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Stories of "The American West" often rely on tired tropes of tough cowboys, but real history is much less straight and narrow and way more interesting. Join host Niecy Nash-Betts for a wild round-up of LGBTQ+ lives that got buried in the dust of popular culture and history, and a look at how queer people continue to shape the West today–from gay rodeo to two-spirit identity to trans truckers.

How many women artists do you know? Who makes art history? Did women even work as artists before the twentieth century? And what is the Baroque anyway? Guided by Katy Hessel, art historian and founder of @thegreatwomenartists, discover the glittering paintings by Sofonisba Anguissola of the Renaissance, the radical work of Harriet Powers in the nineteenth-century United States, and the artist who really invented the "readymade." Explore the Dutch Golden Age, the astonishing work of postwar artists in Latin America, and the women defining art in the 2020s.

In Strange Tools: Art and Human Nature, philosopher and cognitive scientist Alva Noë raises a number of profound questions: What is art? Why do we value art as we do? What does art reveal about our nature? Drawing on philosophy, art history, and cognitive science, and making provocative use of examples from all three of these fields, Noë offers new answers to such questions. He also shows why recent efforts to frame questions about art in terms of neuroscience and evolutionary biology alone have been and will continue to be unsuccessful.

These biographies of the great quattrocento artists have long been considered among the most important of contemporary sources on Italian Renaissance art. Vasari, who invented the term "Renaissance", was the first to outline the influential theory of Renaissance art that traces a progression through Giotto, Brunelleschi, and finally the titanic figures of Michaelangelo, Da Vinci, and Raphael.

'I have never read such a stimulating short guide to art' Lynn Barber, Sunday Times Now Grayson Perry is a fully paid-up member of the art establishment, he wants to show that any of us can appreciate art (after all, there is a reason he's called this book Playing to the Gallery and not 'Sucking...

First published in 1973, this is a study of the force of photographic images, which are continually inserted between experience and reality. When anything can be photographed, and photography has destroyed the boundaries and definitions of art, a viewer can approach a photograph freely, with no expectations of discovering what it means. This collection of six lucid and invigorating essays, with the most famous being "In Plato's Cave", make up a deep exploration of how the image has affected society.

In this accessible, story-led journey into the heart of sculpture, renowned art historian and curator Jo Baring explores creativity, memory and why we have been driven to make art in this medium since the very beginning of humanity. She examines sculptures from the pre-historic Lion Man figure found in a German cave to an ancient Mayan pyramid that conjures a serpent made of shadows and icons of the Italian Renaissance such as Michelangelo's devastating Pietà.

The connoisseur has been an influential, if somewhat mysterious, figure in the history of art, responsible for making or breaking high-profile collections and reputations and influencing taste, the art market and the field of art history with their pronouncements. But what did it take to become...

Poststructuralism changes the way we understand the relations between human beings, their culture, and the world. Following a brief account of the historical relationship between structuralism and poststructuralism, this Very Short Introduction traces the key arguments that have led poststructuralists to challenge traditional theories of language and culture. 

Paru le 11 mars 1905, ce numéro de L’Illustration saisit, au fil de reportages, chroniques et échos du temps, l’esprit d’un début de siècle en mouvement. On y entend la rumeur de l’actualité, les regards sur la société, les curiosités d’alors — un instantané du monde tel qu’on le racontait au jour le jour.

Plongez dans l’été 1913 avec ce numéro de L’Illustration: reportages au plus près des événements, images fortes et échos de la vie publique. Les correspondants couvrent la seconde guerre des Balkans, soudaine et violente: la Bulgarie, encerclée, étant hors d’accès, Alain de Penennrun gagne la Serbie puis la Macédoine, tandis que Jean Leune poursuit depuis la Grèce. À la revue de Longchamp, l’émerveillement de nos braves Sénégalais devant le monstre volant et le casque qui flamboie est saisi par les photographies de J. Clair-Guyot.

Instantané sonore d’une date précise, ce numéro de L’Illustration du 31 mai 1913 rassemble articles et illustrations qui parcourent les goûts et les préoccupations d’alors: culture et arts, conseils et plaisirs du jardin, échos des événements du moment. Dans cette adaptation audio, une prose claire et élégante fait revivre une époque curieuse de tout, entre savoir-vivre et nouveautés. On y découvre un panorama vivant et varié de 1913, raffiné sans emphase, fidèle à l’esprit de la revue: informer, étonner, divertir.

Art History Decoded offers a clear method for reading images produced in the Greek world and understanding the messages they were meant to convey. Rather than focusing on memorizing names and dates, the book guides the listener through the logic that governs form, proportion, and visual structure.

Vinyl records. Board games. Paperback books. Film. A philosopher dives into the analog world to show what it offers us and what it says about our values. Packed with first-person anecdotes, hand-drawn illustrations, and extensive scholarship, Darren Hudson Hick takes us through the pleasure of...

In The Art of Forgery Noah Charney, celebrated art historian and the world's foremost art-crime specialist, explores the stories behind the most famous art forgeries in the world. Chronicling the adventures and misadventures of master forgers throughout history, the book examines how and why these artful tricksters – often ingenious, skilful, quirky and charming – succeeded in deceiving the art world and how they were eventually caught, through shrewd detective work, scientific examination or a good measure of luck.

Ancient images can feel distant—formal, silent, as if speaking an unknown language. And yet, they were designed to communicate with absolute clarity. Why is the pharaoh always larger? Why do figures appear flat, shown in strict profile? Why do certain symbols repeat with such insistence? Why do temples, tombs, and palaces take the shapes they do? These aren't accidents. They're choices—visual strategies born from what these cultures valued most: power, order, memory, the divine.

Der Essay analysiert Goethes gleichnamigen Roman aus philosophischer und ästhetischer Perspektive – ein Werk, das sowohl das Verhältnis von Naturgesetzen als auch das der Menschen zueinander auf eine neue Ebene hebt. Benjamin legt die verborgenen Spannungen in Goethes Werk offen: zwischen Gefühl und Gesetz, Liebe und Ordnung, Natur und Moral. Seine Interpretation gilt bis heute als bahnbrechender Beitrag zur literaturwissenschaftlichen Moderne und als früher Beleg seines kritischen Denkens.

In Die Geburt der Tragödie aus dem Geiste der Musik – Versuch einer Selbstkritik und philosophisches Weltbild verbindet Friedrich Nietzsche seine philosophischen Überlegungen mit der Kunsttheorie und der griechischen Tragödie. Er entwickelt die berühmten Konzepte des Apollinischen und Dionysischen als grundlegende Prinzipien der Kunst und Kultur. In seinem später verfassten „Versuch einer Selbstkritik" reflektiert Nietzsche seine frühen Gedanken kritisch und zeigt die Entwicklung seines Denkens.

Ever walked into an art store and wondered who invented each art material? When? And where? And the stories behind the inventions. Well this book will give you the answers. In chronological order from Stone Age cave art right the way towards hologram art. Also, this book includes some instructions such as ‘how to make egg tempera paint’ and ‘how to grind oil paint.’ Along with the authors own artwork showing examples of many of the art materials and prints.

Modern technology radically transformed urban life by the first decade of the twentieth century. As one of Western Europe's least industrialized countries, Italy appeared impervious to such developments. It was this state of affairs at which the Futurist movement took aim. With its founding in 1909, the poet and impresario F. T. Marinetti called for a revitalization of aesthetic expression by means of "movement and aggression."