検索キーワード： オペラ

Gesprochenes Drama sowie die komplette Opernaufnahme in einem Hörbuch! Zunächst das gesprochene Drama, dann Drama und Oper, Akt für Akt nacheinander im Wechsel, dann die komplette Oper als durchgehender Musikgenuss, eingespielt von Bayreuth-Legende Joseph Keilberth und dem Bayreuther Festival-Orchester!! Der dritte Teil des wohl berühmtesten Opern-Zyklus aller Zeiten: Siegfried erstarkt, schmiedet Notung, das Schwert, neu, und besiegt Wotan. Er erklimmt den Walkürenfelsen und erweckt Brünnhilde, die in Liebe entbrennt. Mit dabei: Ein pdf-Dokument mit allen Szenen.

Alex Ross, renowned New Yorker music critic and author of the international best seller and Pulitzer Prize finalist The Rest Is Noise, reveals how Richard Wagner became the proving ground for modern art and politics - an aesthetic war zone where the Western world wrestled with its capacity for beauty and violence.

For anyone who has been intimidated, overwhelmed, or just plain confused by what they think opera is, Who’s Afraid of Opera? offers a lively, easy-to-follow guide to what author Michael Walsh describes as “the greatest art form yet invented by humankind.” From opera’s origins in Renaissance Italy to the Who’s rock odyssey “Tommy”, and Stephen Sondheim’s “Into the Woods”, Walsh explores what opera is and what it’s not, what makes a great singer, and why it takes Tristan so long to die.

オペラの入門書はもうたくさん世の中にありますし、かくいう私も書いたことがあります。

Con uno stile raffinato e trascinante, Vittorio Sermonti "spiega al popolo" quattordici opere di Verdi, "il più spudorato genio della musica per teatro", dal Nabucco all'Otello, passando per l'Aida, il Rigoletto, il Trovatore e la Traviata. Ci fa riscoprire i celebri melodrammi attraverso il racconto della trama e persino della musica, l'analisi dei personaggi, riferimenti alla vita e alle lettere di Verdi, accenni alle vicende del libretto, notizie sparse sulle prime esecuzioni, annotazioni storiche sull'Italia del Risorgimento e dell'Unità.

This is the story of the 36-year-old business relationship between Luciano Pavarotti and his manager, Herbert Breslin, during which Breslin guided what he calls, justifiably, “the greatest career in classical music”. During that career, Breslin moved Pavarotti out of the opera house and onto the concert (and the world) stage and into the arms of a huge mass public.

There are few art forms as visceral and emotional as opera - and few that are as daunting for newcomers. A Mad Love offers a spirited and indispensable tour of opera's eclectic past and present, beginning with Monteverdi's L'Orfeo in 1607, generally considered the first successful opera, through classics like Carmen and La Boheme, and spanning to Brokeback Mountain and The Death of Klinghoffer in recent years.

Wolfgang Amadeus Mozart vermochte wie keine Zweiter seiner Zeit, die Stärken und Schwächen seiner Opernfiguren suggestiv und plakativ zu modellieren. Durch seine Musik entdeckt er uns zugleich ihre Empfindungen und geheimen Absichten. Durch die Verbindung von tönenden Beispielen und erklärendem Text ermöglicht es dieser klingende Opernführer, die spannende Beziehung zwischen subtiler Innenseite und turbulenter Bühnenhandlung zu erfassen und beim Opernbesuch zu genießen.

Ryan Speedo Green had a tough upbringing in Southeastern Virginia: His family lived in a trailer park and later a bullet-riddled house across the street from drug dealers. His father was absent; his mother was volatile and abusive. At the age of 12, Ryan was sent to Virginia's juvenile facility of last resort. He was placed in solitary confinement. He was uncontrollable, uncontainable, with little hope for the future. In 2011, at the age of 24, Ryan won a nationwide competition hosted by New York's Metropolitan Opera, beating out 1,200 other talented singers.

'People may say I can't sing. But no one can ever say I didn't sing.' Despite having no pitch, no rhythm and no tone, Florence Foster Jenkins became one of America's best-known sopranos, giving a sell-out concert at Carnegie Hall. Born in Pennsylvania in 1868, Florence Foster adored music and as a girl was a talented pianist, but her wealthy father refused to allow her to study in Europe. In retaliation she eloped with Dr Frank Jenkins, but the marriage soon foundered, not least because the 18-year-old bride contracted syphilis on their wedding night.

This unique book brings together George Bernard Shaw's witty and iconoclastic take on Wagner's masterwork, The Ring of the Nibelungen, with the composer's own essay on the role of art in revolution.

Desde suas origens, no século XVI, a ópera sempre foi uma paixão extravagante e cara. Ela também produziu algumas das mais sublimes obras de arte, de Monteverdi a Philip Glass, passando por Mozart, Wagner, Puccini e tantos outros. Com texto original em inglês de Richard Fawkes, este audiolivro conta a história da ópera desde suas origens, abordando a vida e a obra dos grandes compositores. O texto trata também das importantes manifestações na área da opereta.

Giovanni Tempesta always dreamed of becoming an opera tenor and one day singing from the stage of the La Scala Opera House in his hometown of Milan, Italy. But with no real training, his dream has little chance for fulfillment. One day, he meets and immediately falls in love with Isabella Monterone, a dark-haired beauty, whose father, a very rich and powerful Milanese Judge, refuses to allow his daughter to date a penniless musician.

A revelatory history of the operatic masterpiece that both made and destroyed Rouben Mamoulian, its director and unsung hero. "Bring my goat!" Porgy exclaims in the final scene of Gershwin’s opera Porgy and Bess. Bess, whom he loves, has left for New York City, and he’s determined to find her. When his request is met with astonishment - New York is a great distance from South Carolina’s Catfish Row - Porgy remains undaunted.

Das Hörbuch zum Bühnenweihfestspiel beleuchtet die Hintergründe der Historie und der aktuellen Produktion. Sie vereint Ausschnitte aus einem Interview mit dem Regisseur Christoph Schlingensief, Äußerungen des Dirigenten Pierre Boulez und Statements der Bühnenbildner, bietet aber auch präzise Einblicke in die Problematik des Werks.

Das Hörbuch zur Handlung beleuchtet die Hintergründe der Historie und der aktuellen Produktion. Sie vereint Ausschnitte aus einem Interview mit dem Regieteam und aus Gesprächen mit den Sängern, bietet aber auch präzise Einblicke in die Problematik des Werks.

Through a deft compilation of primary sources—letters, memoirs, and personal accounts from composers, librettists, and performers—Michael Rose re-creates for his readers the circumstances that gave rise to fifteen operatic milestones. From Monteverdi and Mozart to Puccini and Berg, each chapter focuses on a well-known opera and tells the story that lies behind its creation.

Russell 'The Voice' Watson is a star with a real story to tell. While most stars of today find success early, Russell was still working in a Salford factory at the age of 30. He spent the evenings singing in working men's clubs for extra cash to keep the bailiffs from his family's door. The chairman of Manchester United gave him his big break in May 1999: the opportunity to sing at Old Trafford. His extraordinary performance was quickly followed by a record deal and his phenomenal debut album.

Così Fan Tutte contains some of Mozart’s most sublime music. On one level, the opera is purely a social anecdote about young people falling in and out of love; but Mozart was a supreme sensualist and a great humanist, and invested the tale with all his understanding of humanity and young love. In this title, David Timson refutes the charge that Mozart squandered his genius on a work full of trivial nonsense and proves this "miraculous yet problematic" opera to be a great work of theatre. To listen to this thought-provoking examination of the characters and the music is both thoroughly enriching and great fun.

La Traviata owes its enduring popularity to a superb story of young love and fatal sacrifice, set to music by Italy’s master melodist at the peak of his powers. Interest and poignancy are added by the fact that this is a true story - the baritone ‘heavy’ is Alexander Dumas who wrote The Count of Monte Cristo. But it is the central figure, the heroine Violetta, the archetypal ‘whore with the heart of gold’ who dominates the piece. It is her opera and we love her for it.