検索キーワード： 先住民研究

Written by Wahpetunwan Dakota scholar and activist Waziyatawin of Pezihutazizi Otunwe, What Does Justice Look Like? offers an opportunity now and for future generations to learn the long-untold history and what it has meant for the Dakota People. On that basis, the book offers the further opportunity to explore what we can do between us as Peoples to reverse the patterns of genocide and oppression and instead to do justice with a depth of good faith, commitment, and action that would be genuinely new for Native and non-Native relations.

As global rates of plant and animal extinctions mount, anxieties about the future of the earth's ecosystems are fueling ever more ambitious efforts at conservation, which draw on Western scientific principles to manage species and biodiversity. In Revenant Ecologies, Audra Mitchell argues that these responses not only ignore but also magnify powerful forms of structural violence like colonialism, racism, genocide, extractivism, ableism, and heteronormativity, ultimately contributing to the destruction of unique life forms and ecosystems.

*Stars of the hit television series The Casketeers, as seen on Netflix* Francis and Kaiora Tipene aren't your typical funeral directors. With their famous humour and big-hearted personalities, the TVNZ and Netflix reality TV stars are changing the way we think about death and grief. Life as a...

Human? is the story of acclaimed Wik artist Ziggy Ramo's experience growing up under the weight of this lie. We've had 236 years of continued destruction in the name of 'civilised progress', under an oppressive colonial system that punches down on almost everyone. We all deserve more. But to move forward we have to be honest about the past.

THE INTERNATIONAL BESTSELLER LONGLISTED FOR THE WOMEN'S PRIZE FOR NONFICTION A New Yorker Best Book of 2024 An Esquire Best Book of Fall 2024 Longlisted for the Andrew Carnegie Medal for Excellence in Nonfiction Finalist for the National Book Critics Circle John Leonard First Book...

NATIONAL BESTSELLER Winner of the 2024 Governor General's Literary Award for Nonfiction Named a Best Book of 2024 by Audible, Spotify, and Winnipeg Free Press One of CBC's Best Canadian Nonfiction of 2024 From ground zero of this country's most important project: reconciliation...

Native America presents an infinitely surprising and fascinating deep history of the continent's Indigenous peoples. Kenneth Feder, a leading expert on Native American history and archaeology, draws on archaeological, historical, and cultural evidence to tell the ongoing story, more than 20,000 years in the making, of an incredibly resilient and diverse mixture of peoples, revealing how they have ingeniously adapted to the many changing environments of the continent, from the Arctic to the desert Southwest. 

Delve into the profound and multifaceted history of the Native American peoples with Native American History, a meticulously researched book that offers an in-depth exploration of the diverse cultures, societies, and experiences of Indigenous tribes across North America. This book is an essential resource for anyone interested in understanding the true history of the continent, free from the distortions and omissions often found in mainstream narratives.

Collecting over twenty-five essays written by more than twenty California Indian authors, Know We Are Here surveys many of the ways California's Indigenous communities are resisting the legacies of genocide. Focusing on the particular histories, challenges, and dynamics of life in Native California—which are often very different from elsewhere in the United States—the book collects essays from writers across the state. It encompasses the perspectives of both elders and the rising generation, and the contributors include activists, academics, students, memoirists, and tribal leaders.

In Bad Medicine, Sarah A. Whitt exposes how Native American boarding schools and other settler institutions like asylums, factories, and hospitals during the late nineteenth and early twentieth centuries worked together as a part of an interconnected system of settler domination. In so doing, Whitt centers the experiences of Indigenous youth and adults alike at the Carlisle Indian School, Canton Asylum for Insane Indians, Ford Motor Company Factory, House of the Good Shepherd, and other Progressive Era facilities.

Young countercultural back-to-the-land settlers flocked to northwestern California beginning in the 1960s, and by the 1970s, unregulated cannabis production proliferated on Indigenous lands. As of 2021, the California cannabis economy was valued at $3.5 billion. In Settler Cannabis, Kaitlin Reed demonstrates how this "green rush" is only the most recent example of settler colonial resource extraction and wealth accumulation. Reed shares this history to inform the path toward an alternative future.

In A Fire at the Center, Karen Van Fossan takes listeners behind the scenes of the Dakota Access Pipeline conflict, to penitentiaries where prisoners of war have carried the movement onward, to the jail cell where she was held for protesting Line 3, to a reimagining of decolonized family constellations, and to moments of collective hope and strength.

Philip Burnham tells the life story of the remarkable Packs the Dog, a member of the Minneconjou Lakotas who was born in 1864 east of the Black Hills. His father, Yellow Knife, died when the boy was five, and the family eventually enrolled at Pine Ridge Agency with the Oglalas under an uncle's name, Three Stars. In 1879 Packs the Dog joined the first class of Indian students to be admitted to the Carlisle Indian Industrial School.

When she was twenty-five, Ursula Pike boarded a plane to Bolivia and began her term of service in the Peace Corps. A member of the Karuk Tribe, Pike sought to make meaningful connections with Indigenous people halfway around the world. But she arrived in La Paz with trepidation as well as excitement, 'knowing I followed in the footsteps of Western colonizers and missionaries who had also claimed they were there to help.'

Growing up in Montana, Chris La Tray always identified as Indian. Despite the fact that his father fiercely denied any connection, he found Indigenous people alluring, often recalling his grandmother's consistent mention of their Chippewa heritage. When La Tray attended his grandfather's funeral as a young man, he finally found himself surrounded by relatives who obviously were Indigenous. "Who were they?" he wondered, and "Why was I never allowed to know them?"

From Shawn Leonard, Indigenous medium and host of Spirit Talker, comes a guide for assembling your unique team of spirit totem animal guides to be your personal guides through your life. We are deeply connected to the animal nation, and through the four stages of life—Childhood, Youth...

Finalist for the 2026 PEN/John Kenneth Galbraith Award for Nonfiction A Time Must-Read Book of 2025, An NPR Books We Love Most pick, A Tribal College Best Native Studies Book of 2025, and a 2026 Great Reads from Great Places Pick From award-winning journalist Joseph Lee, a sweeping, personal...

“This incendiary j’accuse isn’t afraid to name names.”—Publishers Weekly, starred review “Indigeneity is caught between truth tellers and tricksters.…Dina Gilio-Whitaker boldly espouses our truths while confronting the tricksters among us. Indigenous America needs more truth...

The Comanche were once the most dominant Native American tribe in the Great Plains of North America. From their homelands on the prairies, they ranged across the American West and South into Mexico. They were also one of the most feared of all Native American people, fighting virtually every other Native American tribe they had contact with and waging successful guerilla wars against invaders from Spain, Mexico, and the Eastern United States.

Indigenous communities have been organizing against violence since newcomers first arrived, but the cases of missing and murdered women have only recently garnered broad public attention. Violence Against Indigenous Women joins the conversation by analyzing the socially interventionist work of Indigenous women poets, playwrights, filmmakers, and fiction writers.