検索キーワード： 劇場

A brand new lawyer and his young bride have returned from their honeymoon and are moving into their new high-rent apartment. In order to reach this "charming" dwelling, they must first climb six creaking flights of stairs. Once there, they find the place is absolutely bare of furniture, the paint job is all wrong, the skylight leaks, there is room for only one twin bed, and the wacky neighbors pop up at the worst times.

The long-awaited third volume of Robert McKee’s trilogy on the art of fiction. Following up his perennially bestselling writers' guide Story and his inspiring exploration of the art of verbal action in Dialogue, the most sought-after expert in the storytelling brings his insights to the...

Universally admired and quoted, Shakespeare’s Sonnets have love, beauty and the passing of time at their heart. Featuring some of the best-known and best-loved lines in the history of poetry (‘Shall I compare thee to a summer’s day?’, ‘Love is not love which alters when it alteration finds’), these evocative sonnets explore passion, the fleeting nature of beauty and the essence of true and everlasting love.

Constantin Stanislavski (1863-1938), arguably the most influential director in the history of the theater, was the founder of the renowned Moscow Art Theater. A pioneer of psychological realism and improvisation on the stage, he devoted his life to developing the performance techniques now emulated throughout the world.

Uta Hagen, one of the world's most renowned stage actresses, also taught acting for more than 40 years at the HB Studio in New York. Her first book, Respect for Acting, published in 1973, remains a best seller in print. In this brand new audio edition of her second classic book, A Challenge for the Actor, she greatly expands her thinking about acting in a work that brings the full flowering of her artistry, both as an actor and as a teacher.

Still grieving the loss of her husband, Delia reconnects with a man from her past—and suddenly finds herself living inside her own romantic comedy. What begins as an unlikely spark soon blossoms into a love story that defies the odds, even in the face of life’s most difficult challenges.

Mention The Phantom of the Opera at a dinner party, and each guest will have his or her own vivid, almost visceral, recollection of the tale of a disfigured musical genius and his unrequited love for a beautiful, young singer. Someone will undoubtedly pantomime the famous scene from the silent era film in which Mary Philbin (as Christine Daae) sneaks up behind the Phantom, while he is playing the organ in his subterranean lair, and unmasks the great Lon Chaney, revealing his horribly disfigured face to the audience and her.

This concise study examines how western histories and practices of theatre have functioned to achieve their effects, through understanding dramaturgy as the arrangement or structure of the work in time and space – both at the fictional level and in relation to performance. Exploring the relationship between plays and their meaning in production, this guide focuses on how understanding dramaturgy is critical to understanding how plays achieve their effects.

Theatre and tourism are kindred practices. Both engage their patrons in experiences of temporary escape to distant places, times, or different lives. Both stage expressive, communicative, embodied encounters in real time and space. Tourism and theatre are both sites of public pedagogy, cultural diplomacy, and cosmopolitan consciousness, promising pleasure and knowledge from the spectacle of others and elsewheres.

Theatre and Race centers on the interrelationship of the words on either side of the ampersand. It offers an accessible overview of how race is performed and how western theatrical practice has wrestled with the topic, question, and "problem" of racial difference over centuries. This study introduces critical and theoretical concepts to account for how the simple act of being attentive to the seeming "otherness" of another person within the expressive arts, as well as in everyday life, invites an engagement with the social history and lived experience of race.

Using detailed contemporary case histories, theatre artist, scholar and activist Ali Campbell demonstrates how the underlying principles of Boal's practice are today enacted in the work of - among others - an urban network (Theatre of the Oppressed NYC), a rural and developmental theatre organisation (Jana Sanskriti, West Bengal), Boal's original company CTO Rio (Brazil), and a theatre-based group led by learning-disabled adults in the UK (The Lawnmowers Independent Theatre Company).

In this book, she discusses running disabled-led Graeae theatre company for the past 30 years. She reveals her passionate and long-standing commitment to inclusivity and equality within the arts and how she and Graeae have made strides in the area, including the creative integration of sign language, captioning and audio description in performance.

After matching online, two strangers—played by Heléne Yorke (The Other Two) and Michael Zegen (The Marvelous Mrs. Maisel)—meet in real life. The vibe is off, and the conversation is a mess. Yet something is keeping them in their seats. What begins as a typical date off the apps spirals into something unexpected.

For more than 15 years, Robert McKee's students have been taking Hollywood's top honors. His “Story Seminar” is the world's ultimate seminar for screenwriters, filmmakers, and novelists. Now, Robert McKee's Story: Substance, Structure, Style, and the Principles of Screenwriting reveals the...

A backstage pass to the groundbreaking, hit musical Hamilton, winner of the 2016 Pulitzer Prize for Drama and Eleven Tony Awards, including Best Musical, including the award-winning libretto, behind-the-scenes photos and interviews, and exclusive footnotes from composer-lyricist-star Lin-Manuel...

This is the story of the real battle for Broadway, where the men who controlled the business determined not only who produced for the theatrical and vaudeville stage but also what they produced, who would perform, where the show would play, how much the audience would pay, and how those profits would be divided. Discover how it took the law nearly sixty years to catch up to the illegal anticompetitive strategies of the Barons of the Gilded Age and their successors and why this story matters today.

With a focus on the processes within each stage of creation and the key roles involved, the book offers insights into the benefits of using puppetry in your performance; how to research and design your puppets; how to perform with a puppet, from the technical considerations to character acting; how to maintain your puppet and even repair it during a production; how to pursue a career in puppetry.

Throughout the twentieth century, in theaters, ballrooms, and nightclubs, dancers blazed trails of resistance and revolution. From the exuberant endurance of dance marathons during Prohibition to the militant precision of the Rockettes through WWII and the strait-laced fifties; from the aloof...

Stella Adler was one of the 20th Century's greatest figures. She is arguably the most important teacher of acting in American history. Over her long career, both in New York and Hollywood, she offered her vast acting knowledge to generations of actors, including Marlon Brando, Warren Beatty, and Robert De Niro. The great voice finally ended in the early 1990s. But, her decades of experience and teaching have been brilliantly captured and encapsulated by Howard Kissel, in the 22 lessons you'll hear in this audiobook.

Antigone is universally celebrated as the ultimate figure of ethical resistance to the state power which oversteps its legitimate scope and as the defender of simple human dignity. But is she really so innocent and pure? What if there is a dark side to her? What if Creon, the representative of state power, also has a valuable point to make? And what if both Antigone and Creon are part of a problem that only a popular intervention can confront?

A memoir from the writer of BENT with a foreword by Ian McKellen Sherman takes us on a journey through America in the mid twentieth century, starting in New Jersey – where he was born in the 1930s to a Jewish immigrant family – ending on Broadway with the premier of his seminal play Bent...

Much of the theatre we make starts with a script and a story given to us by someone else. But what happens when we're required to start from scratch? How do we begin to make theatre using our own ideas, our own perspective, our own stories? A Beginner's Guide to Devising Theatre, written by the artistic directors of the award-winning young people's performance company Junction 25 and is aimed at those new to devising or wanting to further develop their skills. It explores creative ways to create original theatre from a contemporary stimulus.

Director John Doyle is an unlikely revolutionary. Described by critics as 'the saviour of the Broadway musical', the 'amazing Mr Musicals' and 'the man who changed the face of the American musical', his name alone has become synonymous with a style of reinvention that has opened doors to what commercial musical theatre can be in the 21st century. In his first book Doyle reflects on the 50-year theatrical journey taken by a boy who never dreamt it could happen to him.

Legendary actress Diana Rigg was a force to be reckoned with. Her 50+-year, multi-award-winning career included everything from the iconic smart-talking, cat-suited Emma Peel in the Avengers to being the only Bond girl 007 ever married, to iconic stage performances in Mother Courage, Jumpers and...

من خلال تجربتها الثرية المملوءة بالصبر والإبداع والتحدي، فرضت ماري منيب وجودها، ولفتت أنظار المسرحيين وصناع السينما، قبل أن تلفت أنظار الجمهور؛ فذاع صيتها منذ عشرينيات القرن العشرين، لتلتقطها السينما من على خشبة المسرح، وتشهد تألقها وبداية شهرتها الحقيقية، وتنجح في الأدوار الأولى والثانية، وتصنع ثنائيات مع العديد من نجوم الثلاثينيات والأربعينيات والخمسينيات، والستينات؛ لتترك بصمة مهمة في تاريخ السينما المصرية.

Stanislavski was the first to outline a systematic approach for using our experience, imagination and observation to create truthful acting. In Acting Stanislavski, John Gillett offers a clear, accessible and comprehensive account of the Stanislavski approach, from the actor's training to final performance, exploring ease and focus, the nature of action, interaction and objectives, the imaginary reality, senses and feeling, active analysis of text, physical and vocal expression of character, the actor in the context of training and the industry.

The complete audio collection of Alan Bennett's celebrated monologues, published together for the first time and performed by some of Britain's best actors. The Talking Heads monologues are widely regarded as one of Alan Bennett's finest dramatic achievements. First broadcast on BBC TV and BBC Radio 4 in the 1980s and 1990s, they won a host of awards and huge popular acclaim, and remain among his most admired works today.

Presenting an original audiobook performance of the Pulitzer Prize-winning play, starring the cast of the National Theatre's 2018 Broadway revival. In this production, adapted especially for the listening experience, Andrew Garfield, Nathan Lane, and the entire cast recreate their acclaimed...

With clarity and insight, Richard Brestoff introduces the great acting teachers, explaining their techniques and how they are applied today. Beginning with Quintilian and Delsarte, he guides us to the present with an inside look at what is currently being taught in the major acting schools and private acting studios; The Actors Studio, Yale University, NYU, Juilliard and many more are visited. The Great Acting Teachers and Their Methods will help you understand the most important ideas about acting, where they originated and how they are used in training programs today.

You know his work—Show Boat, Oklahoma!, Carousel, The King and I. But you don't really know Oscar Hammerstein II, the man who, more than anyone else, invented the American musical. Among the most commercially successful artists of his time, he was a fighter for social justice who constantly prodded his audiences to be better than they were.