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In a thrilling narrative built on formidable research, Ben Lewis tracks the extraordinary journey of a masterpiece lost and found, lied and fought over across the centuries. In 2017, Leonardo da Vinci’s small oil painting, the Salvator Mundi was sold at auction for $450m. In the words of its discoverer, the image of Christ as saviour of the world is ‘the rarest thing on the planet by the greatest human being who ever lived’. Its dazzling price also makes it the world’s most expensive painting.

The Moors are well-known for their presence on the Iberian Peninsula during the Middle Ages and for the conflicts they fought in Europe, but the term Moor is a historical rather than an ethnic name. It is an invention of European Christians for the Islamic inhabitants of Maghreb (North Africa), Andalusia (Spain), Sicily, and Malta, and it was sometimes used to designate all Muslims.

In 1494, there were five sovereign regional powers in Italy: Milan, Venice, Florence, the Papal States and Naples. In 1536, only one remained: Venice. These decades of conflict precipitated great anxiety among Western thinkers, and Italians responded to the fragmentation of Latin Christendom, the end of self-governance for Italians, and the beginning of the early modern era in various ways. They were always heavily influenced by the lived experience of warfare between large Christian armies on the peninsula.

The largest island of the Mediterranean has always been a complicated place with a fraught relationship to the Italian mainland. Separated by only the narrow Strait of Messina, Sicily feels like a different country in many ways, and the differences between Sicilians and Italians are much vaster than the tiny geographical separating them might intimate. For example, the linguistic differences between the two are substantial, as Sicilian is practically its own language, rather than just a dialect.

The Roman army was the greatest fighting machine the ancient world produced. The Roman Empire depended on soldiers not just to win its wars, defend its frontiers and control the seas but also to act as the engine of the state. Roman legionaries and auxiliaries came from across the Roman world and beyond. They served as tax collectors, policemen, surveyors, as civil engineers and, if they survived, in retirement, as civic worthies, craftsmen and politicians. Some even rose to become emperors.

In this love letter to the world’s favourite country, you’ll find everything youknow and love about Italy: the classic food, the dreamy landscapes, the Renaissance masterpieces. Along the way you’ll meet the people who make Italy what it is, the philosophies they live by and the traditions that make la dolce vita. We all want to live the Italian life. With this book, you’re one step closer.

È tutto vero. È tutto rimasto finora nell’ombra. 1992: la mafia attacca il cuore dello Stato. 2022: trent’anni dopo, una ricostruzione inedita su quelle terribili stragi. Perché quella che fu una vera e propria guerra allo Stato è stata ideata con il contributo di una mafia segreta e intoccabile. Non solo: la strategia stragista di Cosa nostra servì al giovane boss Matteo Messina Denaro per attuare un ricambio generazionale e prendere il comando dell’organizzazione, facendo compiere un salto di qualità alla mafia e trasformandola in maniera profonda, con conseguenze che riusciamo a capire solo oggi.

بينيتو أندريا موسوليني حاكم إيطاليا ما بين 1922 و1943 شغل منصب رئيس الدولة الإيطالية ورئيس وزرائها وفي بعض المراحل وزير الخارجية والداخلية. وهو من مؤسسي الحركة الفاشية الإيطالية وزعمائها، سمي بالدوتشي أي القائد من عام 1930م إلى 1943. يعتبر موسيليني من الشخصيات الرئيسية المهمة في خلق الفاشية.

Foreign correspondent Christine Toomey spent years renovating her glorious, long-abandoned hill-top home in Le Marche, Italy, as a haven of rest from covering crises around the world. But in 2016, the peace and beauty of this beloved landscape were thrown into chaos when a series of powerful earthquakes struck the heart of the Apennines. Wracked with grief for a place still reverberating with seismic aftershocks, Christine set out on a journey of discovery through the history of a landscape that gave birth to so much of Western culture and civilisation.

Based on previously undisclosed archival materials, this book tells the fascinating, untold, and troubling story of an anti-Protestant campaign in Italy that lasted longer, consumed more clerical energy and cultural space, and generated far more literature than the war against Italy's Jewish population.

Questa, più che una storia di mafia, è la storia di un gruppo di ragazzi, cresciuti nella Sicilia degli anni Ottanta, compagni di gioco sullo stesso campetto di terra battuta, che si allontanano fino a diventare nemici. I ragazzi di Regalpetra racconta la lunga guerra di mafia che agli inizi degli anni Novanta insanguinò una parte della Sicilia. E il conflitto, che vedeva amici di un tempo gli uni contro gli altri, esplose anche nei luoghi di Leonardo Sciascia, il grande scrittore che proprio sessant'anni fa fece letteratura delle cronache del suo paese con Le parrocchie di Regalpetra.

Nessun personaggio storico, se si esclude, forse, Adolf Hitler, ha mai goduto di così cattiva stampa come Nerone. Alcuni autori cristiani ritennero che fosse addirittura l’Anticristo. In realtà, Nerone fu un grandissimo uomo di Stato. Durante i quattordici anni del suo regno l’Impero conobbe un periodo di pace, di prosperità, di dinamismo economico e culturale quale non ebbe mai né prima né dopo di lui.

For listeners eager to experience Gibbon’s brilliant primary historicism, to understand the long decline of Rome—and the reasons for the Empire’s demise—there exists no better or more accessible condensation of Decline and Fall.

The story of the Giro d'Italia—Italy's equivalent of the Tour de France, and its superior in the eyes of many—is as dramatic and full of extraordinary characters as the story of Italy itself. Heroism, suffering, feuds and betrayals, tradition under threat from modernity all play out against a timeless landscape. The iconic riders, mythical stories and career-defining exploits are conveyed in rich, vibrant prose.

Between 1950 and 1970, the Vatican and the American Catholic Church sent nearly four thousand Italian children to the United States for adoption into “good” Catholic homes. With the religious stigma of unwed motherhood turning families against daughters and a Church and State wanting “illegitimate” children sent abroad, mothers were lied to, given forms to sign that they didn’t understand, or even told their baby had died, all to further supply this international adoption pipeline.

Rom hält den Atem an, als Gaius Julius Caesar während der Senatssitzung am 15. März 44 v. Chr. unter den Dolchen der Verschwörer fällt – tödlich verwundet durch mindestens 23 Stiche. Wie konnte es nur so weit kommen? Wer waren die Täter? Und vor allem: Welche Motive trieben sie zu dem Mord? Als historischer Ermittler haucht Michael Sommer dieser weltberühmten Kriminalgeschichte neues Leben ein und lässt die beteiligten Akteure samt ihren Beweggründen, Ambitionen und Hoffnungen wieder lebendig werden. Das Attentat mag Caesar unerwartet getroffen haben, doch aus heiterem Himmel kam es nicht.

Mit Bestsellerautor und Italienkenner Andreas Englisch auf den Spuren alter Pilgerrouten in die Heilige Stadt: packend erzählte Einblicke in die Geschichte Norditaliens und Abstecher zu den wichtigsten kulturellen Highlights sowie wenig bekannten Geheimtipps Ob Pilger oder Plünderer, Kaiser oder Bettelmönche, ob die Suche nach Macht, Reichtum, Erlösung oder Liebe – seit Jahrtausenden zieht es Menschen nach Rom. Viele ihrer Spuren finden sich noch heute an zahlreichen Orten in der Region zwischen den Alpen und dem Tiber.

Il volume, che per la sua originalità ha contribuito a rinnovare sostanzialmente la storiografia sul Ventennio in Italia e all'estero, analizza il "partito-milizia" come embrione totalitario, interpreta il regime fascista come "cesarismo totalitario" e propone una revisione del concetto stesso di totalitarismo, interpretato, secondo il suo originario significato storico, come esperimento e metodo di dominio politico.

En el siglo XVI, habitualmente conocido como "cinquecento", se prolonga este genio artístico italiano que alcanza cotas poco conocidas en Europa y, a nuestro juicio, en el mundo entero. Apoyándose sobre los descubrimientos del siglo anterior, aparecen ahora los grandes genios del arte italiano de todos los tiempos que trastornan definitivamente la historia del arte mundial.

A partir del siglo XVII el grandioso arte del Renacimiento va tomando matices nacionalistas y de cierta exageración que se expresan en cada nación de una manera muy distinta. Es el estilo que se denomina habitualmente barroco y que presenta más diferencias que las que aparecían en el Renacimiento. Italia destaca de nuevo en este estilo artístico con la misma fuerza que en otras épocas.