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In the second novel of the 'Choosing to remember' series, Jerome Clarkson takes a swan dive into his past and the trauma he's carried for far too long. Jerome grew up in a very toxic and unloving environment, unable to escape the torture. His mother had him at just 13 and went on to have seven more children, that she took her frustrations out on constantly. Jerome was berated as child for being different and his mother often abused him because she believed that he was gay. From the moment his mother first beat him, Jerome felt the need to please his mother and prove her suspicions to be wrong.

Aging and reclusive Hollywood movie icon Evelyn Hugo is finally ready to tell the truth about her glamorous and scandalous life. But when she chooses unknown magazine reporter Monique Grant for the job, no one in the journalism community is more astounded than Monique herself. Why her? Why now? Monique is not exactly on top of the world. Her husband, David, has left her, and her career has stagnated.

On Earth We're Briefly Gorgeous is a letter from a son to a mother who cannot read. Written when the speaker, Little Dog, is in his late 20s, the letter unearths a family's history that began before he was born - a history whose epicentre is rooted in Vietnam - and serves as a doorway into parts of his life his mother has never known, all of it leading to an unforgettable revelation. At once a witness to the fraught yet undeniable love between a single mother and her son, it is also a brutally honest exploration of race, class and masculinity.

When his mother dies after a lifetime of struggle, Sebastien is obsessed with finding the father he's never met—the commanding officer of a luxury liner. Posing as a member of the ship's crew, Sebastien becomes entangled in a revolt, leading him to uncover a disturbing secret about his identity.

Ein melancholischer Wind weht durch die Straßen von San Francisco, aber die Familie hält zusammen. Das San Francisco der Achtzigerjahre ist im Wandel. Eine Epidemie verändert das Leben in der Stadt, die Clubszene und gerade die queeren Viertel. Mittendrin stecken Mary Ann und Brian tief in ihrer Familienplanung, Michael Tolliver ist in Trauer, und Anna Madrigal vermisst ihre Tochter. Unterdessen bereitet sich ganz San Francisco auf majestätischen Besuch vor: Queen Elizabeth II. besichtigt die Stadt an der Bucht.

In the small town of Wharton, Connecticut, lives are beginning to unravel. A husband betrays his wife. A son struggles with addiction. A widow misses her late spouse. At the heart of these interlinking stories is one couple: Freddie and Greg Tyler. They seem to have it all—a comfortable home, a beautiful young daughter, a bond that feels unbreakable. But when Greg is diagnosed with a rare and aggressive form of cancer, the sense of certainty they once knew evaporates.

Two years after his partner, Francesco, died, 28-year-old Kevin Doyle is dusting off his one good suit jacket for yet another funeral, yet another loss in their close-knit group. They had all been young, beautiful, and living the best days of their lives, though they didn't know it. That was before New York City began to feel like a war zone, its horrors somehow invisible, and ignored by the rest of the world. Some people might insist that Francesco is in a better place now, but Kevin definitely isn't.

You Must Remember This is an eloquent jumble of a family story, as experienced by Grace, an elderly woman with dementia trying to get her moorings in a worsening storm. It contemplates the perils of remembering and forgetting, making your own way in the world and how we seem bound to repeat the patterns of the past. Most profoundly it's about sensing what it's like to live on while your faculties dim, and about finding peace.

Joan Liang's life is a series of surprising developments: she never thought she would leave Taiwan (and for all places, California), nor did she expect her first marriage to implode - especially as quickly and spectacularly as it did. She definitely did not expect to fall in love with an older, wealthy American and become his fourth wife and mother to his youngest children. Through all this she asks herself the question familiar to so many of us: what are we living for? And are we ever truly satisfied?

The Vignes twin sisters will always be identical. But after growing up together in a small, Southern black community and running away at age 16, it's not just the shape of their daily lives that is different as adults, it's everything: their families, their communities, their racial identities. Ten years later, one sister lives with her black daughter in the same Southern town she once tried to escape. The other secretly passes for white and her white husband knows nothing of her past.

Patrick, or Gay Uncle Patrick (GUP, for short), has always loved his niece, Maisie, and nephew, Grant. That is, he loves spending time with them when they come out to Palm Springs for weeklong visits, or when he heads home to Connecticut for the holidays. But in terms of caretaking and relating to two children, no matter how adorable, Patrick is, honestly, overwhelmed. So when tragedy strikes and Maisie and Grant lose their mother and Patrick's brother has a health crisis of his own, Patrick finds himself suddenly taking on the role of primary guardian.

The Carrington family is blessed by good looks, brains and talent - and far more than its fair share of money. But the family is also cursed - pursued by drama, addiction and bad fortune. These things poison their world, each generation handing down its problems to the next. Can the cycle ever be stopped? In A Legacy of Secrets, we meet the beautiful but wounded Flick Templeton, and her daughter Etta. Flick's quest is to find an identity apart from her mother, and to find the man who can love her for herself, not her money or name.

Trying to avoid the loneliness that's come in the wake of his mother's recent passing, Phil has invited a bunch of old friends to stay with him on the coast. Tomorrow, Bella and Tim will arrive with their two kids, one on the brink of puberty; and the next day, Jo and Lucas will come too, with their little one. Then there's Annie, who will be by herself. Maybe this is a mistake. Maybe it's just what they all need.

'It's like ice cream, Mr Flynn,' Bertie continued. 'When you have ice cream, you need to eat it straight away, otherwise it melts. If there are people who haven't got any, you should share it, if you can.' When despair for the world grows, Bertie's theory of ice cream reminds us that it's the simple pleasures in life that we should hold onto.

Max Walker is a golden boy. Attractive, intelligent, and athletic, he's the perfect son. Max's mother, a highly successful criminal lawyer, is determined to maintain the facade of effortless excellence she has constructed through the years. Now that the boys are getting older, now that she won't have as much control, she worries that the facade might soon begin to crumble. Adding to the tension, her husband, Steve, has chosen this moment to stand for election to Parliament. The Walkers are hiding something, you see. Max is special. Max is different. Max is intersex.

Lisa and Elliot have been best friends ever since the day they met as children. Popular, bright and sporty, Lisa was Elliot's biggest supporter when the school bullies made his life a misery, and for that, he will always be grateful. Twenty years later, life has pulled the pair apart, and Lisa is struggling. Her marriage is floundering, her teenage kids are being secretive and she's so tired she can't think straight. So when Elliot knocks on the door, looking much better than she remembers, she can't help but be delighted to see her old friend again.

In the male-dominated field of animation, Mel Vaught and Sharon Kisses are a dynamic duo, the friction of their differences driving them: Sharon, quietly ambitious but self-doubting; Mel, brash and unapologetic, always the life of the party. Best friends and artistic partners since the first week of college, where they bonded over their working-class roots and obvious talent, they spent their twenties ensconced in a gritty Brooklyn studio. Working, drinking, laughing.

When Rosie and Penn and their four boys welcome the newest member of their family, no one is surprised it's another baby boy. At least their large, loving, chaotic family knows what to expect. But Claude is not like his brothers. One day he puts on a dress and refuses to take it off. He wants to bring a purse to kindergarten. He wants hair long enough to sit on. When he grows up, Claude says, he wants to be a girl.

In a tiny Beirut apartment, sixty-three-year-old Raja and his mother live side by side. A beloved high school philosophy teacher and “the neighborhood homosexual,” Raja relishes books, meditative walks, order, and solitude. Zalfa, his octogenarian mother, views her son’s desire for privacy as a personal affront. She demands to know every detail of Raja’s work life and love life, boundaries be damned.

Amanda. Katie. Melanie. Three wildly different women with one big problem – their impossible mother-in-law, Nancy. When an unexpected crisis hits the family business, the sisters-in-law find themselves navigating stormy waters. Amanda is back in town and ready to reclaim her spot at the top. Katie, the feisty outsider, knows she'll never earn Nancy’s approval – and has stopped caring. Melanie, ambitious and savvy, is more than capable of running the business, if only Nancy would loosen her iron grip.