検索キーワード： 制作 "--Tyson Hanks" 人種差別・差別

Novela realista sobre la violencia en los colegios, la intolerancia, el racismo y la amistad. Rubén tiene problemas en casa y en el instituto. Su hermano está enganchado a las drogas y eso complica la vida familiar. Por otra parte, los matones del instituto van a por él y a por su amigo Wilson, al que Rubén ayuda y quiere defender de las agresiones racistas.

A Daniel, que tiene diez años, no le están yendo bien las cosas. Sobre todo porque además de que está harto de estudiar, en su verdadera pasión, que es el fútbol, no tiene ni suerte ni talento. Sus amigos "pasan" de él a la hora de jugar los partidos, pero Daniel no está dispuesto a seguir así. Cuando conoce a Maxama, un inmigrante ilegal africano, su vida cambiará. Su nuevo amigo no sólo le enseñará muchos trucos para convertirse en un buen futbolista, sino que también le mostrará cómo es la vida en realidad.

Nuestro protagonista es un soldado que se ha quedado sin trabajo, pues ha terminado la guerra. Vendrá a visitarle el Diablo... que le va a proponer un negocio un tanto raro.

Como siempre, los hermanos mayores se creen que el hermano pequeño es tonto... Me parece a mí que se equivocan; y si no, escuchad lo que le pasa al hermano menor que es el protagonista de nuestra historia.¿Cómo créeis que es el gnomo de nuestro cuento?

Cuentos en los que la imaginación del autor lleva al extremo los problemas que tienen los niños en la vida diaria: la exclusión social, el miedo a lo desconocido y la falta de cooperación en las labores del hogar. Esta dramatización producida por Sonolibro, contiene los siguientes cuentos: El niño que se volvió del revés: Evaristo es un niño con alergia al que, de un estornudo, se le vuelve la cara del revés. Pero sus amigos son como los tres mosqueteros y no van a dejar que Evaristo se sienta distinto.

Gegen Mitternacht in London passiert es: Ein seltsamer Brief flattert ins Haus und kurz darauf sind Emilys Eltern verschwunden! Doch Emily ist mutig und hat eine große Klappe. Mit ihrem neuen Freund, einem geheimnisvollen Igel, macht sie sich auf die Suche - und stolpert in eine andere Welt. Eingefroren in Nacht und Zeit, voller Magie, Fabelwesen und Monster! Eine böse Macht hat es auf ihre Familie abgesehen und jetzt liegt es an Emily, alle zu retten.

Emilia Torres has a wandering mind. It's hard for her to follow along at school, and sometimes she forgets to do what her mom or abuela asks. But she remembers what matters: a time when her family was whole and home made sense. When Dad returns from deployment, Emilia expects that her life will get back to normal. Instead, it unravels. Dad shuts himself in the back stall of their family's auto shop to work on an old car. Emilia peeks in on him daily, mesmerized by his welder. One day, Dad calls Emilia over.

Twelve-year-old Ebony-Grace Norfleet has lived with her beloved grandfather Jeremiah in Huntsville, Alabama ever since she was little. As one of the first black engineers to integrate NASA, Jeremiah has nurtured Ebony-Grace’s love for all things outer space and science fiction - especially Star Wars and Star Trek. But in the summer of 1984, when trouble arises with Jeremiah, it’s decided she’ll spend a few weeks with her father in Harlem.

Virginia Laydon, an infant at the end of Blood on the River, has now grown up in a colony that is teetering dangerously on the precipice of conflict with the native Algonquins. Virginia has the gift, or the curse, of the knowing - an ability that could help save the colony and is equally likely to land her at the burning stake as an accused witch.

Buying and moving into the run-down Jewel Motor Inn in upstate New York wasn't 11-year-old Miriam Brockman's dream, but at least its an adventure. Miriam befriends Kate, whose grandmother owns the diner next door, and finds comfort in the company of Maria, the motel's housekeeper, and her Uncle Mordy, who comes to help out for the summer. She spends her free time helping Kate's grandmother make her famous grape pies and begins to face her fears by taking swimming lessons in the motels pool.

The year is 1812. A white trapper is murdered. And a young Chippewa Indian stands accused. Captured and shackled in leg irons and chains, Indian John awaits his trial in a settler's loft. In a world of crude frontier justice where evidence is often overlooked in favor of vengeance, he struggles to make sense of the white man's court. His young lawyer faces the wrath of a settlement hungry to see the Indian hang. And 13-year-old Rebecca Carver, terrified by the captive Indian right in her home, must decide for herself what - and who - is right. At stake is a life.

Anya and the Dragon is the story of fantasy and mayhem in 10th century Eastern Europe, where headstrong 11-year-old Anya is a daughter of the only Jewish family in her village. When her family's livelihood is threatened by a bigoted magistrate, Anya is lured in by a friendly family of fools, who promise her money in exchange for helping them capture the last dragon in Kievan Rus. This seems easy enough, until she finds out that the scary old dragon isn't as old - or as scary - as everyone thought. Now Anya is faced with a choice: save the dragon, or save her family.

It's 1965, Los Angeles. All 12-year-old Sophie wants to do is write her book, star in the community play, and hang out with her friend Jennifer. But she's the new black kid in a nearly all-white neighborhood; her beloved sister, Lily, is going away to college soon; and her parents' marriage is rocky. There's also her family's new, disapproving housekeeper to deal with. When riots erupt in nearby Watts and a friend is unfairly arrested, Sophie learns that life - and her own place in it - is even more complicated than she'd once thought.

Magdalys and the squad are flying south on pteroback. South to rescue her older brother. South to war. The squad links up with the dino-mounted troops of the Louisiana Native Guard, an all-black regiment in the Union Army fighting to free their people. They're led by General Sheridan, surrounded by enemy forces in Tennessee and desperate for any edge to sway the tide of battle.

When Zora Neale Hurston and her best friend, Carrie Brown, discover that the town mute can speak after all, they think they’ve uncovered a big secret. But Mr. Polk’s silence is just one piece of a larger puzzle that stretches back half a century to the tragic story of an enslaved girl named Lucia. As Zora’s curiosity leads a reluctant Carrie deeper into the mystery, the story unfolds through alternating narratives.

Following a police shooting, two families - one White and one Black - discuss the event, its aftermath, and what they can do to help.

When Jemmie and her family move into the house next door, Cass's father quickly erects a fence to keep the families separate. But the two girls do not share their parents' prejudices, and soon they form a secret bond, based on their shared love of running, and an unexpected appreciation of Jane Eyre.

Aya is 11 years old and has just arrived in Britain with her mum and baby brother, seeking asylum from war in Syria. When Aya stumbles across a local ballet class, the formidable dance teacher spots her exceptional talent and believes that Aya has the potential to earn a prestigious ballet scholarship. But at the same time, Aya and her family must fight to be allowed to remain in the country, to make a home for themselves and to find Aya's father - separated from the rest of the family during the journey from Syria.

For Carrie and her best friend, Zora, Eatonville - America’s first incorporated Black township - has been an idyllic place to live out their childhoods. But when a lynch mob crosses the town’s border to pursue a fugitive and a grave robbery resuscitates the ugly sins of the past, the safe ground beneath them seems to shift.

Kanzi's family has moved from Egypt to America, and on her first day in a new school, what she wants more than anything is to fit in. Maybe that's why she forgets to take the kofta sandwich her mother has made for her lunch, but that backfires when Mama shows up at school with the sandwich. Mama wears a hijab and calls her daughter Habibti (dear one). When she leaves, the teasing starts.