検索キーワード： 制作 "Audible Studios" 映画・テレビ

Der Hexer Geralt von Riva verdient sein Geld mit Kämpfen gegen Ungeheuer aller Art. Über einen Mangel an Aufträgen kann er sich nicht beklagen, denn es gibt genügend Leute, die dringend Hilfe gegen Vampire, Drachen und andere dämonische Wesen brauchen. Als Geralt eines Tages einen Luftgeist befreit, schlägt ihn dieser mit der verhängnisvollen und quälenden Liebe zu der schönen Zauberin Yennefer. Und dann wird Geralts bester Freund schwer verletzt und braucht seine Hilfe.

Andi Dorfman, breakout star of ABC's The Bachelorette and New York Times best-selling author of It's Not Okay, returns with this new collection of her adventures as a still-single gal surviving and thriving in New York City.

"Was soll man von dir halten - ein Hexer, der jeden zweiten Tag ein einträgliches Angebot ausschlägt? Die Hirikka tötest du nicht, weil die am Aussterben sind, den Streitling nicht, weil er unschädlich ist, die Nächtin nicht, weil sie nett ist, den Drachen nicht, weil's der Kodex verbietet..." Der Hexer Geralt von Riva verdient seinen Lebensunterhalt recht und schlecht mit dem Beseitigen von allerlei Ungeheuern. Nicht selten begegnen ihm die Leute, die ihn anheuern, mit tiefem Argwohn.

Caddyshack is one of the most beloved comedies of all time, a classic snobs vs. slobs story of working-class kids and the white-collar buffoons that make them haul their golf bags in the hot summer sun. It has sex, drugs, and one very memorable candy bar, but the movie we all know and love didn't start out that way, and everyone who made it certainly didn't have the word classic in mind as the cameras were rolling.

Stanley Kubrick, the director of a string of timeless movies from Lolita and Dr. Strangelove to A Clockwork Orange, 2001: A Space Odyssey, Full Metal Jacket, and others, has always been depicted by the media as the Howard Hughes of filmmakers, a weird artist obsessed with his work and privacy to the point of madness. But who was he really?

For 56 years, the Black Dahlia murder case remained one of the most notorious and high-profile unsolved crimes of the 20th century. Now, Steve Hodel, a 24-year veteran of the Los Angeles Police Department, believes he has finally solved the case. On January 15, 1947, 22-year-old Elizabeth Short - "The Black Dahlia" - was found dead in a vacant lot in Los Angeles, her body horribly mutilated, bisected at the waist, and posed in a bizarre manner.

The first ever autobiography of this truly international legend, written with all the trademark style, candour, charm, and wit he has brought to stage and screen over his long and illustrious career.

With personal anecdotes about such luminaries as Noel Coward, Elizabeth Taylor and Richard Burton, Cary Grant, and Sean Connery, and memories from the heyday of Hollywood, this frank, funny and charming autobiography is packed with wonderful stories.

This manual provides a review of the tactical combat advantages enjoyed by zombies and gives the listener a step-by-step guide to adopting them for him or herself. Have you wondered where the great military leaders of modern history have found their collective inspirations? Well look no further. It is the walking dead upon whom the most important tactical infantry innovations of the last three hundred years have been based.

In The Murder of Marilyn Monroe: Case Closed, renowned MM expert Jay Margolis and New York Times best-selling author Richard Buskin finally lay to rest more than 50 years of wild speculation and misguided assertions by actually naming the screen goddess's killer. At the same time, they use the testimony of eyewitnesses to describe exactly what took place inside her house on Fifth Helena Drive in Los Angeles's Brentwood neighborhood.

The Directors, Take Three offers dozens of masterful insights on the craft of directing from such renowned filmmakers as Robert Altman, Wes Craven, Alan Parker, Tim Burton, Steven Spielberg, and Barry Levinson. Here are details of their experiences making a variety of classic films from Nashville to Nightmare on Elm Street, Rain Man to Raging Bull, and Pee Wee's Big Adventure to Schindler's List.

Una serie TV può cambiare la percezione di intere nazioni su tematiche sociali, scientifiche, politiche, relazionali, dando voce a persone che nella nostra società sono ancora invisibili, a cui non viene mai data la parola. Il merito di Marina Pierri è la capacità di mettere insieme mondi che fanno fatica a parlarsi: quello del femminismo intersezionale e quello della psicologia del profondo. In "Eroine", Marina Pierri prende il testimone da una vasta letteratura filosofica, cinematografica e psicologica, e compie un'operazione ancora inedita.

Il cinema è da sempre il mezzo di comunicazione più audace e irriverente, sa sfidare la società e misurarne i limiti. Tra gli anni Trenta e il 1968, l'anno in cui tutto cambia, il cinema, sia in Italia che a Hollywood, non esita ad affrontare temi considerati tabù - l'adulterio, il sesso, l'omosessualità - con uno sguardo disincantato e provocatorio. Dalla censura imposta agli Studios al fascino dirompente di Brigitte Bardot e Sophia Loren, dalla retorica di epoca fascista a Tinto Brass e Pasolini, fino alle polemiche dei giorni nostri riguardo al movimento #MeToo.

Due strade parallele, dritte e morbide come la serenità solare che le avvolge. Una macchina avanza piano con una barchetta a rimorchio, mentre in sottofondo si innalzano le voci di Jussi Björling e Renata Tebaldi che intonano "Tu qui santuzza". Vediamo mani che scelgono cd, sentiamo risate: una coppia sta giocando a chi indovina la canzone; il figlio, sul sedile dietro, è chiamato a fare da garante. Torniamo a vedere la macchina dall'alto; poi la telecamera ci mostra i volti della famiglia felice, in procinto di raggiungere la casa delle vacanze.

Alfredo Bini è l'uomo che ha reso possibile il cinema di Pier Paolo Pasolini. Questa autobiografia è la storia di uno dei più grandi produttori cinematografici italiani e il romanzo di una vita vissuta a perdifiato, dall'infanzia sulle colline toscane alla guerra in Grecia e Albania, dalle luci della ribalta dei festival a un oblio inspiegabile e amaro. È un album fotografico in cui si incontrano i volti di Claudia Cardinale e Anna Magnani, di Gina Lollobrigida e Marcello Mastroianni, di Totò e Federico Fellini.

È il 20 settembre 1905. Davanti a Porta Pia si proietta "La presa di Roma" diretto da Filoteo Albertini. Nasce così il cinema italiano. Evento pubblico che chiama in causa memoria storica, coscienza civile e passioni contrapposte: dai tempi eroici del muto all'ibridazione dei media, l'autore ci spiega cosa è stato il cinema nel nostro paese e cosa oggi ancora è.

El presente texto es el registro de un descubrimiento de María Negroni: el cine de Joseph Cornell, artista del assemblage cercano al surrealismo que también cultivó el film-collage con un estilo lírico-documental, cuya capacidad de catalogar lo insólito fascinó a la poeta. A medio camino entre el poemario caligramático y el libro-arte, esta pequeña joya se lee como el diario íntimo de una observadora tras la estela de una imagen.

Tant que l'amour est là pour éclairer notre chemin, tout est possible. Depuis mon enfance, je dois jongler entre ma carrière d'actrice, ma vie personnelle et ce que le public attend de moi. J'ai appris, un peu à mes dépens, que la seule façon d'y parvenir est de me laisser guider par l'amour – l'amour pour mes amis, pour ma famille et, avant tout, pour moi-même. Je veux partager avec vous mes échecs, mes triomphes et les leçons que j'en ai tirées. Je vous confie les anecdotes et histoires qui m'ont marquée, aussi bien sur les plateaux de tournage que dans ma vie privée et mes relations.

Victoria Alonso takes listeners on her journey from Argentina to America to Hollywood and illuminates the ways everyone can live in a heightened state of possibility and use their voice for change. “If it has been done, you can do it. But if it hasn’t been done, you should.” It was these words from Victoria Alonso’s mother that imbued in her the power of possibility. First as a young person in Argentina living through a dictatorship, then as a nineteen-year-old alone in America, saying yes to possibility again and again laid the path for Victoria to become who she is today.

Carl Radke’s path from reality TV’s party-loving star to a life centered around recovery has been anything but straightforward. Famous for his role on Summer House, Carl’s journey in the spotlight has forced him to confront personal battles under public scrutiny. Beyond the cameras, he’s faced struggles with addiction, the weight of toxic masculinity, the heartbreaking loss of his brother and a quest to find real joy in a world that equates fun with alcohol.

John Singleton became a living legend at just 24 years old when he earned Academy Award nominations for Best Director and Best Original Screenplay for Boyz N the Hood, the sleeper hit of the summer of 1991 and one of the decade’s most important films. Though he wasn’t victorious on Oscar night, it didn’t detract from his achievements.