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Entre o luto pela morte do pai e a felicidade pelo nascimento da filha, Allan Dias Castro nos leva a ver a saudade não mais através da tristeza da perda, mas como a celebração da grandiosidade da vida. Mesclando poesia com histórias pessoais, este é um mergulho nas memórias que todos nós compartilhamos: os almoços na casa da vó, as noites febris da infância, os causos na companhia dos amigos, os conselhos dos mais velhos para aplacar nossos medos.

Renia White is a first-time author. Her debut collection, Casual Conversation, was chosen by Aracelis Girmay as a Blessing the Boats Selection. Named in honor of Lucille Clifton’s National Book Award-winning collection, Blessing the Boats Selections spotlight new poetry collections by women poets of color. Previous Blessing the Boats Selections include Letters to a Young Brown Girl by Barbara Jane Reyes and Year of the Dog by Deborah Paredez.

Clara Jean Beaman Walker was the third of seven children born to Cora and Clarence Beaman in Knoxville, TN, in 1910. Considered to be “Little Mother” by her siblings, she always gave her best to her birth family and to the family she created with her husband, John Albert Walker. Three sons came from this union: Johnny, Clarence, and Henry. A teacher at heart, Jean saw each child before her and helped them navigate home economics, English, and realizing their potential.

Ugly Sisterhood The Forbidden Truth is a poem that details a plea from one sister to another to rally together instead of living as rivals.

Daddy's Roaming Wild Thing is a poem about a courageous misfit receiving life advice from her passed on father in spirit.

This audiobook contains poems about places, problems, and people that the author has encountered over his 70 plus years of life. They are reflections on relationships and struggles, as well as on the natural and built-in environment where we live.

Sometimes in your life, you meet someone special that changes everything you thought you knew about love. They may be younger or older from different religions or races. It does not matter how, why, or when. They bring a smile to your face when you had none before lighting up the darkness that you're living in. Your heart will race and your mind opens up to the distinct possibilities of anything you may have wished for or dreamed of.

Blood Aside I Take It Personal is a poem that details the trials and tribulations a person experiences while trying to start over in life after the betrayal of friends and family.

Am I My Mother's Child is a poem about a daughter questioning her maternal lineage while experiencing cruelty from mother.

In this deeply intimate second poetry collection, Ocean Vuong searches for life among the aftershocks of his mother's death, embodying the paradox of sitting within grief while being determined to survive beyond it. Shifting through memory, and in concert with the themes of his novel On Earth We're Briefly Gorgeous, Vuong contends with personal loss, the meaning of family and the cost of being the product of an American war in America. At once vivid, brave and propulsive, Vuong's poems circle fragmented lives to find both restoration as well as the epicentre of the break.

c a r v e d, Kate Mapother's first collection of poetry, explores life and loss in its varied dimensions. At once gut-wrenching and hopeful, these poems take the listener by the hand and heart through themes of sexuality, God, love, grief, and family. The writing is rich in imagery and substance, leaving no doubt in the listener's mind about Mapother's ability to plumb the depths of hard emotion, then land you somewhere soft. These poems don't pretend to know. They simply witness.

Through entrancing narration of essay and poetry accompanied by soothing sound effects, Nora Nneka (Dr. Nora Ekeanya) details some of the traumatic events that led to her estrangement from her mother and decision to pursue a career in psychiatry.

It’s that time of year again. With his signature wit, Brian Bilston returns with And So This is Christmas, fifty-one poems in celebration of the festive season: from bizarre family traditions to the office Christmas party; from voting day for turkeys to the impossible art of gift-giving. So hang your stockings, grab your mistletoe and curl up with this heart-warming collection of Christmas crackers.

Poetry created for Astrid, my grandchild.

With breathtaking lyricism and a vulnerability that pierces the heart, April Gibson journeys through the emotional abysses, the daily pleasures, the frustrations, and the joys of being a Black woman living with chronic illness. Gibson offers a unique perspective on “the body,” viewing disability and healthcare through both feminist and socio-economic lenses filtered by race and faith. Through gorgeous sensory language that migrates memories, from carefree innocence to the ravages formed in its absence, Gibson bears witness to grief, courage, and resistance to redefine herself on her own terms.

Poems about my life, my perceptions, my love of God, and my attempts at loving others and myself.

What happens when everything falls away, when those you call on in times of need are themselves calling out for rescue? In his highly anticipated second collection, Chen Chen continues his investigation of family, both blood and chosen, examining what one inherits and what one invents, as a queer Asian American living through an era of Trump, mass shootings, and the COVID-19 pandemic.

Im Reifrockputz, mit Blumen reich verzieret, Schönpflästerchen auf den geschminkten Wangen, Mit Schnabelschuhn, mit Stickerein behangen, Mit Turmfrisur, und wespengleich geschnüret.

In Root Fractures, Diana Khoi Nguyen excavates the moments of rupture in a family: a mother who was forced underground after the Fall of Saigon, a father who engineered a new life in California as an immigrant, a brother who cut himself out of every family picture before cutting himself out of their lives entirely. And as new generations of the family come of age, opportunities to begin anew blend with visitations from the past.

A diaspora of memories runs through this poetry collection—a multiplicity of voices, bodies, and houses hold archival material for one another, tracing paths between Brooklyn, Beirut, and Jerusalem. Boundaries and borders blur between space and time and poetic form—small banal moments of daily life live within geopolitical brutalities and, vice versa, the desire for stability lives in familiarity with displacement.