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This play is a powerful account of the case filed by the American Federation for Equal Rights (AFER) in the U.S. District Court in 2010 to overturn Proposition 8, a constitutional amendment that eliminated the rights of same-sex couples to marry in the state of California. Framed around the trial's historic closing arguments in June 2010, 8 provides an intimate look at what unfolded when the issue of same-sex marriage was on trial.

In Deborah Zoe Laufer’s End Days, a suburban family is undergoing a spiritual crisis following the September 11th attacks. Sylvia Stein has turned to Christianity to save her disaffected husband Arthur and her rebellious teenage daughter Rachel. But as Sylvia races around preparing for the Rapture, Rachel is learning that there are more things in heaven and earth than are dreamt of in her philosophy.

After matching online, two strangers—played by Heléne Yorke (The Other Two) and Michael Zegen (The Marvelous Mrs. Maisel)—meet in real life. The vibe is off, and the conversation is a mess. Yet something is keeping them in their seats. What begins as a typical date off the apps spirals into something unexpected.

From the women who pounded the pavement selling their songs in Tin Pan Alley at the turn of the twentieth century; to the women who broke new ground writing shows during the Great Depression; to the women who penned protest musicals fighting for social justice during the 1970s; to those who are revitalizing the landscape of American musicals today, Women Writing Musicals: The Legacy That the History Books Left Out is the first-ever book to tell the story of the over three hundred inspiring women who wrote Broadway and Off-Broadway musicals.

Constantin Stanislavski (1863-1938), arguably the most influential director in the history of the theater, was the founder of the renowned Moscow Art Theater. A pioneer of psychological realism and improvisation on the stage, he devoted his life to developing the performance techniques now emulated throughout the world.

Since its original publication in 1973, Uta Hagen's Respect for Acting has remained a durable classic for all students of acting. As an acting instructor at the Herbert Berghof Studio, Hagen helped to develop the talents of world-class actors like Robert DeNiro, Matthew Broderick, Gene Wilder, Amanda Peet, Austin Pendleton, Whoopi Goldberg, and more. This updated edition illuminates Hagen's original text with a new foreword written by Katie Finneran, retaining the David Hyde Pierce foreword, along with added background on HB Studio.

Here is a diverse and fascinating story of the Theatre, from the first tragedies and comedies of Ancient Greece to the high-tech mega-musicals of the late 20th century. It is an absorbing listen, encompassing ancient tales, medieval theatre, Commedia dell'Arte, the great dramas of the Elizabethan age, and more.

Once called "the most gifted character actor of our time," Lionel Barrymore (1878-1954) was part of the illustrious Barrymore acting dynasty. Although he garnered success on stage and screen and was a talented actor, writer, director, visual artist, and composer, he never escaped the shadow of his family. Barrymore won the Academy Award for Best Actor in A Free Soul and was nominated for Best Director for Madame X. He is best known for his role as Mr. Potter in It's a Wonderful Life and as the voice of Ebenezer Scrooge.

Lucian Msamati draws on his rich experience, particularly in the context of productions at the National Theatre to delve into sets of challenges and possibilities that actors might face. He offers up his tips on getting started in the industry; navigating the various professional relationships and roles inside a rehearsal room; and offers insights into running your own company and generating your own work.

Based on a “that can’t actually be true” story. Dead Outlaw is the darkly hilarious and wildly inventive new musical about Elmer McCurdy, an early 20th-century outlaw who became a traveling corpse and accidental celebrity. After a botched train robbery and an untimely death, Elmer’s body embarks on a decades-long postmortem adventure—through carnivals, roadside attractions, wax museums, and even a Hollywood film set. Dead Outlaw dives into the absurdity of fame, the inevitability of failure, and the meaning—or utter meaninglessness—of legacy.

"The Actor’s Journey: Navigating the Path to Excellence" by Vandi Lynnae Enzor is a comprehensive and insightful exploration of the art and craft of acting. Drawing from her extensive experience as an actor, director, and educator, Enzor offers a wealth of practical advice, actionable strategies, and profound insights to help actors of all levels navigate the complexities of their profession.

Ambition and jealousy - all set to music. Devout court composer Antonio Salieri plots against his rival, the dissolute but supremely talented Wolfgang Amadeus Mozart. How far will Salieri go to achieve the fame that Mozart disregards?

In this outrageous new comedy, playwright Mamet skewers everything from sexuality to the justice system to world peace. In a world where nothing is as it seems, prepare to be offended!

​The My Fair Lady story gets a thoroughly modern, thoroughly invigorating update in this unsparing (and hilarious) look at America’s capitalist tech culture. Eli is a tough young woman who makes paper flowers on Venice Beach, where she lives in a homeless tent camp. A chance encounter with a smug tech CEO, Hig, sparks an intriguing quid pro quo: she brings him an image-burnishing entrepreneurial offer, and he, in turn, hires her to present GAL - his new artificial intelligence service - at an upcoming conference.

Esta versão em áudio da obra O Mercador de Veneza, escrita para teatro por William Shakespeare e adaptada para o público jovem por Leonardo Chianca foi valorizada pela trilha sonora desenvolvida por Sandra Branca com arranjos inovadores feitos a partir de obras do compositor Claudio Monteverdi, que é citado no texto, e de diversos compositores renascentistas. Também destaca-se a interpretação da atriz Isadora Ferrite no papel de Pórcia.Vozes.

Rebellion still simmers in England and King Henry's health is failing. Prince Hal has proved his courage but the king still fears that his son's pleasure-loving nature will bring the realm to ruin. Meanwhile, Falstaff and his ribald companions waste the nights in revelry, anticipating the moment when Hal will ascend the throne. Falstaff is in Gloucestershire when news arrives that the king has died. Has the dissolute old knight's hour come at last?

The young king of Navarre and three of his courtiers have vowed to lock themselves away for three years of study and fasting, and to forswear the company of women for this period. No sooner is their vow made than it is tested, however, as the princess of France and three of her ladies arrive in Navarre on a diplomatic mission. The young men fall instantly and hopelessly in love, and the tension between their vow and their passion forms the subject of this charming and sparkling early comedy.

Padua holds many suitors for the hand of fair Bianca, but Bianca may not be married until her spinster sister, Kate, is wed. Could any man be rash enough to take on Kate? The witty adventurer Petruchio undertakes the task. While he sets about transforming Kate from foul-tempered termagant to loving wife, young Lucentio and his clever servant, Tranio, plot to win Bianca.

The sensitive and poetic Richard II is undoubtedly the rightful king of England, but he is unscrupulous and weak. When his cousin Henry Bolingbroke returns from banishment and mounts a challenge to his authority, Richard's right to the throne proves of little help to him. Richard is forced to abdicate, but as his power is stripped away, he gains dignity and self-awareness, and he meets his death heroically.

The fabulously rich Timon believes all his friends to be as open-hearted and generous as himself. When his wealth suddenly evaporates, however, he discovers the truth and his altruism turns to a bitter hatred of mankind. Stirred up by the cynical Apemantus, Timon retreats to the woods where he plots the destruction of Athens, the city that had formerly seemed to embody everything pleasurable and civilized. The cosmic scope of his hatred is communicated in a series of powerful and disturbing dramatic tableaux.