検索キーワード： 死・悲嘆・喪失

The poetry of Michael Ondaatje begins in memory: distant landscapes, myths from childhood, fleeting interactions with loved ones, and characters from history itself. In poems that are spare as often as they are fable-like—as tender as they are heart-wrenching—the poet navigates the past, looks toward the future, and unearths inevitable truths about the world.

In her first book, poet Havva Ramadan explores the pain of grief, the struggle of mental health, and the journey we all must take to collect our pieces and rebuild ourselves once again.

Dean Browne arrives at the After Party with the maturity and style of an altogether more seasoned poet. In a debut collection of standout and stand-alone poems, each tests the boundaries of its unique universe. Browne is a mesmeric teller of strange tales, imaginings that can seem origamically contained within the compressed dimensions of a poem. A leg sets off on a long train journey; a Parisian alley cat is launched into space; earthbound lovers attempt to connect while their inner lives prove unbridgeable.

A journey through the ups and downs of love, heartache, heartbreak, loss, grief, and healing, this book reflects my inner most thoughts from my most recent years of life

‘He seeks to contain multitudes’, commented one reviewer of John Stammers’ poetry, and in this long-awaited fourth collection Stammers’ restlessly eclectic range is very much in evidence. Here are poems of technical surprise alongside those of candid tenderness; poems that set love and love-making within a wider emotional and intellectual context. Here are epistemological meditations that nonetheless preserve the ‘essential gaudiness’ of poetry; and elegies for artist friends that consider the ephemeral nature of fame and charisma.

The Back of Your Pickup: Poems of Love, Loss, and the Roads That Never Led Home. I remember the summer heat sticking to my skin, the radio humming a song we half-knew, and your hand tapping the steering wheel like you had nowhere to be but everywhere to go. The back of your pickup wasn’t just a truck bed—it was a church, a confessional, a place where love was whispered under a sky too big for the things we couldn’t say. The Back of Your Pickup is a collection of poetry that lingers in the spaces between love and loss, between leaving and staying, between who we were and who we became.

Written under the pseudonym "Carolus", Lyrics & Lines is a book of poems written, probably circa 1890-1900, as a gift to one he had loved and lost. Love, Humour, Moralisation and the Macabre all come together in a most enjoyable manner.

In this poignant and inspiring collection of 60 poems, Melody Wallack takes listeners on a journey through the highs and lows of life after loss, a testament to the resilience of the human spirit and the enduring power of love. Through her personal story of grief and healing, Wallack captures the beauty and pain of love, the sorrow of loss, and the transformative power of self-discovery.

After the death of her husband, Jay, Nancy wrote poems as a way of expressing her pain and dealing with her overwhelming loss.

Alice Teeter's Book of Revelations is gentle and brutal, devoid of the supernatural and full of nature. Her poetry gives us a recipe, a warning, a hint at what is to come.

After losing their parents at a young age, the brothers believe they're finally living the good life when they discover a shocking truth surrounding their parents' death. Motivated by a desire to avenge mom and dad, while having the support of their grandparents and godfathers, the boys set out to investigate what really happened. Looking for justice, they come face-to-face with secrets, lies, and cover-ups that will change them forever.

This collection of lyrical and thoughtful free verse poetry takes listeners on a journey through life's thoughts and sentiments. Everything from the loss of a mother to the ache of heartbreak is given a moment. Listeners can feel the beat of the poetry’s pulse and lose themselves in a life other than their own, while still seeing reflections of themselves in the poems’ deep waters.

In 2008, I was diagnosed with bladder cancer. I underwent two years of treatment, including chemotherapy, radiation, and surgery. In January of 2010, I had my bladder removed, and thankfully, I have been cancer free since then.

This honest and haunting collection of poems follows the loss of the poet’s only son to heroin addiction. St. Germain takes us through the stages of her grief and offers no false promises or simple answers. These narrative-driven poems are a compelling and compassionate look into addiction and the effect it has on a family.

You have been looking for this book for quite some time. Pick it up to begin a journey into the deepest depths of the human psyche and the darkest corners of the imagination. Dare to delve into the human psyche's unspeakable corners and passages with this chilling horror anthology collecting some of history's greatest English poems.

La produzione in versi più conosciuta di Giacomo Leopardi. La raccolta si divide in quattro fasi: la prima riguarda temi erotici, il suicidio, la natura e il senso della vita; la seconda tratta i piccoli e i grandi idilli; la terza è dedicata alla donna di cui Leopardi si innamorò, Fanny Targioni Tozzetti; la quarta e ultima fase comprende infine due canzoni sepolcrali, la "Palinodia", il capitolo "I nuovi credenti", "La ginestra" e "Il tramonto della Luna". Giacomo Leopardi (1798 – 1837) è stato un filosofo, filologo, poeta e scrittore italiano.

“We lived overlooking the walls overlooking the cemetery.” So begins the title poem of this collection, whose recursive temporality is filled with living, grieving things, punctuated by an unseen world of roots, bodies, and concealed histories. Like a cemetery, too, The Milk Hours sets unlikely neighbors alongside each other: Hegel and Murakami, Melville and the Persian astronomer al-Sufi, enacting a transhistorical poetics even as it brims with intimacy.

An astonishing collection about interconnectedness—between the human and nonhuman, ancestors and ourselves—from National Book Critics Circle Award winner, National Book Award finalist and U.S. Poet Laureate Ada Limón.

The women in Allison Adair’s debut collection—luminous and electric from the first line to the last—live in places that have been excavated for gold and precious ores. They understand the nature of being hollowed out, of being “the planet’s stone / core as it tries to carve out one secret place and fails.” And so, as these poems take us from the midst of the Civil War to our current era, they chart fairy tales that are at once unsettling and painfully familiar, never forgetting that cruelty compels us to search for tenderness.

In these poems, Kleber-Diggs names delight in the same breath as loss. Moments suffused with love—teaching his daughter how to drive; watching his grandmother bake a cake; waking beside his beloved to ponder trumpet mechanics—couple with moments of wrenching grief—a father’s life ended by a gun; mourning children draped around their mother’s waist; Freddie Gray’s death in police custody. Even in the refuge-space of dreams, a man calls the police on his Black neighbor.