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Bette loves Mei, but Bette and Mei are on a break, so Bette can catch-up on the decade of dating experiences she missed before she came out. So Bette is (reluctantly) on a dating odyssey: a quest to have lots of casual sex with lots of hot women and come back to Mei more experienced and more certain about what she wants. And now she has new friend Ruth as her queer dating guide, she can't possibly fail. It's just three months, then she'll be back with Mei. It's the perfect plan … isn't it?

When Myriam and Allison fall in love at a show in a run-down punk house, their relationship begins to unfold through a series of hypotheticals. What if they became mothers by finding a baby in an alley? What if the only cure for Myriam’s depression was Allison’s flesh? What if they were B-list celebrities, famous for writing a book about building healthy lesbian relationships? How much darker - or sexier - would their dynamic be if one were a power-hungry CEO, and the other her lowly employee?

It’s summertime at Treemeadow College and the living isn’t easy. Theatre professors and adorable couple Nicky, Noah, and their thespian troupe stage an original musical adaptation of the King Arthur Legends entitled, Knights in Tights. Queens blissfully shout, “King me,” until critics drop like their scathing reviews.

Wyatt Wallace is a practical, super organized director of TV commercials. Biz Petterelli is a child-actor-turned-magazine-writer who thrives on spontaneity. Though polar opposites, they are fully committed to their relationship and their life in Brooklyn with their dog, Matilda. They’re also about to have a baby together. And they’re freaking out. They’ve both dreamed of becoming parents, but now that it’s happening, they’re doubting everything. Their baby is due in a few weeks and instead of flying to California just before the birth as planned, Biz has a better idea.

Patrick O’Hara is back. It’s been five years since his summer as his niece Maisie and nephew Grant’s caretaker after their mother’s passing. The kids are back in Connecticut with their dad, and Patrick has relocated to New York to remain close by and relaunch his dormant acting career. After the run of his second successful sit-com comes to a close, Patrick feels on top of the world . . . professionally. But some things have had to take a back seat. Looking down both barrels at fifty, Patrick is single again after breaking things off with Emory.

Chaotic bisexual Wendy is trying to find her place in the queer community of San Lazaro, Arizona, after a bad breakup—which is particularly difficult because her ex is hooking up with some of her friends. And when the people around them start turning into violent, terrifying mindless husks, well, that makes things harder. Especially since the infection seems to be spreading.

London, 2014. Hal Lancaster – twenty-two, gay, Catholic, chops lines of cocaine with his myWaitrose card – is the reluctant heir of his father Henry, the sixteenth Duke of Lancaster. Henry is half tyrant, half martyr, with an investment in his eldest son that has grown into an obsession. While Hal floats between internships and drinking sessions, Henry keeps him in check with passive-aggression, religious guilt, and a cruelty that Hal sometimes confuses for tenderness.

Lady Mona Roughton ist keine Aristokratin, wie sie im Buche steht. Der geerbte Adelstitel kommt mit einem altehrwürdigen Anwesen, das mehr Risse hat als ihre Ehe mit dem verstorbenen Lord. Damit der Freigeist aus San Francisco ihr neues Leben im ländlichen England halten kann, wird das stattliche Easley House prompt zur gewinnbringenden Touristenfalle. Zum Glück steht ihr Adoptivsohn Wilfred zur Seite, der einst vor der Deportation durch Thatchers eiserne Legislation floh. Denn als die Amerikanerin Rhonda ein Zimmer mit ihrem Ehemann mietet, braucht Mona jede Hilfe, die sie kriegen kann.

Two years after successfully melting down the top secret sperm bank under the Space Needle, the CLITO collective (Community of Lesbians Inclusive To Others) is thriving on their newly acquired private island, Lesbos 2. All is well in their queer utopia. Or is it? Investigative reporter Sarah Keebler (Sarah Steele) is piecing together the crew's previous heist for her bombshell true-crime podcast–and getting dangerously close to the truth.

When Mona Ramsey married Lord Teddy Roughton to secure his visa—allowing him to remain in San Francisco to fulfill his wildest dreams—she never imagined she would, by age 48, be the sole owner of Easley House, Teddy’s grand, romantic country manor in the UK. She also didn't imagine that she’d need to open the manor’s doors to paying guests to afford the electric bill and repair the leaking roof. Yet somehow she and her young friend Wilfred--whom guests assume is serving as Easley’s charming-but-clumsy butler--and the loopy old gardener Mr. Hargis, are making it work.

Enid is many things: lesbian, serial dater, deaf in one ear, space obsessive, true crime fanatic. When she's not listening to grizzly murder podcasts, she's managing her crippling phobia of bald people and trying hard not to think about her mortifying teenage years—which is hard, when she's lost the password to her old YouTube account and the (many) vlogs that her teen self once uploaded. She's worried about herself, her depressive mother, and what the deal is with gender reveal parties.

Enid is obsessed with space. She can tell you all about black holes and their ability to spaghettify you without batting an eye in fear. Her one major phobia? Bald men. But she tries to keep that one under wraps. When she’s not listening to her favorite true crime podcasts on a loop, she’s serially dating a rotation of women from dating apps. At the same time, she’s trying to forge a new relationship with her estranged half-sisters after the death of her absent father.

Millie wants to graduate, get a job and buy a house. She’s slowly saving up from her job on campus, but when a visiting professor offers her an unusual opportunity to make some extra money, she jumps at the chance. Agatha is a writer, recovering from a break-up while researching attitudes towards weddings and money for her new book. She strikes gold when interviewing the girls in Millie’s dorm, but her plans take a turn when she realises that the best material is unfolding behind closed doors.

A protagonista deste romance vai do paraíso ao inferno em poucas páginas. Casada com a mulher que ama, ela suspeita de que tenha sido traída durante uma de suas viagens de negócios. A angústia de não saber o que se passa, o medo de perguntar, a desconfiança e a dúvida, que nunca tiveram espaço na relação–considerada perfeita pelos amigos–agora rondam o casal. Mas será mesmo que a traição existiu? Ou era o amor que estava minguando?

After a lifetime of taking care of his impossible but irresistible sister and his cherished niece, Tom is ready to put himself first. An architect specializing in tiny houses, he finally has an opportunity to build his masterpiece—“his last shot at leaving a footprint on the dying planet.” Assuming, that is, he can stick to his resolution to keep the demands of his needy family at bay. Naturally, that’s when his phone rings.

Henry is a lawyer, an old-fashioned man, gay, successful, and lonely. Thalia, his stepdaughter from a misbegotten marriage, is now twenty-nine, an actress, hopeful and estranged from her newly widowed crackpot mother. Hoping it will lead to better things for her career, Thalia poses as the girlfriend of a former sitcom star and current horror-movie luminary who is down on his romantic luck. When Thalia and her complicated social life move into the basement of Henry’s Upper West Side townhouse, she finds a champion in her long-lost father, and he finds new life—and maybe even new love.

Diego já sabe muito bem que seu irmão só liga para ele em duas situações: no Natal e quando precisa de um favor. Mas dessa vez, unindo o inútil ao desagradável, Diogo decide inovar e pede um favor natalino: que Diego seja o Papai Noel na festa da escola dos sobrinhos. O problema é que Diego odeia o Natal. E fazer favores. Fugindo de todas as comemorações e decidido a deixar o irmão se virar, Diego recebe a visita de três espíritos natalinos (tal qual Ebenezer Scrooge) que são a cara dos seus sobrinhos e trazem a mensagem de que o Natal quer fazer as pazes.

«Quest’estate, non sapendo cosa fare, ho formato un comitato per il fiume Lambro sito Unesco. Subito ho avuto cinque adesioni.» È solo l’inizio di questa storia, un atto dovuto per rimediare a una clamorosa ingiustizia. Non è possibile infatti che Milano sia sede di un unico sito, quando per trovarne a decine basta un giro sul Lambro: dalla baia dei lavandini – il primo lavandino vecchio vi fu gettato da Giovanni il Pirla – alle colonie di mangiatori di girini, fino alle lettere d’amore infilate nelle bottiglie vuote del Vernel.

In their lovely old Cotswolds village, Janet and Susan are known to all the other villagers as “the girls”—a fixture. Partners in love and work, co-proprietors of a picturesque shop specializing in the work of local artisans and farmers, they lead an enviable, enviably settled life. So it’s no catastrophe when Sue, the younger of the two, feels the need to take a month to travel on her own, leaving Jan alone to run their stall at the Inland Waterways Rally Craft Fair.

It’s winter break at Treemeadow College, and theater professors and spouses Nicky Abbondanza and Noah Oliver, their best friends Martin and Ruben, and their sons, Taavi and Ty, are starring in a television pilot for the Nicky and Noah Mysteries series based on their first caper, Drama Queen. More is shot than footage as cast members drop like giant, flat-screen TVs mounted by an intoxicated carpenter. Once again, our favorite thespians will need to use their drama skills to catch the killer before they get cancelled.