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In a long line of beloved books, Loud Pictures stands as Marc Spitz’s final project. This big, broad, noisy, and expansive exploration of art marries the two things Marc loved most—movies and rock and roll. In many ways, films can become imprinted on our brains because of their soundtracks.

Doctor Who behaves in a way quite unlike any other fictional character. For sixty years the Doctor has sat at the heart of British culture and rewired the imaginations of generations. Yet no one person invented this strange character, and no one person controls them. They emerged from the space between many minds, able to evolve and adapt to our fast-changing world more skilfully than any other fiction. 

With a discerning eye and acerbic wit, Lynskey examines how various doomsday tropes and predictions in literature, art, music, and film have arisen from contemporary anxieties, whether they be comets, pandemics, world wars, the Cuban Missile Crisis, Y2K, or the climate emergency. Far from being grim, Lynskey guides readers through a rich array of fascinating stories and surprising facts, allowing us to keep company with celebrated works of art and the people who made them, from H.G. Wells, Jack London, W.B. Yeats and J.G. Ballard to The Twilight Zone, Dr. Strangelove, and The Terminator.

A book that explores the great American novelist and playwright Edna Ferber, winner of the Pulitzer Prize for Ficton, whose work was made into many Academy Award-winning movies; the writing of her controversial, international best-selling novel about Texas, and the making of George Stevens’ Academy Award winning epic film of the same name, Giant.

Jim O’Heir, who played Jerry (or Garry or Larry) on Parks and Recreation and co-hosts the hit podcast Parks and Recollection, brings fans a heartfelt behind-the-scenes look at one of America’s most beloved sitcoms, brimming with never-before-told stories featuring the cast and crew, along with dozens of unseen photos!

For the past seven decades, Tim Matheson has been an on-screen favorite in Hollywood. From nailing early roles in classic shows like Leave It to Beaver and delivering iconic lines like “Damn glad to meet you!” as rush chairman Eric “Otter” Stratton in National Lampoon’s Animal House, to landing a recurring role as Vice President John Hoynes in The West Wing and winning over viewers as Dr. Vernon “Doc” Mullins in Netflix’s smash hit Virgin River, Tim’s filmography speaks for itself—but he’s not content to leave it at that.

The definitive book on the TV show Ted Lasso, written by New York Times journalist and editor Jeremy Egner, celebrating the show’s improbable rise and cultural impact while never losing sight of the heart, friendship, and passion that have made it an enduring favorite for the ages.

Box Office Poison has descriptive copy which is not yet available from the Publisher.

En "Conversaciones con Billy Wilder" el legendario director, ya nonagenario, accedió por primera vez a hablar extensamente sobre su vida y obra. Entrevistado por Cameron Crowe, en sus páginas habla de su experiencia en el mismo corazón de Hollywood, así como sobre guiones, fotografía y escenografía, sus colegas y sus películas, y el cine de hoy.

Al Jolson, born Asa Yoelson, immigrated from a shtetl in Lithuania to the United States in 1894 after his father secured a job as a rabbi in Washington, D.C. A poor, Yiddish-speaking newcomer navigating a racially segregated and antisemitic America, young Jolson dreamed of becoming a star, and he did. Through Jolson, Bernstein simultaneously breaks open the history and legacy of the cultural sensation The Jazz Singer. Not only was The Jazz Singer the first feature-length film with synchronized music and dialogue, but it was also taboo smashing in its content.

One of the most iconic Australians—one who has graced our screen and theatres for over forty years—Noni Hazlehurst is finally telling her story.

From the author of dozens of #1 New York Times bestsellers and the creator of many unforgettable movies comes a vivid, intelligent, and nostalgic journey through three decades of horror as experienced through the eyes of the most popular writer in the genre. In 1981, years before he sat down to tackle On Writing, Stephen King decided to address the topic of what makes horror horrifying and what makes terror terrifying. Here, in ten brilliantly written chapters, King delivers one colorful observation after another about the great stories, books, and films that comprise the horror genre.

This book is a one-of-a-kind collection showcasing the wise, witty, and deeply personal speeches Sidney Poitier gave at awards ceremonies, family events, memorials, and more. His salutes to artists such as Dorothy Dandridge, Spencer Tracy, Stanley Kramer, and Denzel Washington offer fresh insight on icons of our time. Poitier's unforgettable cadence and voice are clear as day. Compiled by his wife, Joanna Poitier, this collection captures all that was remarkable about the man through his own words.

Best Possible Place, Worst Possible Time delivers a cavalcade of sometimes baffling, often enlightening, and always funny stories about Sonnenfeld’s many films and television shows. From battling with studio executives and producers to bad-script-solving on set to coaxing actors into finding the right light and talking faster, Sonnenfeld provides an entertaining master class in how to make commercial art in the face of constant human foible.

Featuring cameos from some of the biggest stars in the business from Paul McCartney to Prince, The Closest Thing to Crazy takes us not only on the rocky (and classical) journey of Mike Batt's life but also on a tour around the inside of his mind.

The story of an unlikely hero who fulfilled his destiny… Fans will be fascinated by Kristian Nairn’s experience on Game of Thrones, from his unlikely audition to his on-the-job training as an actor to his ascendance as one of the most beloved and pivotal characters on the show. Nairn details the camaraderie that develops as the actors face the elements on set, not entirely unlike the ones their characters must endure on screen, as well as the life-altering effects of worldwide stardom.

From private feuds and on-set disasters to fanfare that swept the nation and the realities of child stardom, culture journalist Ashley Spencer offers the first unauthorized look at the heyday of TV’s House of Mouse, featuring hundreds of exclusive new interviews with former Disney executives, creatives, and talent to explore the highs, lows, and everything in between.

I’ve actually written books before. Seven, if I’m blowing my own trumpet. But never about me, Leigh Francis. Not many people know the real me. They know Keith Lemon, Avid Merrion, The Bear, but this book is all about who I am, out of character, totally honest, just being me. There’s going to be some sad bits, but hopefully there’ll be more happy bits that’ll put a smile on your face a few times. It’s everything I can remember up to the present day.

Among a crop of fresh filmmakers including Steven Spielberg, George Lucas, Martin Scorsese, and Francis Ford Coppola in the 70s, Brian De Palma—a director from Philadelphia with a few small comedies under his belt—charted a cinematic path unlike any of his peers. At times he was unfairly dismissed as a Hitchcock copycat; other times he was misunderstood for his peculiar mix of sexuality, humor, music, and violence. But, over the course of ten years, he created a new cinematic language, melding his signature themes with specific filmmaking techniques that are now synonymous with his name.

For Moon Unit Zappa, processing a life so unique, so punctuated by the whims of creative genius, the tastes of popular culture, the calculus of celebrity and the nature of fractured love has at times been eviscerating, at others, illuminating. Yes, this is a book about growing up in the shadows of Frank Zappa, in a sexually free, but also dysfunctional world in 1970s LA.