検索キーワード： 女性学

Abortion touches all of our lives. While statistically nearly everyone knows someone who will receive an abortion in their lifetime, limiting narratives flatten our understanding and assumptions around abortion, while stigma and criminalization stifle discussion. What we lack are the language and tools to provide care and support to all of the members of our communities who receive abortions, before, during, and after them.

As a result of my podcast and the first book, I often hear people talking about how there are no good men anymore. Femininity too is degrading due to the social Marxism that has invaded our American society. While men are becoming less manly in most measurable ways, women are becoming more traditionally masculine in behavior, and thus, less feminine.

Through candid interviews with Maya Angelou, Toni Cade Bambara, Gwendolyn Brooks, Alexis De Veaux, Nikki Giovanni, Kristin Hunter, Gayl Jones, Audre Lorde, Toni Morrison, Sonia Sanchez, Ntozake Shange, Alice Walker, Margret Walker, and Sherley Anne Williams, the book highlights the practices and critical linkages between the work and lived experiences of Black women writers whose work laid the foundation for many who have come after.

Fat Off, Fat On: A Big Bitch Manifesto is a humorous, at times tragic, memoir that follows Kent on her journey to realizing that her body is a gift to be grown into, that sometimes family doesn’t always mean home, and how even ill-fated bisexual romances could free her from gender essentialism.

The Shadow King is an inner self that carries the patriarchal traditions, values and rules of the last six millennia—an internalized version of the outer patriarchy. It is the name Sidra Stone has given to the Inner Patriarch.

Broadcaster Tracey Spicer had an epiphany when her young son uttered these six words. Suddenly, her life’s work fighting inequality seemed futile. What’s the point in agitating to change the present, if bigotry is being embedded into our futures? And so began a quest to uncover who was responsible and hold them to account. Who is the ultimate villain? Big Tech, whose titans refuse to spend money to fix the problem? The world’s politicians, who lack the will to legislate? Or should we all be walking into a hall of mirrors and taking a good, hard look at ourselves…?

Una scorribanda nella storia, un tour libertino e spumeggiante che ci mostra come una corrente sotterranea di ribellione abbia sempre attraversato i secoli, concentrandosi proprio nel punto ancora oggi più controverso di tutti: il sesso. Signore della notte, cocottes, lucciole, scarlet ladies, meretrici, filles de joie, cortigiane, escort. Ma anche poetesse, letterate, spadaccine, amanti, filosofe, self-made women.

La historia acostumbra a construirse sobre paradojas. Este libro rescata una de ellas: cómo España consiguió aprobar el derecho al voto femenino en un encendido debate en el Congreso que tuvo lugar entre dos mujeres parlamentarias: Clara Campoamor y Victoria Kent, posicionadas a favor y en contra del sufragio universal.

Escrita al comienzo de la Primera Guerra Mundial, 'Mi historia' llama la atención sobre la causa de Pankhurst mientras defiende su decisión de cesar el activismo hasta el final de la guerra. Notable por sus descripciones del sistema penitenciario británico, 'Mi historia' es un documento invaluable de una vida dedicada a los demás, de un momento histórico en el que un grupo oprimido se levantó para defender la más simple de las demandas: la igualdad.

Growing up in Las Cruces, New Mexico, the lean child of working-class Chicago transplants, Judy Grahn hungered to connect with the larger world, to create a place for herself beyond the deprivations and repressions of small-town 1950s life. Refusing the imperative to silence that was her inheritance as a woman and as a lesbian, Grahn found her way to poetry, to activism, and to the intoxicating beauty and power of openly loving other women.

Women Who Invented the Sixties tells the story of how four women helped define the 1960s and made a lasting impression for decades to follow.

Some days—or weeks, or months, or even years—being trans feels bad. Yet as Hil Malatino points out, there is little space for trans people to think through, let alone speak of, these bad feelings. Negative emotions are suspect because they unsettle narratives of acceptance or reinforce virulently phobic framings of trans as inauthentic and threatening.

Written during the last decade of her life, Light in the Dark represents the culmination of Gloria E. Anzaldúa's mature thought and the most comprehensive presentation of her philosophy. Throughout, Anzaldúa weaves personal narratives into deeply engaging theoretical readings to comment on numerous contemporary issues—including the September 11 attacks, neocolonial practices in the art world, and coalitional politics.

The descendant of survivors of the Armenian genocide, Arlene Avakian was raised in America, where she could live free. But even with that freedom, she found herself a prisoner of both her family and society, denying her heritage along with her true sexuality. After marriage and motherhood, Arlene found herself exploring the growing women’s lib movement of the 1970s, coming to embrace the strength of her grandmother—known as the Lion Woman—and realizing her full potential and personhood.

Womb is the inside story of where we all began. Bringing together medical history, scientific discoveries and journalistic exploration, Leah Hazard traverses the globe in search of the truth about one of the most under-researched and important organs of the body, talking to the boundary-breaking women and men working in the field.

In Life Stages and Native Women, Kim Anderson shares the teachings of fourteen elders from the Canadian prairies and Ontario to illustrate how different life stages were experienced by Metis, Cree, and Anishinaabe girls and women during the mid-twentieth century.

The mainstream discourse surrounding gender equality is a repertoire of violence: harassment, rape, abuse, femicide. These words designate a cruel reality. But don't they also hide another reality: that of violence committed with the complicity of the State? In this book, Françoise Vergès denounces the carceral turn in the fight against sexism.

Black women have been dehumanized through sexual objectification in the United States of America for hundreds of years and are still being degraded to this very day. The history behind this needs to be shared with the world so that the negative untruths about the Black woman can be dispelled and our young women will understand that media, news, music, and television are also tools used to take away their intelligence, respect, strength, beauty, and self-pride that they innately own.

The remarkable untold story of how a group of sixteen determined women used the power of the collective and the tools of science to inspire ongoing radical change. This is a triumphant account of progress, whilst reminding us that further action is needed.

En este lúcido ensayo, Alma Guillermoprieto se descubre interrogándose a sí misma sobre su feminismo. Su duda es a la vez un recorrido por su pensamiento, sus recuerdos y una serie de vivencias que van resignificándose a la luz del actual resurgimiento de la revolución de las mujeres: el #MeToo, las nuevas masculinidades, la ética.