検索キーワード： 教則・技術

This lesson is based upon the original version of the song in the key of D flat. This is not a simplified arrangement. This song is considered an early advanced level piece, so it is suitable for most third or fourth year adult students who have played consistently. The lesson includes a full demonstration at the beginning, and then sections of the song are played and taught in two to four measure sections. There is more detailed instruction on unusual or more difficult passages.

Johan Sjölin har ägnat hela sitt yrkesliv åt att utbilda framtidens musiker och artister. Som medgrundare och skolledare på Rytmus (musikgymnasium 1993) och Pops Academy (grundskola 2015) har hans skolor under 30 år på ett framgångsrikt sätt utvecklat barn, ungdomar och unga vuxna med...

"I'm not here to change your mind about Dusty Springfield or Shostakovich or Tupac Shakur or synthpop. I'm here to change your mind about your mind." There are countless books on music with much analysis given to musicians, bands, eras and/or genres. But rarely does a book delve into what's...

It all looks so easy. You just make viral YouTube videos or get on a reality talent show. Right? Wrong! Nancy Bos speaks real to teen girls about how to BE a singer. This book and journal lets teens explore all of the options including (and way beyond) being a pop star or professional singer. This is also a book for parents who want to understand the complex and vital relationship of music and singing and how it empowers our daughters. The Teen Girl's Singing Guide is personal, profound, and surprisingly practical!

Chronicling Stankonia reflects the ways that culture, race, and southernness intersect in the late twentieth and early twenty-first centuries. Although part of southern hip-hop culture remains attached to the past, Bradley demonstrates how younger southerners use the music to embrace the possibility of multiple Souths, multiple narratives, and multiple points of entry to contemporary southern black identity.

For this lesson on the Led Zeppelin hit we will be using the studio version and learning both the acoustic and electric guitar parts. The song is demonstrated in its entirety with a light metronome track so that you can hear the timing. Then the entire song is taught in two- to four-measure sections completely “by ear".

This is original arrangement of this Chopin piece and it is taught completely “by ear.” I rate this one as a late beginner and early intermediate because the first section is suitable for most first year students. It is only as the piece progresses that it becomes more difficult. Like always, the lesson has a full demonstration of the song followed by a detailed all-audio lesson breaking down the entire song measure-by-measure and note-by-note.

For anyone who has been intimidated, overwhelmed, or just plain confused by what they think opera is, Who’s Afraid of Opera? offers a lively, easy-to-follow guide to what author Michael Walsh describes as “the greatest art form yet invented by humankind.” From opera’s origins in Renaissance Italy to the Who’s rock odyssey “Tommy”, and Stephen Sondheim’s “Into the Woods”, Walsh explores what opera is and what it’s not, what makes a great singer, and why it takes Tristan so long to die.

This lesson includes a full demonstration of the song followed by a detailed “by ear” lesson teaching the entire piece in two to four measure sections. This classical piece is rated as a late intermediate to early advanced level.

In this lesson you will learn a late intermediate level arrangement of one of Chopin’s most enjoyed pieces. The arrangement is played completely and then taught in two- to four-measure sections using no print or music. Learning this song “by ear” makes it fast to learn and easy to memorize.

The Inner Game of music is that which takes place in the mind, played against such elusive opponents as nervousness, self doubt, and fear of failure. Using the same principles of "natural learning" W. Timothy Gallwey developed so successfully for tennis, golf, and skiing and applying them to his own field, noted musician Barry Green shows how to acknowledge and overcome these internal obstacles in order to bring a new quality to the experience and learning of music. 

Il Trovatore has been ruthlessly parodied. It is a tale of murder and mayhem, burned babies, roasted hags, would-be nuns, strolling minstrels, and bad baritones. And indeed the libretto does call for a willing suspension of disbelief. The reward is in the music, a score as prodigally melodic as only the mature Verdi could write: the "Anvil" chorus, the "Miserere" scene, two great tenor arias, a beautiful baritone aria - a richness without embarrassment.

In this “by ear” lesson you will learn this beautiful and moving piece of music without music or video. The lesson begins with a full demonstration of the composition followed by a detailed note-by-note lesson of the entire song, including fingering. There is no faster or easier way to learn this amazing piece of music.

From The Beatles to Christina Perri, this bundle covers five decades of great guitar songs, most at the beginner and early intermediate level. Here you will find Clapton, The Stones, The Eagles, Mary Chapin Carpenter, Sara Evans, and more! If you are looking for a batch of guitar lessons that will make you a well-rounded musician, then you have to get this set! 

This inspiring song from the movie Machine Gun Preacher is easy to learn in this Guitar by Ear lesson. The lesson starts off with a complete demonstration with backing tracks followed by a detailed lesson of the arrangement using no print, tab, or video. At the conclusion of the lesson, there are backing tracks with no guitar on them to use for your own performance.

Many songwriting books teach you to write "a" song. Seven Foundations for Great Songwriting teaches you how to write song after song after song for a lifetime. Whether your goal is to jump-start a songwriting career, improve your current craft, or just write songs for family and friends, this book will teach you the best practices great songwriters have used for generations.

Yes, this book is designed entirely to share those secrets that will inspire you to write that great song that you know you can! And once the creativity really starts flowing, we'll create great habits and write even more, each and every day. Get down to writing the music and the lyrics you know that you can because writer's block is a fantasy. You just need inspiration.

On the eve of his fortieth birthday, a professor of no discernible musical talent learns to play the guitar and investigates how anyone of any age might master a new skill. Just about every human being knows how to listen to music, but what does it take to make music? Is musicality something we...

One of two of the most popular trumpet pieces played at weddings, this intermediate level piece by Jeremiah Clark serves as a processional and recessional. The arrangement is played in its entirety and then taught in two- to four-measure sections totally “by ear.”

From the triumphant “Main Title” in Star Wars to the ominous bass line of Jaws, John Williams has penned some of the most unforgettable film scores—while netting more than fifty Academy Award nominations. This updated and revised edition of Emilio Audissino’s groundbreaking volume takes stock of Williams’s creative process and achievements in music composition, including the most recent sequels in the film franchises that made him famous. Audissino details his lasting impact and cements his legacy as one of the most important composers in movie history.