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In The Rule of Empires, Timothy Parsons gives a sweeping account of the evolution of empire from its origins in ancient Rome to its most recent twentieth-century embodiment. He explains what constitutes an empire and offers suggestions about what empires of the past can tell us about our own historical moment. Parsons uses imperial examples that stretch from ancient Rome, to Britain's "new" imperialism in Kenya, to the Third Reich to parse the features common to all empires, their evolutions and self-justifying myths, and the reasons for their inevitable decline.

In just over a hundred years - from the death of Muhammad in 632 to the beginning of the Abbasid Caliphate in 750 - the followers of the Prophet swept across the whole of the Middle East, North Africa, and Spain. Their armies threatened states as far flung as the Franks in Western Europe and the Tang Empire in China. The conquered territory was larger than the Roman Empire at its greatest expansion, and it was claimed for the Arabs in roughly half the time.

Who was Robin Hood? Throughout history the figures of the hooded man of Sherwood Forest and his band of outlaws have transfixed readers, listeners, and viewers; but where does the myth come from? The story appeared out of the legend of the Green man, but found its location during the reign of Richard I, the Lionheart, who was away from England fighting in the crusades. In his absence, his brother John laid waste to the country. But does this tell the full story?

Richard II was young, handsome, and elegant. Last living child of the brilliant Black Prince, he came to the throne bearing the hopes of his people on his shoulders. His court glittered; his tastes were refined; his portraits shone with gold. Regal, composed, aloof, he was the very picture of majesty. He became a murderous, capricious tyrant. His favorites plotted against his family. He rewrote the laws of England to give himself absolute power. He raised an army against his own subjects. His subjects deposed him.

Warriors of the Cloisters tells how key cultural innovations from Central Asia revolutionized medieval Europe and gave rise to the culture of science in the West. Medieval scholars rarely performed scientific experiments, but instead contested issues in natural science, philosophy, and theology using the recursive argument method. This highly distinctive and unusual method of disputation was a core feature of medieval science, the predecessor of modern science.

The medieval Catholic Church, widely considered a source of intolerance and inquisitorial fervor, was not anti-science during the Dark Ages - in fact, the pope in the year 1000 was the leading mathematician and astronomer of his day. Called The Scientist Pope, Gerbert of Aurillac rose from peasant beginnings to lead the church. By turns a teacher, traitor, kingmaker, and visionary, Gerbert is the first Christian known to teach math using the nine Arabic numerals and zero.

How much of our fate is tied to the status of our parents and grandparents? How much does this influence our children? More than we wish to believe. While it has been argued that rigid class structures have eroded in favor of greater social equality, The Son Also Rises proves that movement on the social ladder has changed little over eight centuries.

Heimdallr: The Origins and History of the Norse God Who Keeps Watch for Ragnarök examines the stories about the legendary and enigmatic Norse deity.

En términos de geopolítica, quizás el acontecimiento más importante de la Edad Media fue el exitoso asedio otomano a Constantinopla en 1453. La ciudad había sido una capital imperial ya en el siglo IV, cuando Constantino el Grande cambió el centro de poder del Imperio Romano, estableciendo efectivamente dos mitades casi igualmente poderosas del imperio más grande de la antigüedad. Constantinopla seguiría siendo la capital del Imperio Bizantino incluso después de que la mitad occidental del Imperio Romano se derrumbara a finales del siglo V.

Um homem caolho, com uma capa cinza e um chapéu de abas largas apoiando-se em uma bengala. Um andarilho que aparece quando menos esperado, trazendo triunfo ou perdição. O deus da profecia, poesia e destino. Um metamorfo. Um feiticeiro. O deus Odin representa uma figura dramática na mitologia nórdica e permanece uma parte da imaginação popular. Ele é a inspiração para personagens como Gandalf o Cinza de J.R.R. Tolkien, e ainda faz parte de literatura moderna tão variada quanto histórias em quadrinhos da Marvel bem como o romance de Neil Gaiman Deuses Americanos.

The Alcázar of Seville: The History of Spain’s Most Famous Royal Palace journeys through the eventful timeline of the palatial fortress as well as the stages leading up to its fruition. It also explores some of the fascinating characters who lived there, and the most pivotal events that took place within the centuries-old brick walls.

Un anciano con un solo ojo, con un manto gris y sombrero de ala ancha, apoyándose de un bastón. Un vagabundo que aparece cuando menos se le espera, trayendo triunfo o perdición. El dios de la profecía, la poesía y el destino. Un cambiaformas. Un hechicero. El dios Odín es una figura dramática en la mitología nórdica y es aún parte del imaginario popular. Ha sido la inspiración para figuras como Gandalf el Gris, de J.R.R. Tolkien, y todavía figura en literatura moderna tan variada como los cómics de Marvel o la novela de Neil Gaiman American Gods (2001).

Much of what is known of the Norse myths comes from the 10th century onwards. Until this time and, indeed, for centuries afterwards, Norse culture (particularly that of Iceland, where the myths were eventually transcribed) was an oral culture. In fact, in all Scandinavian countries well into the thirteenth century laws were memorized by officials known as “Lawspeakers” who recited them at the “Thing.” The Thing was the legislative assembly in Scandinavia “held for judicial purposes”. One of the most famous of these lawspeakers was the Icelander Snorri Sturluson.

Um martelo que mortal algum pode levantar. Um deus da tempestade com cabelos de fogo. Um alienígena-herói-deus de histórias em quadrinho que defende a humanidade. A suástica. Até mesmo o dia da semana, “Thursday” - quinta feira em inglês - tem seu nome (“Thor’s Day”, o dia de Thor). Apesar do virtual desaparecimento da religião e mitologia nórdica vários séculos atrás, a sociedade moderna ainda frequentemente depara-se com o deus da tempestade Thor, que continua a ser trazido de volta à vida na forma da literatura, e foi recentemente o protagonista de filmes de grande orçamento de Hollywood.

In the autumn of 1911, an eye-watering mass of French citizens gathered around a churchyard in the heart of Rouen to celebrate the millennial anniversary of Normandy. A suspenseful hush fell over the congregation as a city official strode to the front of the crowd, placing his hands upon the large cloth draped over the mysterious statue. With a flick of his wrists, he unveiled an exquisite marble effigy of a handsome warrior. The statue was of none other than Rollo the Viking, father of the Duchy of Normandy.

Um homem caolho, com uma capa cinza e um chapéu de abas largas apoiando-se em uma bengala. Um andarilho que aparece quando menos esperado, trazendo triunfo ou perdição. O deus da profecia, poesia e destino. Um metamorfo. Um feiticeiro. O deus Odin representa uma figura dramática na mitologia nórdica e permanece uma parte da imaginação popular. Ele é a inspiração para personagens como Gandalf o Cinza de J.R.R. Tolkien, e ainda faz parte de literatura moderna tão variada quanto histórias em quadrinhos da Marvel bem como o romance de Neil Gaiman Deuses Americanos.

Much of what is known of the Norse myths comes from the 10th century onwards. Until this time and, indeed, for centuries afterwards, Norse culture (particularly that of Iceland, where the myths were eventually transcribed) was an oral culture. Freyr: The Origins and History of the Norse God of Love and Fertility looks at the stories about the legendary Norse deity. You will learn about Freyr like never before.

Un martillo que ningún mortal puede levantar. Un flamante dios de la tormenta, con cabello cual llamas. Un héroe-dios-alienígena que defiende a la humanidad. La esvástica. Incluso el nombre Thursday [jueves en inglés] es “Thor’s Day” [el día de Thor]. A pesar de la virtual desaparición de la religión autóctona y mitología nórdica siglos atrás, aún se encuentra con regularidad en la sociedad moderna al dios de la tormenta, Thor, quien continúa siendo traído de vuelta a la vida en forma de literatura y más recientemente, como protagonista de películas taquilleras de Hollywood.

“The Roman Church...[says] that the heretics they persecute are the church of wolves. But this is absurd, for the wolves have always pursued and killed the sheep, and today it would have to be the other way around for the sheep to be so mad as to bite, pursue, and kill the wolves, and for the wolves to be so patient as to let the sheep devour them!” – Excerpt from the alleged writings of the Cathars. Carcassonne today is the capital of the Aude department in the Occitanie region of southwestern France, about 58 miles from Toulouse. It lies by the “eastward bend” of the glittering cobalt waters of the River Aude, which serves as a barrier between the two towns of the city: the Cité and the Ville Basse. It is the old Cité that attracts most of Carcassonne's visitors (3 million of them each year), for it houses the historic fortress that looks like it came straight out of a fairy tale and supposedly became the muse behind the captivating castles featured in Walt Disney's acclaimed 1959 classic Sleeping Beauty. But this breathtaking town is so much more than just the perfect spot for wedding shoots and social media narcissism, for it is a place that oozes medieval history.

Sweeping across the known world with unchecked devastation, the Black Death claimed between 75 million and 200 million lives in four short years. In this engaging and well-researched audiobook, the trajectory of the plague’s march west across Eurasia and the cause of the great pandemic is thoroughly explored. Fascinating insights into the medieval mind’s perception of the disease and examinations of contemporary accounts give a complete picture of what the world’s most effective killer meant to medieval society.