検索キーワード： 女性学

A rousing call to arms, packed with surprising insights, that explores how carrying ""the mental load""—the thankless day-to-day anticipating of needs and solving of problems large and small—is adversely affecting women’s lives and feeding gender inequality, and shows the way forward for...

In The Problem with Work, Kathi Weeks boldly challenges the presupposition that work, or waged labor, is inherently a social and political good. Taking up Marxist and feminist critiques, Weeks proposes a postwork society that would allow people to be productive and creative rather than relentlessly bound to the employment relation.

An extended essay initially written in response to a letter pondering how to end war, Three Guineas eloquently relates women’s equal opportunity to the end of the power structures which contribute to conflict. Using the metaphor of three guineas, Woolf highlights three worthy causes to donate to in order to end violence: rebuilding education for women, supporting professional opportunities for women and the promotion of pacifism.

Sound interesting? The author thinks so too! Listen to Transgender Rights vs. Women’s Rights from Conflicts to Co-Existence and learn about basic human rights.

In her pioneering audiobook, now fully updated to mark its 40th anniversary, Dickson draws on her long experience of in-person training to give all women the tools we need to assert what we feel and want, manage difficult conversations, avoid being sidetracked by culturally learned behaviours, say ‘No’ and find self-acceptance.

In Revolting Prostitutes, sex workers Juno Mac and Molly Smith bring a fresh perspective to questions that have long been contentious. Speaking from a growing global sex worker rights movement, and situating their argument firmly within wider questions of migration, work, feminism, and resistance to white supremacy, they make it clear that anyone committed to working towards justice and freedom should be in support of the sex worker rights movement.

Knitting, sewing, embroidery, quilting—throughout history, these and other forms of textile work have often been dismissed as merely "women's work" and attached to ideas of domesticity and obedience. Yet, as psychologist and avid knitter Nicole Nehrig explores in this captivating book, textile work has often been a way for women to exercise power. When their voices were silenced and other avenues were closed off to them, women used the tools they had—often a needle and thread—to seek freedom.

“A delight, the literary equivalent of a long catch-up with a brilliant friend.” —New York Times “One of the most talked-about books of the year.” —Gayle King When you’re a woman of a certain age, you are only promised that everything will get worse. But what if everything you’ve...

In America, lipstick is the foundation of empires; it’s a signature of identity; it’s propaganda, self-expression, oppression, freedom, and rebellion. It’s a multibillion-dollar industry and one of our most iconic accessories of gender. This engaging and entertaining history of lipstick from the colonies to the present day will give listeners a new view of the little tube’s big place in modern America, from defining the middle class to building Fortune 500 businesses to being present at Stonewall and being engineered for space travel.

Maureen Murdock descreve neste audiolivro a busca mítica da mulher contemporânea por preservar os valores femininos e se realizar pessoal e profissionalmente numa sociedade construída por e para os homens.

Sara Ahmed examines what we can learn about power from those who complain about abuses of power. Drawing on oral and written testimonies from academics and students who have made complaints about harassment, bullying, and unequal working conditions at universities, Ahmed explores the gap between what is supposed to happen when complaints are made and what actually happens. Following a long lineage of Black feminist and feminist of color critiques of the university, Ahmed delivers a timely consideration of how institutional change becomes possible and why it is necessary.

As a working woman right now, you are making history. We supposedly have equal opportunities and equal pay, but so many ambitious working women are at the brink of losing their sanity, struggling to find a way to succeed in their careers, as well as having joy, love, and fulfillment in their personal life. Is having it all just a myth? Should you, as a woman, just give up and choose one form of success over the other? To succeed on your terms, you have to become masterful in two areas: assertion and boundaries.

What does diversity do? What are we doing when we use the language of diversity? Sara Ahmed offers an account of the diversity world based on interviews with diversity practitioners in higher education, as well as her own experience of doing diversity work. Diversity is an ordinary, even unremarkable, feature of institutional life. Yet diversity practitioners often experience institutions as resistant to their work, as captured through their use of the metaphor of the "brick wall". On Being Included offers an explanation of this apparent paradox.

This riveting narrative explores the lives of six remarkable female pharaohs, from Hatshepsut to Cleopatra - women who ruled with real power - and shines a piercing light on our own perceptions of women in power today. Female rulers are a rare phenomenon - but thousands of years ago in ancient Egypt, women reigned supreme. But throughout human history, women in positions of power were more often used as political pawns in a male-dominated society. What was so special about ancient Egypt that provided women this kind of access to the highest political office?

In the tradition of Jared Diamond and Jacques Barzun, prize-winning historian Anthony Pagden presents a sweeping history of the long struggle between East and West, from the Greeks to the present day.

The relationship between East and West has always been one of turmoil. In this historical tour de force, a renowned historian leads us from the world of classical antiquity, through the Dark Ages, to the Crusades, Europe's resurgence, and the dominance of the Ottoman Empire, which almost shattered Europe entirely. Pagden travels from Napoleon in Egypt to Europe's carving up of the finally moribund Ottomans - creating the modern Middle East along the way - and on to the present struggles in Iraq.

Forty years ago in China, marriage was universal, compulsory, and a woman's only means to a livelihood. Enter the one-child policy, which despite its horrors, resulted in China's first generations of urban only-daughters - girls who were raised without brothers and pushed to study, achieve, and succeed as if they were sons. Fast forward to the present, where in an urbanized economic powerhouse, enough of these women have decided to postpone marriage - or not marry at all - to spawn a label: "leftovers". Unprecedentedly well-educated and goal-oriented, they struggle to find partners.

Charlotte Perkins Gilman, (1860 - 1935), gained much of her fame with lectures on women's issues, ethics, labor, human rights, and social reform. She often referred to these themes in her fiction. She is best remembered for her 1892 short story "The Yellow Wallpaper", which was based on her own bout with severe depression and misguided medical treatment.

In this powerful and wide-ranging collection of essays, Rebecca Solnit turns her attention to the war at home. This is a war, she says, "[W]ith so many casualties that we should call it by its true name, this war with so many dead by police, by violent ex-husbands and partners and lovers, by people pursuing power and profit at the point of a gun or just shooting first and figuring out who they hit later."

From its first publication in 1992, Men, Women, and Chain Saws has offered a groundbreaking perspective on the creativity and influence of horror cinema since the mid-1970s. Investigating the popularity of the low-budget tradition, Carol Clover looks in particular at slasher, occult, and rape-revenge films. Although such movies have been traditionally understood as offering only sadistic pleasures to their mostly male audiences, Clover demonstrates that they align spectators not with the male tormentor, but with the females tormented.