検索キーワード： 制作 "Audible Studios" 女性学

¿Qué implicaciones tiene ser madre, parir y dar de mamar? Las mujeres nos enfrentamos a una doble presión, ser mamás, como dicta el mantra patriarcal, y triunfar o sobrevivir como podamos en el mercado de trabajo: un ejercicio casi imposible de malabarismos cotidianos. A lo largo de la historia, la maternidad ha sido utilizada como instrumento de control y supeditación de las mujeres.

In May 2006 Jacob Zuma was found not guilty of the rape of Fezekile Ntsukela Kuzwayo - better known as Khwezi - in the Johannesburg High Court. Another nail was driven into the coffin of South Africa's fight against sexual violence. Vilified by Zuma's many supporters, Khwezi was forced to flee South Africa and make a life in the shadows, first in Europe and then back on the African continent.

In "Untenrum frei" erzählt die Autorin und Spiegel-Online-Kolumnistin Margarete Stokowski, wie es ist, als Mädchen in Deutschland aufzuwachsen. Sie schreibt von unzulänglichem Aufklärungsunterricht, von Gewalterlebnissen, von Sex und von Liebe und zeigt: Noch immer besteht mit Blick auf die Geschlechtergerechtigkeit eine kollektive Schieflage. Für Veränderung im Großen, so Stokowskis These, bedarf es den Blick auf die Details. Ein persönliches, provokantes und befreiendes (Hör-)Buch.

As an industry insider and pioneering post-punk musician, Vivien Goldman’s perspective on music journalism is unusually well-rounded. In Revenge of the She-Punks, she probes four themes - identity, money, love, and protest - to explore what makes punk such a liberating art form for women. With her visceral style, Goldman blends interviews, history, and her personal experience as one of Britain’s first female music writers in a book that plays like a vivid documentary of a genre defined by dismantling boundaries.

Nancy Friday's groundbreaking books My Secret Garden and Forbidden Flowers offered an unprecedentedly detailed and honest look at the inner fantasy lives of ordinary women. In Women on Top, Friday returns to this topic, collecting detailed sexual fantasies from over 150 contemporary women from diverse backgrounds. Based on intimate personal interviews and letters, this book updates the conversation opened in her earlier works on women's sexual fantasies, detailing how women's erotic lives have changed over the past few decades - and remained the same.

¿Sabías que el 95% de las mujeres se ocupan del cuidado de hijas e hijos frente al 68% de los hombres? ¿O que el 84% de las mujeres asumen las tareas del hogar frente a un 42% de los hombres? La carga mental es la planificación, la creación de listas, el recuerdo de detalles, fechas, citas, y todo el trabajo invisible que realizamos de forma constante para organizar nuestras vidas y las de las personas que nos rodean. Muchas veces ni siquiera somos conscientes de la cantidad de carga que llevamos encima cada día.

In this anthology of creative nonfiction, 28 writers set out to discover what they know, and don't know, about the person they call Mother. Celebrated writers Samia Serageldin and Lee Smith have curated a diverse and insightful collection that challenges stereotypes about mothers and expands our notions of motherhood in the South. The mothers in these essays were shaped, for good and bad, by the economic and political crosswinds of their time.

¿Sabías que el 95% de las mujeres se ocupan del cuidado de hijas e hijos frente al 68% de los hombres? ¿O que el 84% de las mujeres asumen las tareas del hogar frente a un 42% de los hombres? La carga mental es la planificación, la creación de listas, el recuerdo de detalles, fechas, citas, y todo el trabajo invisible que realizamos de forma constante para organizar nuestras vidas y las de las personas que nos rodean. Iria Marañón analiza de qué está hecha esa carga extra que soportan las mujeres y da consejos y pistas sobre cómo pueden deshacerse de ella.

¿Sabías que en la India hay muchas niñas que no pueden acceder a la educación? ¿O que el 40 % de los matrimonios infantiles se producen en este país? Incluso, con frecuencia, las familias con pocos recursos sienten desilusión y rechazo cuando nace una hija. Durante los más de trece años que Jaume Sanllorente ha dedicado a la lucha pacífica contra la pobreza en Bombay, ha sido testigo de la discriminación que sufren las mujeres en la India.

¿Sabías que en la India hay muchas niñas que no pueden acceder a la educación? ¿O que el 40 % de los matrimonios infantiles se producen en este país? Incluso, con frecuencia, las familias con pocos recursos sienten desilusión y rechazo cuando nace una hija. Durante los más de trece años que Jaume Sanllorente ha dedicado a la lucha pacífica contra la pobreza en Bombay, ha sido testigo de la discriminación que sufren las mujeres en la India.

From Harriet Tubman to Assata Shakur, Ida B. Wells to Sandra Bland and Black Lives Matter, black women freedom fighters have braved violence, scorn, despair and isolation in order to lodge their protests. In A Bound Woman Is a Dangerous Thing, DaMaris Hill honours their experiences with at times harrowing, at times hopeful responses to her heroes.

Smart, humorous, and strikingly original essays by one of “America’s most bracing thinkers on race, gender, and capitalism of our time.” (Rebecca Traister) In these eight piercing explorations on beauty, media, money, and more, Tressie McMillan Cottom - award-winning professor and acclaimed author of Lower Ed - embraces her venerated role as a purveyor of wit, wisdom, and Black Twitter snark about all that is right and much that is wrong with this thing we call society.

This is the first biography of Greer for two decades, drawing on unprecedented access to her extensive personal archive, opened at Melbourne University in 2016. Kleinhenz has interrogated Greer's personal and professional files, spoken to people who have known her from her school days onwards, and read every word written by and about her. Beginning with Greer’s troubled early life in 1940s Melbourne, it traces her career, relationships with men and women, her travels and her home life and examines Greer’s work and ideas from The Female Eunuch to the #MeToo movement.

Delle donne, del loro universo fatto, oggi come ieri, di aspettative sociali e aspirazioni individuali spesso dolorosamente contrastanti, non si sa niente. È un refrain ripetuto con regolarità dai giornali, dalla televisione, dalla pubblicità: la donna come mistero, come non detto, come seduzione di uno sguardo velato; la donna che custodisce il proprio segreto gelosamente, come fa con la casa, i figli, la famiglia. La donna che chi la capisce è bravo, a sentire i discorsi da bar.

Je suis d'une génération de femmes qui n'ont pas eu à se battre pour leur émancipation. Née dans les années 70, j'ai grandi à une époque de liberté et d'égalité croissantes entre hommes et femmes. Comme mes amies, je pensais que cette égalité nous était acquise : nos mères, et surtout nos grands-mères, avaient déjà fait le plus gros du " boulot ", il nous suffirait de continuer... Les femmes n'ont jamais été aussi proches du pouvoir, elles sortent plus diplômées que les hommes des universités et les récentes.

A heroine for our times, Etta Lemon campaigned for 50 years against the worldwide slaughter of birds for extravagantly feathered hats. Her legacy is the Royal Society for the Protection of Birds (the RSPB), grown from an all-female pressure group of 1889 with the splendidly simple pledge: Wear No Feathers. Etta’s long battle against ‘murderous millinery’ triumphed with the Plumage Act of 1921 - but her legacy has been eclipsed by the more glamorous campaign for the vote, led by the elegantly plumed Emmeline Pankhurst.

"It's a truism, for instance, that a few clothes are more shocking than none. But for women especially, bras, panties, bathing suits, and other stereotypical gear are visual reminders of a commercial, idealized feminine image that our real and diverse female bodies can't possibly fit. Without those visual references, however, each individual woman's body can be accepted on its own terms. We stop being comparatives. We begin to be unique."

It's been forty years since the sexual revolution, and the women of America have everything they want. Everything, that is, except a husband. Women may be schooled in the art of sex, but they have failed in the art of love. That isn't surprising. The modern generation is living in a culture that isn't the least bit interested in helping them get hitched. For decades women have been taught to sleep around indiscriminately, to pursue an education and career at all costs, and to never depend on a man.

Sahar Amer's evenhanded approach is anchored in sharp cultural insight and rich historical context. Addressing the significance of veiling in the religious, cultural, political, and social lives of Muslims, past and present, she examines the complex roles the practice has played in history, religion, conservative and progressive perspectives, politics and regionalism, society and economics, feminism, fashion, and art.

After the United Nations established International Women's Year (IWY) in 1975, Congress mandated and funded state conferences to elect delegates to attend the National Women's Conference in Houston in 1977. At that conference, Bella Abzug, Gloria Steinem, and other feminists adopted a National Plan of Action, endorsing the hot-button issues of abortion rights, the Equal Rights Amendment, and gay rights - then a new issue in national politics.