検索キーワード： 制作 "-- Kevin Wright --" 映画・テレビ

ESPN began as an outrageous gamble with a lineup that included Australian Rules Football, rodeo, and a rinky-dinky clip show called Sports Center. Today the empire stretches far beyond television into radio, magazines, mobile phones, restaurants, video games and more, while ESPN's personalities have become global superstars to rival the sports icons they cover.

"Io ho viste cose che voi umani non potreste immaginare: navi da combattimento in fiamme al largo dei bastioni di Orione, e ho visto i raggi B balenare nel buio vicino alle porte di Tannhäuser. E tutti quei momenti andranno perduti nel tempo, come lacrime nella pioggia. È tempo di morire."

Among the most widely admired Hollywood stars of his generation, Redford has appeared onstage and on-screen, in front of and behind the camera, earning Academy, Golden Globe, and a multitude of other awards and nominations for acting, directing, and producing, and for his contributions to the arts.

Everything you always wanted to know about the 1975 monster-movie hit Jaws and the other monsters that swam in its wake.

Whether you want to write your own scripts or simply gain a deeper appreciation for the great stories you see unfold on the screen, Professor Angus Fletcher is here to show you the way in Screenwriting 101: Mastering the Art of Story. Professor Fletcher, Professor of English and Film at The Ohio State University, brings both a personal and scholarly perspective to this craft. As a screenwriter himself, he has experienced the ins and outs of the process first-hand.

This new edition of Bill Nichols' best-selling text provides an up-to-date introduction to the most important issues in documentary history and criticism. Designed for students in any field that makes use of visual evidence and persuasive strategies, Introduction to Documentary identifies the distinguishing qualities of documentary and teaches the viewer how to read documentary film. Each chapter takes up a discrete question, from "how did documentary filmmaking get started?" to "why are ethical issues central to documentary filmmaking?"

The Pixar Touch is a lively chronicle of Pixar Animation Studios' history and evolution, and the "fraternity of geeks" who shaped it. With the help of visionary businessman Steve Jobs and animating genius John Lasseter, Pixar has become the gold standard of animated filmmaking, beginning with a short special effects shot made at Lucasfilm in 1982 all the way up through the landmark films Toy Story, Finding Nemo, Wall-E, and others.

インドの大自然を背景に、喜びと悲しみを舞踏のリズムに乗せて綴る画面はまさに陶酔の映像美。

サイレント時代の連続活劇の女王パール・ホワイトの波瀾に富んだ生涯を描いた伝記喜劇

When Anna Broinowski learned that fracking had invaded downtown Sydney, she had a brilliant idea: she would seek guidance for a kryptonite-powerful, anti-fracking movie from the world's greatest propaganda factory - apart from Hollywood. After two years of trying, she was allowed to make her case in Pyongyang and was granted full permission to film. She worked closely with the leading lights of North Korean cinema, even playing an American in a military thriller.

If Hollywood had a superhero throne, Spider-Man would be perched upon it. As the most popular superhero in the world, the web-slinger plays a pivotal role in three of the six highest-grossing film franchises in history: the Marvel Cinematic Universe; the Avengers quadrilogy; and the Spider-Man movies themselves. Spidey has come a long way since Marvel guru Stan Lee first concocted him in 1962, but until now his cinematic journey has not been fully documented.

According to Cox, the key to understanding The Prisoner is to view the series in the order in which the episodes were made - and not in the rearranged order of the UK or US television screenings. In this book he provides an innovative and controversial "explanation" for what is perhaps the best, the most original, and certainly the most perplexing TV series of all time.

Hosts Mike Kalinowski and Brad Gilmore team up in this comprehensive breakdown of the longest running film series in the history of cinema. In Bond, James Bond, they explore the cinematic history of the James Bond collection to celebrate everything it got right and reflect on everything it got wrong.

甘美なロンドン貴族社会の洗練された愛のファッション。 巨匠ルビッチのオシャレな話術。

これぞ特撮映画の金字塔！ ＳＦＸ怪獣の元祖にふさわしいコングの強烈な偉容とキャラクター！

“世界の恋人”と呼ばれたスーパースター、メアリー・ピックフォードの可憐、快活な魅力。

Henry Winkler, launched into prominence by his role as “The Fonz” in the beloved Happy Days, has transcended the role that made him who he is. Brilliant, funny, and widely-regarded as the nicest man in Hollywood (though he would be the first to tell you that it’s simply not the case, he’s really just grateful to be here), Henry shares in this achingly vulnerable memoir the disheartening truth of his childhood, the difficulties of a life with severe dyslexia, the pressures of a role that takes on a life of its own, and the path forward once your wildest dream seems behind you.

実写版『進撃の巨人』二部作、8月1日公開の前編『進撃の巨人ATTACK ON TITAN』、9月19日公開の後編『進撃の巨人ATTACK ON TITANエンド オブ ザ ワールド』は、一度それぞれ鑑賞していた。 前編の批評は以前にも発表している。今回、後編のレビューを書く段になって、あらためて二部作を、それも同じ日に鑑賞する事にした。 そうすれば、前後編続いている話を、構造的に捉え直すことが出来ると思ったからだ。 同時に、この映画の前編は公開当時激しい酷評にさらされ、私もそれらの一部を読んで「そんなにヒドい映画だったのだろうか？　だとしたら、私の目は節穴だったのだろうか？　あるいは作り手側に知己を持つ関係で、無意識の裡に『ひどい部分』を見ないようにしていたのだろうか？」という疑問が湧いてきた。 （本文より)切通理作の「映画の友よ」はこちらから→http://yakan-hiko.com/risaku.html

More than fifteen years after Parks and Recreation premiered, it has become a streaming and pop culture staple. It’s beloved for its jokes, characters, and expressions—the show even created a now widely observed holiday, Galentine’s Day. How did it all happen and how did the show transform from a ratings disappointment into a cult classic? Listeners will find out all this and more in the definitive history of the show, which is as full of humor, optimism, and heart as Parks and Recreation itself.

Since the 1920s, fashion has played a central role in Hollywood. As the movie-going population consisted largely of women, studios made a concerted effort to attract a female audience by foregrounding fashion. Designers from a variety of backgrounds, including haute couture and art design, were offered long-term contracts to work on multiple movies. Though their work typically went uncredited, they were charged with creating an image for each star that would help define an actor both on- and off-screen.