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The Odyssey by Homer in the Samuel Butler translation, narrated by Michael Bronks. Follow Odysseus through treacherous seas, encounters with gods like Athena and Poseidon, and mythical creatures such as the Cyclops and Sirens. Experience the epic journey of Greek mythology, heroism, and adventure that defines The Odyssey in its full, timeless form.

The Iliad is one of two major ancient Greek epic poems attributed to Homer. It is one of the oldest extant works of literature still widely read by modern audiences. As with the Odyssey, the poem is divided into 24 books and was written in dactylic hexameter. It contains 15,693 lines in its most widely accepted version. Set towards the end of the Trojan War, a ten-year siege of the city of Troy by a coalition of Mycenaean Greek states, the poem depicts significant events in the siege's final weeks.

Alexander Pope was celebrated for his command of classical Greek and produced seminal translations of the Iliad and the Odyssey. Prior to the preparation of these translations, Pope took advantage of his mastery of the classical style and also his waspish wit to compose a burlesque epic about the theft of a lock of hair. The incident that inspired Pope was related to him by his friend John Caryll. Lord Petre had cut off a lock of the hair of Arabella Fermor, whom he was courting at the time, without asking the lady's permission.

The English Cantos reaches its cosmic conclusion in DoorWay. In the third and final instalment of this Dantean epic, the poet-pilgrim must complete his quest, venturing through a realm of stars, planets, constellations, and Seraphim to come face to face with the living, unknowable God—and discover his true purpose.

Theogony & Works and Days by Hesiod are foundational texts of ancient Greek literature, offering a powerful blend of myth, morality, and early philosophical thought. In Theogony, Hesiod presents the first systematic account of Greek mythology, tracing the origins of the cosmos and the genealogy of the gods—from Chaos and Gaia to Zeus and the Olympian order.

Protectress is a hybrid poetry-prose novella offering a risky take on the legend of Medusa. With stunning economy of words and a delicate hand, Protectress provokes us to think about the feminist identity and the power of compassion. Listeners who fell deeply for Emily Wilson’s translation of The Odyssey, Margaret Atwood’s The Penelopiad, Madeleine Miller’s Circe, Emily St. John Mandel’s Station Eleven, Maria Dahvana Headley’s translation of Beowulf, and Toby Barlow's Sharp Teeth will find themselves enamoured with Protectress.

The Iliad stands as the blazing cornerstone of all Western storytelling, an ancient epic that captures the violent splendor, tragic heroism, and unbearable human cost of the Trojan War. Attributed to Homer but shaped by generations of oral poets, it plunges listeners directly into the final, furious weeks of a ten-year siege, where gods interfere in mortal affairs, armies clash on the dusty plains beneath Troy’s towering walls, and the fate of empires turns on the choices of men driven by pride, rage, love, and grief.

In this moody Russian drama, Ivanov is a melancholic impoverished landowner whose wife is dying of tuberculosis. However, he finds himself irresistibly drawn to the beautiful Sasha, the daughter of his wealthy neighbors. Augmented by a diverse array of colorful supporting characters and intrigues, this play provides a glimpse of master dramatist Anton Chekhov's early work.

Renowned poet and critic Clive James presents the crowning achievement of his career: a monumental translation into English verse of Dante’s The Divine Comedy. The Divine Comedy is the precursor of modern literature, and this translation - decades in the making - gives us the entire epic as a single, coherent and compulsively listenable lyric poem. Written in the early 14th century and completed in 1321, the year of Dante’s death, The Divine Comedy is perhaps the greatest work of epic poetry ever composed.

In this book-length epic poem set in northern Nigeria, Saddiq Dzukogi blends the personal with the mythical, part prayer and part praise song, expanding the griot tradition of Bakandamiya, a poetic form from northern Nigeria popularized by Mamman Shata.

The terrible and long-drawn out siege of Troy, the quarrel of Achilles and Agamemnon, the interactions between Olympian Gods and humans, remains among one of the classic campaigns and the heroism and treachery of the combatants have been unmatched in song and story. It is a literal translation, but prose, and therefore so much easier to understand! This is certainly the version for those who want to know what Homer is about.

Poème épique de l’Antiquité, L’Odyssée s’ouvre par l’invocation à la Muse et chante les maux innombrables du divin Ulysse, en proie aux longues épreuves du retour depuis la ville sacrée de Troie. Aux prises avec la faveur et la colère des dieux, il lutte pour sa vie et pour celle de ses compagnons—les imprudents dont l’offense faite aux génisses saintes du Soleil leur ravit le jour du retour.

Chef-d’œuvre épique du XVIIe siècle, Le Paradis Perdu de John Milton déploie, en vers amples et solennels, une méditation vertigineuse sur la tentation, le péché et la rédemption. À l’échelle du cosmos comme au cœur de l’âme, la parole poétique scrute la grandeur et la fragilité humaines, entre épreuve, faute et espérance.

رقْمِك الأوّل.. معَ العالمْ.. رِفيعْ صَعْب.. ما تِرْضيك.. غير.. الأوّلَهْ تِشْهد.. الدّنْيا وعَالمْها ..الْوسيعْ أنتَ.. حَلاّل.. الْأمُور.. المُعضِلَهْ قَلْب أبو خالدْ وطنْ ضَمّ الْجِميعْ هذيَ القصّهْ وكلّ المسْألَهْ النّوايا البِيض تبْقى ما تِضيعْ ربّنا إنْ حَبّ عَبْدهْ كَمّلَهْ يا كَفو.. يتْبَع كَفو.. فِكْرِكْ بِديعْ يِخْترِقْ عقْل الْخِصيم.. وْيذْهلِهْ أشْهد إنّك للْوطَن سَدٍّ.. مِنيعْ مِبْهر.. الْعالَم.. وهَذيْ.. مَرْجَلَهْ وأشْهد إنّهْ مِن عَصَى شورِكْ يِضيعْ ما ربَحْ.. غير.. الهَزَلْ.. والْبَلْبلَهْ مِن خُطاك.. القاحِلَهْ تِنْبِتْ.. رِبيعْ أنتَ.. رَحمةْ.. مِن إلهي.. مُرسَلَةْ بِكْ إماراتيْ غَدَتْ عِشْق الجميعْ يا مُهنْدسْهَا.. ورَاعي.. الأوّلَهْ

À l’arrière-saison, un chevalier quitte sa maison, seul, en proie aux pensées. La nature se défait—feuilles, fleurs, odeurs—tout tend à froideur et à neige. À l’écoute d’un propos de vérité, il mesure l’enfance passée, la jeunesse dépensée, l’honneur et la grâce divine. Composé à l’ombre d’un deuil—la mort du duc de Bourgogne, trépassé devant Nancy en Lorraine—ce poème méditatif interroge la gloire qui s’éteint, la vanité des choses et la constance des âmes. Une élégie chevaleresque, grave et sobre, où le temps et la mémoire conduisent vers une ferme résolution.

The year is 878. Young King Alfred struggles to regain his West Saxon kingdom from the invading pagan Danes led by Gormr (aka Guthrum, aka Godrum). His kingdom overrun, Alfred joins Gormr's court disguised as a Welsh gleeman. Gormr consults Alfred as a counselor and wizard, but resists Alfred's attempts to convert him. Meanwhile, Alfred learns that his lady and their children are Gormr's prisoners.

Erzsébet Báthory was history's most prolific female serial killer. Born into Hungarian nobility in 1560 she became infamous for torturing and murdering hundreds of young girls between 1590 and 1610. Erzsébet was obsessed with maintaining her youth and beauty and believed that bathing in the fresh blood of virgins would preserve her youthfulness.

In the land of Woodashoodakooda, the Woodashoodakoodans plan their work and work their plan eight days a week. There’s no time for fun and games. The good news is they have friendly, helpful robots to lighten their load. The bad news is that things don't always go as planned. As Woodashoodakooda dangles on the edge of darkness and destruction, the robots lead them on a wild goose chase down an oddly familiar rabbit hole.

From an award-winning translator, a new dual-language translation of poems by Catullus, the Roman poet and punk, the lover and hater, the hedonist and wretch, famous for his contradictions, on friendship, sympathy, love and sex, and notably, diatribes against enemies. In his short life, the...

ALMUSTAFA, the chosen and the beloved, who was a dawn unto his own day, had waited twelve years in the city of Orphalese for his ship that was to return and bear him back to the isle of his birth. And in the twelfth year, on the seventh day of Ielool, the month of reaping, he climbed the hill without the city walls and looked seaward; and he beheld his ship coming with the mist. Then the gates of his heart were flung open, and his joy flew far over the sea. And he closed his eyes and prayed in the silences of his soul.