検索キーワード： 女性学

The Times Self-Help Book of the Year 2024 'Jennifer's intelligence, compassion and experience as a psychotherapist make this a game-changer and a must-read for women and the men who love us.' Shaparak Khorsandi 'A revelation and resource for not just women, but everyone.' Soraya Chemaly, author...

2026 Michigan Notable Book Winner An urgent examination of the invisibility of Black women and girls as victims of targeted killings, and the lack of police intervention and media coverage When Black women and girls are targeted and murdered their cases are often categorized by police officers...

In Who Runs the World?, author Lois Quam emphasizes the need to unlock the immense potential of women and girls globally. Quam argues that empowering women is the long-needed step for justice and the progress needed to address the growing challenges we face today.

Mujeres en Concreto es un pódcast que indaga en las particularidades de las mujeres de este primer cuarto del siglo XXI. Mujeres concretas, herederas de las que las precedieron, conscientes de las dificultades con las que todavía deben batallar, y atentas a fortalecer la base para las que vendrán. Mujeres reales, ni diosas, ni heroínas: protagonistas. Personas de carne y hueso, complejas, reales, concretas a las que nos acercamos sin idealizaciones, prejuicios ni estereotipos. Un pódcast con vocación de abrir preguntas, de ampliar el diálogo.

W KRAJU, KTÓRY JEST ZNIEWOLONY, GDZIE LUDZIE WALCZĄ O BYT I O WOLNOŚĆ, GDZIE NIE WOLNO NAM MÓWIĆ PUBLICZNIE PO POLSKU, NIE MA MIEJSCA NA PRAWA KOBIET. POCZUŁAM, ŻE COŚ GWAŁTOWNIE ŚCISNĘŁO MNIE ZA GARDŁO. (...) WŁAŚNIE DO TAKIEGO NARODU, KTÓRY WALCZY O WOLNOŚĆ, NALEŻY SZCZEGÓLNIE MÓWIĆ O KOBIETACH. BO KOBIETA TO POTENCJAŁ. TO SIŁA I NIEZŁOMNOŚĆ. TO HART DUCHA. Warszawa, 1904 rok. Klara Tyszkowska, młoda feministka i aktywistka, buntuje się przeciwko tradycji oraz uciskowi carskiego reżimu. Jej życie skupia się wokół studiów na tajnym Latającym Uniwersytecie i pracy dla gazety "Bluszcz".

A powerful call to confront the reasons why politics is jeopardising women's health across the world, by a prize-winning academic 'Harman delivers her devastating diagnosis with a powerful prescription for change' Observer Book of the Week 'An important, timely and often fascinating book' Sunday...

Ob bekannte Namen wie Virginia Woolf, Marlene Dietrich und Hildegard von Bingen oder bisher (zu Unrecht) unbekanntere wie die der andalusischen Prinzessin Wallāda bint al-Mustakfī, der:des Womanizer:in Catterina Vizzani, der chinesischen Intellektuellen Wu Zao oder der trans* Aktivistin Marsha P. Johnson, die am Stonewall-Aufstand beteiligt war: Kirsty Loehr versammelt sie und noch viele weitere queere Frauen in ihrem außergewöhnlichen Hörbuch feministischer Geschichtsschreibung. Nach dem Hören sehen wir die Welt in ihrem über Jahrhunderte stramm gezogenen heteronormativen Korsett mit neuen Augen.

"A Room of One's Own" began life as a pair of lectures delivered by Virginia Woolf in October 1928 at Newnham College and Girton College, women's colleges at the University of Cambridge and was published as a stand-alone book in 1929. In this brilliant examination of literature, history and gender discrimination, Woolf posits that the dearth of female writers in literature did not result from a lack of talent; it was the lack of opportunity.

Being a mom is a full-time job. You are on call 24/7 with no days off. In your effort to be everything to everyone, you barely have time for yourself. You can turn these challenges into opportunities for self-discovery and joy. This book is a funny, sincere, and engaging guide tailored for moms navigating parenting, career, and personal development. Discover empowering insights, actionable tips, and opportunities to reflect, appreciate, and manifest the goddess energy within you.

NEW YORK TIMES BESTSELLER In a stirring and succinct examination of post-Roe America, “one of the most successful and visible feminists of her generation” (Washington Post) takes on what’s become the country’s most resonant political issue. A KIRKUS REVIEWS BEST BOOK OF THE YEAR In...

WINNER of the Ottawa Book Award for Non-fiction WINNER of the Crime Writers of Canada Awards of Excellence Brass Knuckles Award for Best Nonfiction Crime Book A TORONTO STAR BESTSELLER From the bestselling author of The Concubine’s Children and The Girl in the Picture, a gripping story of a...

This remarkable historical novel is about Martyna, an 89 year old woman living in Germany who, on the 22nd of April, 2015, has a strange dream during her afternoon nap, then dies from a heart attack. But that is the beginning of the story, not the end. And the story—that she insists on experiencing in order to understand her just-completed life—is a powerful drama of courage and commitment, of love and loss, of longing and hope.

Warum menstruieren Frauen? Warum erkranken sie eher an Alzheimer als Männer? Und warum müssen wir Frauen in den Wechseljahren jede Nacht die Laken durchschwitzen? Viel zu lange hat sich die Wissenschaft fast ausschließlich auf den männlichen Körper konzentriert. Erst in den vergangenen 15 Jahre haben Forscher verschiedener Fachbereiche neue spannende Entdeckungen dazu gemacht, wie sich der weibliche Körper in den letzten 200 Millionen Jahren entwickelt hat, wie er funktioniert und was es wirklich bedeutet, biologisch eine Frau zu sein.

Un nuevo libro de la autora de Los hombres me explican cosas y Wanderlust, que ilumina, entre otras cosas, la manera en que se entretejen la historia del silencio y la historia de las mujeres. Solnit nos ofrece un nuevo e indispensable repertorio de ensayos que analizan diferentes cuestiones, como por qué la historia del silencio está indisolublemente ligada a la historia de la mujer, o por qué a los niños de cinco años no les justan los juguetes de color rosa. También escribe sobre hombres que son feministas y hombres que son violadores, rehuyendo el estereotipo.

Souad a dix-sept ans, elle est amoureuse. Dans son village comme dans beaucoup d’autres, l’amour avant le mariage est synonyme de mort. " Déshonorée ", sa famille désigne son beau-frère pour exécuter la sentence. Aux yeux de tous, cet homme est un héros. C’est ce que l’on appelle un " crime d’honneur ". Ce n’est en fait qu’un lâche assassinat. L’exécutant ne risque rien, il n’est presque jamais poursuivi, encore plus rarement condamné. Plus de cinq mille cas sont répertoriés chaque année dans le monde, bien d’autres ne sont jamais connus.

Simone de Beauvoir affranca la donna dallo status di minore che la obbliga a essere l’Altro dall’uomo, senza avere a sua volta il diritto né l’opportunità di costruirsi come Altra. Con veemenza passa in rassegna i ruoli attribuiti dal pensiero maschile alla donna – sposa, madre, prostituta, vecchia – e i relativi attributi – narcisista, innamorata, mistica.

Was hat Scham mit Weiblichkeit zu tun? Scham zu empfinden ist vollkommen normal, ganz unabhängig vom Geschlecht. Doch Frauen schämen und entschuldigen sich besonders oft: für den eigenen Körper, weil sie als zu erfolgreich gelten, Single sind oder kinderlos bleiben. Anika Landsteiner hat ebendieses Phänomen auch bei sich festgestellt und geht der Frage nach, warum das so ist.

WINNER OF THE UNIVERSITY OF SYDNEY PEOPLE'S CHOICE AWARD WINNER OF THE DAVITT AWARD SHORTLISTED FOR THE GORDON BURN PRIZE SHORTLISTED FOR THE DOUGLAS STEWART PRIZE SHORTLISTED FOR THE VICTORIAN PREMIER'S LITERARY PRIZE SHORTLISTED FOR THE 2025 NED KELLY AWARD FOR BEST TRUE CRIME LONGLISTED FOR...

Millions of women have felt the power of birth, and countless women long for it. But for too many, birth can seem like a purely clinical experience — something to get through as quickly as possible in order to get on with the joys of being a mother. In Made for This, author Mary Haseltine draws on Pope St. John Paul II’s Theology of the Body to show that birth is an essential part of who God created women to be, body and soul.

Riotous and galvanizing, Tits Up excavates the diverse truths of mammary glands from the strip club to the operating room, from the nation’s oldest human milk bank to the fit rooms of bra designers. Thornton draws insights from plastic surgeons, lactation consultants, body-positive witches, lingerie models, and “free the nipple” activists to explore the status of breasts as emblems of femininity. She examines how women’s chests have become a billion-dollar business, as well as a stage for debates about race, class, gender, and desire.