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Thalia Mara's story spans the history of dance in the twentieth century and the rise of the arts in her adopted city of Jackson, Mississippi. As an adolescent Mara (1911–2003) studied with renowned Russian teacher Adolph Bolm, who recommended she go at age sixteen to Paris for further study. During a tour in Europe and South America, she met her partner in dance and life, Arthur Mahoney, and they dazzled the world with their breathtaking performances during the 1930s and '40s. The two were named codirectors of Jacob's Pillow in 1947, gracing the cover of Life magazine that year.

Before Ratmansky was the artistic director of the Bolshoi Ballet, the resident choreographer at American Ballet Theatre, the artist in residence at New York City Ballet, and generally, as The New Yorker has it, "the most sought-after man in ballet," he was just a boy from Kyiv, sneaking into the ballet at night, concocting his own juvenile adaptations of novels and stories, and dreaming up new possibilities for bodies in motion.

Learn how to lead and follow every step following the three laws of balance, connection, and direction. This is the only unambiguous method of communicating in social dancing. This is the safest, easiest, and most natural way to dance with a partner. You learn to dance without the use of force. You improve your balance. You learn to dance as light as a feather.

Some difficult times through his childhood in South Africa did nothing to diminish Johannes Radebe's shine. Radebe has now penned his first memoir, Jojo: Finally Home, which documents some of the difficulties he faced growing up and how he got through it. We'll be talking to him about the support and care he got from the women in his life, the way homophobia has affected him, and his passion for dance and the solace it has provided. And of course, we’ll be talking about Strictly.

In 2019, Johannes Radebe became the first male dancer to perform in heels in Strictly Come Dancing history. Wearing black patent leather boots, Johannes danced with a red 'Pose' fan to a rendition of Blondie's Rapture. Two years on, Johannes was part of only the second same-sex pair on the show, dancing with Great British Bake-Off winner, John Whaite and though they were runners up and the response from the UK public was overwhelmingly positive, Johannes still faced abuse that highlighted the continuing fight against homophobia and racism.

Eileen Kramer has lived the most extraordinary life. Born just after Australia entered World War I, she embraced creativity and adventure from an early age. She danced and painted murals in Karachi; worked as an artist's model in Paris and London; met Ella Fitzgerald and Groucho Marx; and learned the twist from Louis Armstrong. In September 2013, aged ninety-nine, Eileen returned to Australia. Now, at 108, she is still dancing.

Arguably the greatest choreographer who ever lived, George Balanchine was one of the cultural titans of the twentieth century—the New York Times called him "the Shakespeare of dancing." His radical approach to choreography—and life—reinvented the art of ballet and made him a legend. Written with enormous style and artistry, and based on more than one hundred interviews and research in archives across Russia, Europe, and the Americas, Mr. B carries us through Balanchine's tumultuous and high-pitched life story and into the making of his extraordinary dances.

Dancing Cheats, Hacks, Hints, Tips, And Tricks That Every Dancer Should Know is the ultimate guide to help you become a better dancer. Whether you're a beginner or a seasoned pro, this book has something for everyone. Inside, you'll find a collection of cheats, hacks, hints, tips, and tricks to improve your dancing skills, from basic techniques to advanced moves.

In this unique audiobook, which became the most translated tango book in the world, Dimitris takes you on a journey of exploring connection, awareness, and meaning in tango.

Le divinità del Paese di Dio attesta il ricordo di una cultura dimenticata e delle comunità che la circondano. Il Theyyam è una forma d'arte rituale dravidica del Kerala, in India, il Paese di Dio. Questo libro fornisce informazioni dettagliate sul Theyyam, bellissime immagini e centinaia di storie. Dedichiamo questo libro agli artisti che eseguono il Theyyam, veri e propri dei "del popolo, dal popolo, per il popolo.

Growing up, Alice Robb dreamed of becoming a ballet dancer. But by age fifteen, she had to face the reality that she would never meet the impossibly high standards of the hyper-competitive ballet world. After she quit, she tried to avoid ballet—only to realize, years later, that she was still haunted by the lessons she had absorbed in the mirror-lined studios of Lincoln Center, and that they had served her well in the wider world. The traits ballet takes to an extreme—stoicism, silence, submission—are valued in girls and women everywhere.

Para algunas personas, el tango es simplemente una actividad social. No posee un significado más profundo, ni constituye un camino. Solo se trata de unos cuantos pasos, mezclados y reciclados. Este libro no es para aquellas personas.

Vincent Paterson began his professional dancing career late in life. It would take an exceptional turn when he became one of the lead dancers in Michael Jackson's Beat It music video. Through hard work, he rises to the rank of choreographer and director for the world's greatest singers, but also for cinema and musical comedy. He tells with humility the fascinating universe of film sets, the rehearsal sessions where he had to orchestrate and synchronize dozens of dancers, and life backstage, where it is sometimes necessary to manage a few whims of the stars.

John W. Bubbles was the ultimate song-and-dance man. A groundbreaking tap dancer, he provided inspiration to Fred Astaire, Eleanor Powell, and the Nicholas Brothers. His vaudeville team Buck and Bubbles captivated theater audiences for more than thirty years. Most memorably, in the role of Sportin' Life he stole the show in the original production of Gershwin's Porgy and Bess, in the process crafting a devilish alter ego that would follow him through life.

From its modest beginnings in the 1960s in a Harlem church basement, to its meteoric rise to international fame, the Dance Theatre of Harlem ignited the world with one simple, still-revolutionary statement: All can do ballet. Into the 21st century, as the world, and the country, continue their historical struggles and triumphs, the story of this haven for dancers of all colors and backgrounds resonates more than ever. Here is the definitive portrait of the one-of-a-kind dance company that reflected—and shaped—our times, and whose enduring principle continues to inspire the future.

A Syria-born dancer offers his deeply personal story of war, statelessness, and the pursuit of the art of dance in this inspirational memoir.

Time magazine called her “the Dancer of the Century.” Her technique, used by dance companies throughout the world, became the first long-lasting alternative to the idiom of classical ballet. Her pioneering movements—powerful, dynamic, jagged, edgy, forthright—combined with her distinctive system of training, were the epitome of American modernism, performance as art. Neil Baldwin, author of admired biographies, gives us the artist and performer, the dance monument who led a cult of dance worshippers as well as the woman herself in all of her complexity.

September 1940. As the skies split apart and bombs rain down on London, it's all the staff at the famed Buckingham Hotel can do to keep their guests in the luxury they're accustomed to, and evoke the magic of the Grand ballroom for them each night. Home on leave and still reeling from the tragic events at Dunkirk, the dashing Raymond de Guise struggles to define his role in this new world, and to do his duty both to his country, and his beloved wife Nancy- who needs him now more than ever.

"Als gäbe es keine Schwerkraft" ist nicht nur eine Hommage an das Tanzen - sondern vor allem an das wertschätzende Führen von Menschen. Denn je mehr es, gerade in modernen digitalen Zeiten, um das Erreichen von kreativen und innovativen Spitzenleistungen geht, desto offensichtlicher werden die Parallelen zwischen Kunst als Leistungssport und Performance im Management. Ein erfolgreiches Agieren in einer sich permanent verändernden, von Technologie getriebenen Welt stellt neue Anforderungen an Führungskräfte und fordert sie mehr als je zuvor als Mensch und Persönlichkeit.

Motsi opens up about the determination, hard work and resilience it took to get to where she is today from the moment she fell in love with the glitterball world as a young child watching a dance tournament whilst on holiday. She takes us back to growing up in apartheid South Africa where she experienced exclusion and discrimination, raising money to compete in cut-throat international competitions and the huge leap of faith she took giving up her law degree, moving to Germany to be with her dance partner and throwing everything in to becoming the best dancer she could be.