In the middle of the night, in the middle of rural Georgia, another passenger disrupts her plan. Seeking Arrangements is a short story from Halle Hill’s Good Women, which delves into the lives of twelve Black women across the Appalachian South.

Maudette works at the state fair. She hates her job, she hates what her mother does for a living, she hates the people in her town, especially one of her mother’s clients, a local deacon. Working the tilt-a-whirl one day, she begins to consider revenge. Honest Work is a short story from Halle Hill’s Good Women, which delves into the lives of twelve Black women across the Appalachian South.

The Best Years of Your Life is a short story from Halle Hill’s Good Women, which delves into the lives of twelve Black women across the Appalachian South. Darkly funny and deeply human, Good Women observes how place, blood ties, generational trauma, obsession, and boundaries―or lack thereof―influence how we navigate our small worlds, and how those worlds so often collide in ways we don’t expect.

Colleen is a short story from Halle Hill’s Good Women, which delves into the lives of twelve Black women across the Appalachian South. Darkly funny and deeply human, Good Women observes how place, blood ties, generational trauma, obsession, and boundaries―or lack thereof―influence how we navigate our small worlds, and how those worlds so often collide in ways we don’t expect.

As a child, Phoebe Manigault developed the gift of premonition after she was struck by lightning in the creeks near her Charleston home. Plagued throughout her life by mysterious dreams, and always living in the shadow of her beautiful sister, Addie, Phoebe eventually moves to the West Coast, as far from her family as possible. Now, years later, she is summoned back to South Carolina, to help Addie care for their ailing mother. As Phoebe’s return lures her back into deep-rooted tensions and conflicts, she is drawn toward Celeste, whose granddaughter went missing years ago.

When Charlotte Sitterly’s husband is arrested for a white-collar crime, she and her daughter Iris are locked out of their house by the FBI and—what’s potentially even worse—thrust into the spotlight of @JuniperShoresSocialite, the town’s snarky anonymous Instagram account. Cut off from her bank accounts and feeling desperate, Charlotte takes up an acquaintance’s offer to stay at a beachfront former bed-and-breakfast that’s home to a community of single mothers and draws plenty of gossip in the small coastal North Carolina town.

Jojo, de trece años, y su hermana menor Kayla viven con sus abuelos negros en una granja en la costa del Golfo de Misisipi, con la compañía siempre esporádica de su madre, Leonie, una mujer que desearía ser mejor madre de lo que es, atormentada y en ocasiones reconfortada por las visiones de Given, su hermano asesinado cuando era adolescente.

Bob Miller ha creado el paraíso con el que siempre soñó: una granja en lo alto de un valle, a cinco kilómetros del pueblo más cercano, donde él y su esposa Liz viven y crían a su hijo de siete años, Tommy, cultivando su propia comida, hilando y tejiendo su ropa, fabricando sus propios muebles. Él mismo construyó la casa en la que habitan, sin teléfono ni televisor, sin automóvil, sin más conexión cotidiana con el mundo exterior que los viajes diarios de Tommy a la escuela. Allí viven, piensa Bob, y allí vivirán siempre.

An old woman, riddled with dementia, walks off into the woods in the middle of the night. A light in the wood draws her to a campfire with two strange, dangerous men, one young and one old, who are there plotting a crime of as-yet-indeterminate purpose. The two men have a job to do. They are hunting something precious but have only been told: you’ll know it when you see it. When they arrive at the place, an abandoned church cellar in the burned-out countryside, they find an answer they never could have predicted.