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Edda Mussolini was the Italian dictator Benito Mussolini’s oldest and favorite child. At 19, she was married to Count Galleazzo Ciano, Il Duce’s Minister for Foreign Affairs during the 1930s, the most turbulent decade in Italy’s fascist history. In the years preceding World War II, Edda ruled over Italy’s aristocratic families and the cultured and middle classes while selling Fascism on the international stage. How a young woman wielded such control is the heart of Moorehead’s fascinating history.

The brilliance of the Renaissance laid the foundation of the modern world. Textbooks tell us that it came about as a result of a rediscovery of the ideas and ideals of classical Greece and Rome. But now bestselling historian Gavin Menzies makes the startling argument that in the year 1434, China - then the world's most technologically advanced civilization - provided the spark that set the European Renaissance ablaze. From that date onward, Europeans embraced Chinese ideas, discoveries, and inventions, all of which form the basis of Western civilization today.

Members of the cosmopolitan, cultural aristocracy of Florence at the beginning of the 20th century, the Rosselli family, led by their fierce matriarch, Amelia, were vocal antifascists. As populist right-wing nationalism swept across Europe after World War I and Italy's prime minister, Benito Mussolini, began consolidating his power, Amelia's sons, Carlo and Nello, led the opposition, taking a public stand against Il Duce that few others in their elite class dared risk.

In the late summer of 1943, when Italy broke with the Germans and joined the Allies after suffering catastrophic military losses, an Italian Resistance was born. Four young Piedmontese women - Ada, Frida, Silvia and Bianca - living secretly in the mountains surrounding Turin, risked their lives to overthrow Italy’s authoritarian government. They were among the thousands of Italians who joined the Partisan effort to help the Allies liberate their country from the German invaders and their Fascist collaborators.

Since childhood Helene Stapinski heard lurid tales about her great-great-grandmother, Vita. In Southern Italy she was a loose woman who had murdered someone. Immigrating to America with three children, she lost one along the way. Helene's youthful obsession with Vita deepened as she grew up, eventually propelling the journalist to Italy, where, with her own children in tow, she pursued the story, determined to set the record straight.