検索キーワード： 教則・技術

This lesson is based on the One More Car, One More Rider acoustic version by Eric Clapton. This is a level two and contains a lesson on the long improv section at the beginning of the song as well as the rest of the arrangement. There is a demonstration recording and a backing track included.

In this piano by ear lesson, you will learn a jazz solo arrangement of “I Need Thee Every Hour”. The lesson starts with a full demonstration of the arrangement followed by a detailed all-audio lesson teaching the song in two to four measure sections. There is no print, music, or video to use.

This is the original version and not an arrangement. Next to “The Entertainer”, this song is one of the most recognizable ragtime pieces by Scott Joplin. This “by ear” lesson starts with a full demonstration of the piece and then works you through the entire song note-by-note with a full description of fingering, pedaling, and technique. This song is rated as an early advanced level piece.

For Bass Guitar: This lesson begins with a full demonstration of the song and has backing tracks to practice and perform with once you have learned the bass part. The song is taught completely “by ear” using no tab, music, or video.

Each of us carries a song inside us, the song that makes us human. Zen Guitar provides the key to unlocking this song - a series of life lessons presented through the metaphor of music. Philip Sudo offers his own experiences with music to enable us to rediscover the harmony in each of our lives and open ourselves to Zen awareness uniquely suited to the Western mind. Through 58 lessons that provide focus and a guide, the listener is led through to Zen awareness, with quotes from sources ranging from Eric Clapton and Jimi Hendrix to Miles Davis.

Jazz 101 is a fascinating entry into the world of jazz, for the beginner, novice, or jazz enthusiast. Szwed takes listeners on a tour of the varied and nonlinear history of jazz, exploring how it developed from an ethnic music to become America's most popular music and then part of the avant-garde in less than 50 years.

This Clapton guitar hit is taught to you in a step-by-step and note-by-note fashion completely by ear. Both the rhythm and lead guitar parts are taught in this all-audio lesson in two- to four-measure sections. A full demonstration is included at the beginning of the lesson to listen to and practice along with.

Despite the ups and downs of his personal life and professional career—even in the face of deafness—Beethoven remained remarkably consistent in his most basic convictions about his art. This inner consistency, writes the music historian Mark Evan Bonds, provides the key to understanding the composer's life and works. Discarding tired myths about the composer, Bonds proposes a new way of listening to Beethoven by hearing his music as an expression of his entire self, not just his scowling self.

Movies, Star Trek, Clone Wars, and Willie Nelson! This mash-up set gives you movie themes, old standards, and a Singer Pro version of “Easy” by The Commodores, where you’ll learn the actual piano part from the original hit recording. There is also modern pop by Adele and Josh Groban. This set contains over twelve hours of high-quality piano instruction by a world-class teacher, taught entirely “By Ear!”

In this “by ear” lesson you will learn this beautiful and moving piece of music without music or video. The lesson begins with a full demonstration of the composition followed by a detailed note-by-note lesson of the entire song, including fingering. There is no faster or easier way to learn this amazing piece of music.

This upbeat and highly-recognizable classical piece is fast to learn and memorize because it is taught completely “by ear.” The arrangement is demonstrated completely and then taught in two to four measure sections using no music or print. Learn by ear, play by ear!  

In this lesson, the student learns every lick and phrase of the Django Reinhardt version of this song. A full demonstration is provided at the beginning of the lesson followed by a detailed lesson taught in two- to four-measure sections. Each phrase is demonstrated and then taught completely “by ear” using no music, tab, print, or video. At the end of the lesson, a backing tracks version of the song is provided for the student to use for their own live performance of the song. 

In this lesson, you will learn not only the guitar part to this famous Beatles hit but the sitar part as well! Plus, you will learn all of this completely “by ear”, using no tab, music, or video! The lesson starts with a complete demonstration with backing tracks followed by a detailed lesson teaching the song in small, easy to memorize phrases. At the end of the lesson you get the backing tracks again in various configurations to use for your own performance. This song uses a capo so make sure you have one before you start.

Oliver Sacks’ compassionate tales of people struggling to adapt to different neurological conditions have fundamentally changed the way we think of our own minds. In Musicophilia, he examines the powers of music through the individual experiences of patients, musicians and everyday people - those struck by affliction, by unusual talent and even, in one case, by lightning - to show not only that music occupies more areas of our brain than language does but also that it can torment, calm, organise and heal.

There are few creative acts more mysterious and magical than writing a song. But what if the goal wasn't so mysterious and was actually achievable for anyone who wants to experience more magic and creativity in their life? That's something that anyone will be inspired to do after listening to Jeff Tweedy's How to Write One Song. Why one song? The idea of becoming a capital-S songwriter can seem daunting, but approached as a focused, self-contained event, the mystery and fear subsides, and songwriting becomes an exciting pursuit.

In this lesson you learn the 12-string, six-string, and slide-guitar parts to one of the most recognizable Pink Floyd songs. Each guitar part is taught in two- to four-measure sections completely “by ear” so there is no print, tab, or video to struggle with. There is a full demonstration track and three different performance tracks to listen to and play along with. The 12-string part is a level one while the lead guitar and slide parts are level two.

Beatles, Beatles, Beatles, and some Jeff Beck, CCR, and Christian Rock are all in this Guitar By Ear Box Set. This set has almost fourteen hours of high quality guitar instruction teaching some of the greatest hits of Rock and Roll, and you can learn them all completely “by ear” without music, tab, or video! This box set contains a mixture of late beginner through intermediate level song lessons.

This box set contains a wide variety of fingerstyle solo arrangements that are worthy of every performing guitarist’s repertoire. In this set you will find The Eagles, Bee Gees, John Denver, and Alabama, as well as timeless standards all arranged at around an intermediate level. This set has over sixteen hours of professional guitar instruction describing every note, finger, and string used to play these professional sounding arrangements, and you will learn them all completely “by ear” without music, tab, or video!

Ear training is one of the most rewarding skills you can develop, and it’s one that you can work on every day. Which makes total sense: Music is an aural experience, after all. Ear training helps you turn the music you hear into music you make on your guitar. This works for your own musical ideas, too: When you dream up a great riff or chord progression, you naturally want to sit down and play it right away. Ear training helps you do just that.

Are you a singer who would like to be able to help others? Would you like to increase your contemporary voice teaching skills? Do you want a method to successfully identify and correct vocal issues with confidence? You love singing and want to share your gift with others, yet navigating the world of teaching voice and vocal coaching can be confusing and intimidating. There is a world of information out there, from methodology to voice science, but applying it in the teaching room can be a bewildering experience. Why does the voice sound like this? How can I fix this issue?