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Kate Baer shot into the literary stratosphere with the publication of her debut poetry collection, What Kind of Woman, which became an instant #1 New York Times bestseller. Kate’s second full-length book of traditional poetry, And Yet, dives deeper into the themes that are the hallmarks of her writing: motherhood, friendship, love, and loss. Taken together, these poems demonstrate the remarkable evolution of a writer working at the height of her craft, pushing herself and her poetry in a beautiful and impressive way.

Bestselling author and mom blogger Bunmi Laditan vulnerably shares the prayers she's prayed for her children as inspiration for your own prayer life. Refreshingly relatable, bravely honest, and deeply heartwarming, Help Me, God, I'm a Parent meets you right where you're at and gives voice to the thoughts everyone--even you--has about parenthood that they are afraid to say out loud.

Linda Gregerson’s long-awaited new collection is a tour de force, a compendium of lives touched by the radical fragility of the planet and, ultimately, the endless astonishment and paradox of being human within the larger ecosystem, “in a world where every breath I take is luck.”

Peter Coyote’s first collection of poetry takes us on a whirlwind tour of an eclectic and exciting life as an actor and Zen Buddhist priest, meandering from love affairs to marriage to divorce to the '60s to psychedelic spirituality and beyond. Written over several decades, these poems sound like a collage, each piece distinct and contributing to a cohesive lyric narrative.

Across three sequences, Joshua Bennett’s new book recalls and reimagines social worlds almost but not entirely lost, all while gesturing toward the ones we are building even now, in the midst of a state of emergency, together. Bennett opens with a set of autobiographical poems that deal with themes of family, life, death, vulnerability, and the joys and dreams of youth.

This poetry collection is extraordinary in the way it interweaves the author’s emotions towards family, partner, and life. It will find its way into the ears of the listeners, and open up a whole new world.

Frank, unsparing, often violent, and disturbing, these poems speak in the voice of a young man trying to navigate the city he loves as he lives in the long shadow of its decline with a sense of grace and hope. With the city of Baltimore as his backdrop, accomplished poet, author, and editor Dean Bartoli Smith offers a wrenching examination of our troubled attachments to place and the deepest wounds of the American psyche.

From “Portrait of the artist, gaslit” to “Portrait of the artist’s ancestors” to “Portrait of the artist reading a newspaper,” the poems in Harbinger reflect the many facets of the artistic self as well as the myriad influences and experiences that contribute to that identity.

Radiant and tender, My Baby First Birthday is a collection that examines innocence, asking us who gets to be loved and who has to deplete themselves just to survive. It's about existence and nonexistence, about being born - without consent. Jenny Zhang writes about accepting pain, about the way we fetishize womanhood and motherhood, and reduce women to their violations, traumas, and body parts.

“I will consider a slice of pizza," opens Phillips's poem "Jubilate Civitas." "For rare among pleasures in Gotham, it is both / exquisite and blessedly cheap." Thus, as throughout this collection, he celebrates a simple pleasure that "in a time of deceit . . . is honest and upright, steadfast and good"; even the busted buttons we press when waiting to cross the street make for elegy in a collection that brings us this poet at his burnished best.

From a visionary writer praised for her captivating work on Black history and experience, comes a poetry collection exploring personal, political, and artistic frontiers, journeying from her family's history as "Afropioneers" in the American West to shimmering glimpses of transcendent, liberated futures.

"Enoch Arden" is a long narrative poem that is built on a theme that has been widely explored in literature and on film. A man is separated from his family due to shipwreck and marooned on an island. After several years of absence from his home, it is assumed that he has died, and his wife remarries and starts a new family. After 10 years, the man finally makes his way home and has to deal with the trauma of discovering his wife and family happily established in a new relationship.

I am open; these words are my sutures. Shades is an attempt to reconcile who I am as a man, with a society that seems to be fluctuating and struggling at every turn. I show my encounters with family, religion, queerness, heartbreak, COVID-19, and politics. This is a look at my life in 2021, shown through poetry.

Intimate, moving, virtuosic, and hilarious, Tayi Tibble is one of the most exciting new voices in poetry today. In Poūkahangatus (pronounced “Pocahontas”), her debut volume, Tibble challenges a dazzling array of mythologies—Greek, Māori, feminist, kiwi—peeling them apart, respinning them in modern terms.

Walking Gentry Home tells the story of Alora Young’s ancestors, from the unnamed women forgotten by the historical record but brought to life through Young’s imagination; to Amy, the first of Young’s foremothers to arrive in Tennessee, buried in an unmarked grave, unlike the white man who enslaved her and fathered her child; through Young’s great-grandmother Gentry, unhappily married at fourteen; to her own mother, the teenage beauty queen rejected by her white neighbors.

In Girls That Never Die, award-winning poet Safia Elhillo reinvents the epic to explore Muslim girlhood and shame, the dangers of being a woman, and the myriad violences enacted and imagined against women’s bodies. Drawing from her own life and family histories, as well as cultural myths and news stories about honor killings and genital mutilation, she interlaces the everyday traumas of growing up a girl under patriarchy with magical realist imaginings of rebellion, autonomy, and power.

Fans of Colm Tóibín’s novels, including The Magician, The Master, and Nora Webster, will relish the opportunity to re-encounter Tóibín in verse. Vinegar Hill explores the liminal space between private experiences and public events as Tóibín examines a wide range of subjects—politics, queer love, reflections on literary and artistic greats, living through COVID, and facing mortality.

The poems of Dear October chronicle the evolution of the natural world and a daughter caring for her mother during the last year of her life. Months of the final year act as the scaffolding for the collection as they reflect on the 12 moons. The spirit of home, family, and mother-daughter relationship intertwine with the diversity of culture and ecology in Northern New Mexico.

D. Nurkse’s immigrant parents met on a boat out of Europe in 1940; he was a child of the generation whose anxieties were forged in the shadow of Hiroshima and the aftermath of WWII. His poems extend that child’s dignified ignorance into an open encounter with the cataclysms of the latter twentieth century and with family structures.

Raise a glass, and sample what's been cooked up in this A Crock of Sundries, Volume One. A pinch of family traditions. A dash of the teenage years. Toss in a few alcohol-infused musings. Top it off with a bit of cheeky satire, and some pensive prose and poetry for a fun literary romp through genres. This single-author, multi-genre anthology by Timothy R. Baldwin is sure to have a bit of something for everyone. So kick back in your favorite reading spot, pour yourself a drink, and settle in for an evening of diverse entertainment.