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The young king of Navarre and three of his courtiers have vowed to lock themselves away for three years of study and fasting, and to forswear the company of women for this period. No sooner is their vow made than it is tested, however, as the princess of France and three of her ladies arrive in Navarre on a diplomatic mission. The young men fall instantly and hopelessly in love, and the tension between their vow and their passion forms the subject of this charming and sparkling early comedy.

Padua holds many suitors for the hand of fair Bianca, but Bianca may not be married until her spinster sister, Kate, is wed. Could any man be rash enough to take on Kate? The witty adventurer Petruchio undertakes the task. While he sets about transforming Kate from foul-tempered termagant to loving wife, young Lucentio and his clever servant, Tranio, plot to win Bianca.

The fabulously rich Timon believes all his friends to be as open-hearted and generous as himself. When his wealth suddenly evaporates, however, he discovers the truth and his altruism turns to a bitter hatred of mankind. Stirred up by the cynical Apemantus, Timon retreats to the woods where he plots the destruction of Athens, the city that had formerly seemed to embody everything pleasurable and civilized. The cosmic scope of his hatred is communicated in a series of powerful and disturbing dramatic tableaux.

Troy is besieged by the invading Greeks, but the young Trojan prince Troilus can think only of his love for Cressida. Her uncle Pandarus brings the two together, but after only one night news comes that Cressida must be sent to the enemy camp. There, as Troilus looks on, she yields to the wooing of the Greek Diomedes. The tragic story is undercut by the commentary of Thersites, who provides a cynical chorus.

The Provincetown Players created a revolution in American theatre, making room for truly modern approaches to playwriting, stage production, and performance. In Staging America, Jeffery Kennedy gives the unabridged story in a meticulously researched and comprehensive narrative that sheds new light on the history of the Provincetown Players. At the center of the study is an extensive account of the career of George Cram Cook, the Players' leader and artistic conscience, as well as one of the most significant facilitators of modernist writing in early twentieth-century American literature.

With in-depth and accessible insight, How Sondheim Can Change Your Life makes the case that the greatness of Sondheim’s brilliance—beyond the clever lyrics and adventurous music—rests in his ability to tell universal stories that relate to us all. From Louise’s desire for freedom as Gypsy Rose Lee to Sweeney Todd’s thirst for revenge, and beyond, we as an audience can easily relate to Sondheim’s characters. His works understand us as much as we understand them.

Since its original publication in 1973, Uta Hagen's Respect for Acting has remained a durable classic for all students of acting. As an acting instructor at the Herbert Berghof Studio, Hagen helped to develop the talents of world-class actors like Robert DeNiro, Matthew Broderick, Gene Wilder, Amanda Peet, Austin Pendleton, Whoopi Goldberg, and more. This updated edition illuminates Hagen's original text with a new foreword written by Katie Finneran, retaining the David Hyde Pierce foreword, along with added background on HB Studio.

In early 2019, when playwright Kirk Wood Bromley was diagnosed with cancer, his fans and collaborators came together to fund and record three of his plays, one of which was Icarus and Aria, an "upgraded Romeo and Juliet" that was originally performed under the dramatory of Aaron Beall at the first New York International Fringe Festival in 1997.

Das stetige Erstarken der Familien der flugfähigen Drachen ist der abtrünnigen menschengestaltigen Linie der Wolkenfelser seit langem ein Dorn im Auge. Weil alle direkten Versuche, den großen Drachen zu schaden, durch Lady Tessa erstickt werden, versuchen Sie, die beiden Königreiche des Clans gegeneinander auszuspielen und Tessas Reich von innen zu zersetzen. Als sie die menschliche Gefolgschaft, die Familie des Herrn des Weihergutes, überfallen, ahnen sie nicht, dass sie ihr eigenes Ende einläuten, erst recht nicht, wer es ihnen bereiten wird.

The winner of 11 Tony awards for the 2015-16 season, Lin-Manuel Miranda's "Hamilton" is a breathtaking musical based on the life of American Founding Father Alexander Hamilton. The ground-breaking musical, filled with both hip-hop and traditional Broadway songs, tells the story of Hamilton, whose life included poverty, loss, political success and a great love story has surprising relevance to our world today.

This is a full recording of Daniel Martin Berkey performing the play Remission, which Backstage magazine called "mind-blowing" and NYTheater called "90 intense and harrowing minutes of spectacular wordplay".

"Für sein legendäres Bühnenprogramm "Das ist ein Theater!" mit den amüsantesten Theater-Anekdoten aus fünf Jahrzehnten im Scheinwerferlicht erntete und erntet Heinz Marecek immer wieder aufs Neue tosenden Applaus. Nach über 4.000 Vorstellungen, vielen Dutzend Inszenierungen und Kinofilmen sowie hunderten Fernsehproduktionen blieben jedoch noch zahlreiche Geschichten unerzählt. So darf man sich nun auf die lange herbeigesehnte Fortsetzung von Heinz Mareceks Erfolgsprogramm freuen. Seine selbst durchlebten, bühnenreifen Erzählungen stehen dabei heitere Bonmots berühmter Theaterautoren gegenüber.

Every time you deliver a speech, give a presentation, or simply tell a good story, you are taking centre stage. Here, one of the world’s leading voice coaches introduces the simple exercises that great actors use to hold people’s attention – and reveals how anyone speaking in public can use them. Drawing on 25 years working at London’s National Theatre, Jeannette Nelson explains how to warm up your voice and body before a big speech, how focusing on your breathing can improve your clarity and pace, and much more.

Friedrich Schiller, frisches Mitglied der "Deutschen Gesellschaft", einer Vereinigung, die sich um die deutsche Sprache bemühte, wollte sich 1784 um die Stelle des Sekretärs der Gesellschaft bewerben. Er hielt bei seiner Bewerbung eben diese Rede über die "Schaubühne als moralische Anstalt." Seiner Meinung nach diente die Bühne als eine moralische Anstalt, eine Schule praktischer Weisheit, als gesellschaftspolitische Anstalt, als Instrument der Aufklärung und nicht zuletzt als ästhetische Bildungsanstalt.

Среди книг западной беллетристики, изображающих жизнь театральных подмостков, Актриса - классическое произведение, может быть, лучшее, что написано в этой области. Эдмон де Гонкур дал в Актрисе своеобразное сочетание романа и исследования, сплетающихся, дополняющих друг друга и освещающих судьбу и творчество главной героини произведения, Жюльетты Фостэн, великой актрисы, вылепленной Гонкуром наподобие знаменитых трагических артисток французской сцены.

O Auto da Compadecida consegue o equilíbrio perfeito entre a tradição popular e a elaboração literária ao recriar para o teatro episódios registrados na tradição popular do cordel. É uma peça teatral em forma de Auto em 3 atos, escrita em 1955 pelo autor paraibano Ariano Suassuna. Sendo um drama do Nordeste brasileiro, mescla elementos como a tradição da literatura de cordel, a comédia, traços do barroco católico brasileiro e, ainda, cultura popular e tradições religiosas. Apresenta na escrita traços de linguagem oral [demonstrando, na fala do personagem, sua classe social] e apresenta também regionalismos relativos ao Nordeste.

The only person ever to win Oscar, Emmy, and Tony awards in the same year, Bob Fosse revolutionized nearly every facet of American entertainment. His signature style would influence generations of performing artists. Yet in spite of Fosse’s innumerable—including Cabaret, Pippin, All That Jazz, and Chicago, one of the longest-running Broadway musicals ever—his offstage life was shadowed by deep wounds and insatiable appetites.

On stage and screen, we know a great performance when we see it. But how do actors draw from their bodies and minds to turn their selves into art? What is the craft of being an authentic fake? More than a century ago, amid tsarist Russia’s crushing repression, one of the most talented actors ever, Konstantin Stanislavski, asked these very questions, reached deep into himself and emerged with an answer.

When Mia mysteriously disappears from her college campus, her mother Joyce fears the worst — and a warning from Mia’s ex-boyfriend reveals she may have left the country to join a cult. Joyce impulsively launches a cross-continental trip to rescue her, gradually learning more about the seductive cult leader via audio tapes her daughter left behind. 

 No Harm Done contains three ensemble performances of plays by Eugene Stickland about medical conditions ­- Closer and Closer Apart, Alzheimer's disease; Fade to Light, Stargardt, a form of blindness; and The Last Dance, Parkinson's disease. The first section of the audiobook contains the plays themselves and Stickland’s introductions to them, supplemented by commentaries by medical experts and spokespersons.