検索キーワード： 制作 "--Tyson Hanks" 女性学

Tsitsi Dangarembga zählt zu den wichtigsten Stimmen des afrikanischen Kontinents. Ihr Werk ist unbequem, erhellend und hochpolitisch - kein Wunder, hat sie selbst doch von klein auf erfahren, wie weit die Schatten des Kolonialzeitalters noch heute reichen. Die internationale Bestsellerautorin, Filmemacherin, Friedenspreisträgerin und Aktivistin widmet ihr Sachbuchdebüt dem Kampf für soziale Gerechtigkeit.

Perché mai un uomo può “essere brutto” – magari calvo, con un naso prominente, occhi sporgenti... – mentre alle donne è richiesto di rispettare precisi canoni estetici e di apparire sempre giovani e attraenti? È una domanda per la quale non abbiamo una risposta soddisfacente. Una donna nasce, cresce e passa tutta la vita a tenersi alla larga dall'essere identificata come “brutta”: è la storia raccontata da Giulia Blasi in questo libro, una raccolta di saggi brevi che hanno l'esplosività di una serie di monologhi lucidi e affilati, a metà tra ferocia e risata.

A pocket book of comfort, advice and love for any woman, anywhere. Coach and therapist, Donna Lancaster, brings her 32 years of experience helping people find their authentic selves, heal pain and overcome setbacks to this collection of honest words, counsel, and self-love. Dip in every morning to bring joy to your day or pick up for strength and solace after a tough moment. These wise words will lift you spirits and help you through.

Not many women can claim to have changed history, but Nafis Sadik set that goal in her youth, and change the world she did. Champion of Choice tells the remarkable story of how Sadik, born into a prominent Indian family in 1929, came to be the world’s foremost advocate for women’s health and reproductive rights, the first female director of a United Nations agency, and “one of the most powerful women in the world” (London Times).

This collection of short stories provides a glimpse into the lives of girls from all corners of the globe who were inspired by their experiences to bring about change in their communities. Each author has a different story of what it means to grow up as a girl in her own country.

Women of the American Revolution explores the trials of war and daily life for women in the United States during the War of Independence. What challenges were caused by the division within communities as some stayed loyal to the king and others became patriots? How much choice did women have as their loyalties were assumed to be that of their husbands or fathers? The lives of women of the American Revolution will be examined through an intimate look at some significant women of the era.

In this brave and thoughtful book, Max Robinson goes beyond the ‘before' and ‘after' of the transition she underwent and takes us through the processes that led her, first, to transition in an attempt to get relief from her distress, and then to detransition as she discovered feminist thought and community.

In Feminism Against Progress, Mary Harrington argues that the industrial-era faith in progress is turning against all but a tiny elite of women. Women's liberation was less the result of human moral progress than an effect of the material consequences of the Industrial Revolution.

De las muchas criaturas fabulosas que han poblado la literatura y el cine, la mujer fatal es una de las más recurrentes y proteicas de los dos últimos siglos, si bien forma parte de una antigua estirpe que se remonta hasta la inconstante Helena clásica que motivó la guerra de Troya o la temeraria Eva bíblica que condenó a la humanidad entera.

« Où passe l'argent des femmes, celui qu'elles ont et celui qu'elles n'auront jamais ? À force d'écrire sur la vie des femmes, leur travail, leurs enfants, leur corps, leur vie affective, leur argent depuis des années, j'ai réalisé tout ce que l'idéal du couple hétéronormé leur coûtait. Et me suis demandé : le couple est-il une arnaque ?

As we grow and move through the world, it shrinks us and puts us in boxes - tells us who we should be, what we're capable of, and who to love. As a queer child of immigrants, Maria Thattil knows what it is like to struggle with belonging. To have confusing, disparate identities, none of them fitting traditional ideas of worth, power or success. In Unbounded, she shares galvanising stories of what she has lived and learned through experiencing racism, sexism, financial hardship, intergenerational trauma, homophobia and mental health challenges.

Perché ci piace guardare una donna crollare? Cosa ci attrae della sua vulnerabilità? È uno spettacolo a cui siamo abituati e da cui con difficoltà distogliamo lo sguardo. Questo saggio potente e appassionato ci apre le porte di una galleria degli orrori in cui celebrità di ogni epoca, da Charlotte Brontë a Miley Cyrus, da Britney Spears a Hillary Clinton, hanno scontato la colpa di non aver rispettato i limiti che la cultura patriarcale aveva imposto alle loro vite.

The term killjoy has been used to dismiss feminism by claiming that it causes misery. But by naming ourselves feminist killjoys, we recover a feminist history, turning it into a source of strength as well as an inspiration. Drawing on her own stories and those of others, especially Black and brown feminists and queer thinkers, Sara Ahmed combines depth of thought with honesty and intimacy. The Feminist Killjoy Handbook unpicks the lies our culture tells us and provides a form of solidarity and companionship that can be returned to over a lifetime.

Two people do the same job and are both firefighters. When one is asked what they do for a living, their response is met with: 'That's amazing, you are so brave!', while the other is asked: 'Isn't that dangerous? Aren't you scared? What about your kids?' Can you guess the difference between the two? These comments are the reality for Dr Sabrina Cohen-Hatton and many other women at work and in life. Gender biases stop women from succeeding - but why are certain qualities associated with success viewed less favourably for women?

Scientific research is on the cusp of being able to grow babies outside human bodies, from machines, for the very first time. Claire Horn takes us on a truly radical and urgent deep dive into the most challenging and pertinent questions of our age. Could artificial wombs allow women to redistribute the work of gestating? How do we protect reproductive and abortion rights? And who exactly gets access to this technology, in our vastly unequal world?

Warum kam man erst im späten 20. Jahrhundert auf die Idee, Räder unter Reisekoffer zu montieren - obwohl es das Rad schon seit fünftausend Jahren gibt? Wären wir womöglich nie auf den Mond gelangt ohne das Wissen amerikanischer Näherinnen? Und wie sähe eigentlich eine Welt aus, in der Frauen genauso viel Gehör finden wie Männer? Die schwedische Bestsellerautorin Katrine Marçal zeigt mit viel Verve, was die Menschheit über die Jahrhunderte verloren (oder erst viel später erfunden) hat, weil eine Hälfte von ihr - die Frauen - nicht mitreden, mitbestimmen, miterfinden durfte.

As a result of my podcast and the first book, I often hear people talking about how there are no good men anymore. Femininity too is degrading due to the social Marxism that has invaded our American society. While men are becoming less manly in most measurable ways, women are becoming more traditionally masculine in behavior, and thus, less feminine.

Through candid interviews with Maya Angelou, Toni Cade Bambara, Gwendolyn Brooks, Alexis De Veaux, Nikki Giovanni, Kristin Hunter, Gayl Jones, Audre Lorde, Toni Morrison, Sonia Sanchez, Ntozake Shange, Alice Walker, Margret Walker, and Sherley Anne Williams, the book highlights the practices and critical linkages between the work and lived experiences of Black women writers whose work laid the foundation for many who have come after.

The Shadow King is an inner self that carries the patriarchal traditions, values and rules of the last six millennia—an internalized version of the outer patriarchy. It is the name Sidra Stone has given to the Inner Patriarch.

In The Once and Future Sex, Janega unravels the restricting expectations on medieval women and the ones on women today. She boldly questions why, if our ideas of women have changed drastically over time, we cannot reimagine them now to create a more equitable future.