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In Robyn’s 2010 track Dancing on My Own, the Swedish pop-singer chronicles a night on the dance floor in the shadow of a former lover. She is bitter, angry, and at times desperate, and yet by the time the chorus arrives her frustration has melted away. She decides to dance on her own, and in this way, she transforms her solitude into a more complex joy. Taking inspiration from Robyn’s seminal track, emerging art critic and curator Simon Wu dances through the institutions of art, capitalism, and identity in these expertly researched, beautifully rendered essays.

In this witty, deeply original book, the renowned novelist Jamaica Kincaid offers an ABC of the plants that define our world and reveals the often brutal history behind them.

Received opinion holds that art is culturally determined and relative. We are told that whether a picture, a movement, a text, or sound qualifies as a "work of art" largely depends on social attitudes and convention. Drawing on examples ranging from Paleolithic cave paintings to modern pop music and building on the ideas of James Joyce, Oscar Wilde, Gilles Deleuze, Carl Jung, and others, J.F. Martel argues that art is an inborn human phenomenon that precedes the formation of culture and even society.

Imagine a Museum of Lost Art. If this imaginary museum contained just the artwork we knew was lost— whether from theft, purposeful destruction, vandalism, war, or the forces of nature—it would still contain more masterpieces than those in all the world’s current museums combined. Imagine that! In Lost Art: The Stories of Missing Masterpieces, art historian Noah Charney guides you through just such an imaginary museum. In 12 fascinating lectures, you will hear the stories behind the theft and/or destruction of some of the world’s most famous pieces of art.

Survey documents three leading artists—Lubaina Himid, Yinka Shonibare CBE and Hew Locke—exploring their work and ideas in development, in reviews, and recorded conversations, drawn from the Cv/Visual Arts Research Archive.

When Peter Bellerby set out to make a globe for his father's eightieth birthday, after failing to find a suitable one to purchase, he had no idea where the process would lead. He went on to establish Bellerby & Co, one of the only artisan globemakers in the world. The Globemakers brings us inside Bellerby’s gorgeous studio to learn how he and his team of cartographers and artists bring these stunning celestial, terrestrial, and planetary objects to life. Along the way he tells stories of his adventure and the luck along the way that shaped the company.

Radio 4's In Our Time has established itself at the pinnacle of essential conversation on a wide range of subjects from science, history, philosophy and the arts. The programme, which celebrates its 25th anniversary in 2023, is presented by Melvyn Bragg with contributors from the diverse worlds of academia. Opening with four contextual episodes - The Artist, Imagination, The Muses, and Architecture and Power - this thematic anthology contains 25 programmes on the history of visual art. Included are artistic styles and movements.

The Power of Art is an epic work of non-fiction that will transform our understanding of the world by unlocking the human stories behind millennia of art. Taking listeners from ancient Babylon to contemporary Pyongyang, the eminent curator Caroline Campbell explains art's power to illuminate our lives, and inspires us to benefit from its transformative and regenerative power.

Karl Kraus gilt als einer der bedeutendsten Aphoristiker deutscher Sprache. Ob berühmte Schriftsteller oder die Presse - nichts und niemand wurde von der gnadenlosen Kritik seiner Feder verschont. Bekannte Künstler wie Stefan Zweig, Georg Trakl, Thomas Mann und andere zollten ihm Respekt, aber die Zahl seiner Feinde in Kunst und Gesellschaft war enorm. Als Vorleser hinterließ er aufgrund seiner Sprachgewalt und Persönlichkeit angeblich einen äußerst außergewöhnlichen Eindruck.

Karl Kraus gilt als einer der bedeutendsten Aphoristiker deutscher Sprache. Ob berühmte Schriftsteller oder die Presse - nichts und niemand wurde von der gnadenlosen Kritik seiner Feder verschont. Bekannte Künstler wie Stefan Zweig, Georg Trakl, Thomas Mann und andere zollten ihm Respekt, aber die Zahl seiner Feinde in Kunst und Gesellschaft war enorm. Als Vorleser hinterließ er aufgrund seiner Sprachgewalt und Persönlichkeit angeblich einen äußerst außergewöhnlichen Eindruck.

For just over a decade, from 1956 to 1967, a collection of dilapidated former sail-making warehouses clustered at the lower tip of Manhattan became the quiet epicenter of the art world.

Stories of "The American West" often rely on tired tropes of tough cowboys, but real history is much less straight and narrow and way more interesting. Join host Niecy Nash-Betts for a wild round-up of LGBTQ+ lives that got buried in the dust of popular culture and history, and a look at how queer people continue to shape the West today–from gay rodeo to two-spirit identity to trans truckers.

Cv/VAR 124 publishes an interview recorded in 2010 with Mat Collishaw, first published in Interviews-Artists Volume Three, explores the range of his work, from 'zoetropes', animated models exhibited at the Freud Museum and installed at the Victoria and Albert museum, to photo-works and projections, with the artist’s original interventions in the natural world that fuse histories, desires and dreams. This edition includes studies of Nam June Paik and other essays on contemporary art.

Written between 2015-16, with color images of well-known old masters and contemporary art as well as some of the Bergers’ own drawings and watercolors, Over to You is an informal back and forth not unlike the ping-pong games father and son used to play in the barn of their house. It begins when John—who is in a Parisian suburb—sends Yves—who is in Haute Savoie—an envelope of reproductions of art that have moved him. And so they begin to reveal their thoughts looking at a Goya, Watteau, Twombly, Joan Mitchell, Durer, Caravaggio, Manet, and Euan Uglow, among many others.

Как известно, жизнь каждого яркого дарования делится обычно на три периода. Сначала его осыпают насмешками и бранью, всячески угнетают и преследуют. Потом открывается счастливое время признания, за которым следуют дни восторженного поклонения. Наконец, так же неминуемо наступает охлаждение, сопровождающееся нередко резкими выпадами по адресу недавнего любимца и властителя дум. Этой трафаретной схемы избежали немногие даровитые люди, и единственный вариант, вносимый в нее жизнью, сводится к тому, что одни умирают в расцвете славы, а другим суждено ее пережить, изведать к концу жизни всю горечь забвения.

On July 29, 1890, a hot and muggy afternoon, shortly after Vincent van Gogh was laid to rest after his honor killing for “compromising” his doctor's twenty-one-year-old daughter, Marguerite, twenty-six of his unknown paintings and other art material were stolen from the hotel where he had been laid out for his final viewing by his doctor and his son.

La saga des Médicis, sous la plume du grand Dumas. Les Médicis sont une des familles les plus riches et les plus influentes de Florence. Des ressources financières considérables leur permirent d'investir dans l'architecture, la sculpture, la peinture mais aussi dans la collection de pierres précieuses et d'objets d'orfèvrerie. La maison de Médicis est apparue, au XIIe siècle, au sein de la République de Florence, et devient, au XVIe siècle, la famille régnant sur le grand-duché de Toscane.

When the celebrated critic and cultural historian Alexandra Harris returned to her childhood home of West Sussex, she realised that she barely knew the place at all. As she probed beneath the surface, excavating layers of archival records and everyday objects, bringing a lifetime's reading to bear on the place where she started, hundreds of unexpected stories and hypnotic voices emerged from the area's past. Who has stood here, she asks; what did they see?

Was hat Dalí vom Camembert gelernt? Lustig, leidenschaftlich, lehrreich – ein Blick hinter die Kulissen, der Kunstnerds wie Kunstbanausen gleichermaßen begeistert. Einer der bekanntesten Surrealisten ließ sich bei seinen fließenden Uhren von französischem Weichkäse inspirieren, der Schöpfer des ›Schrei‹, Edvard Munch, verteilte auf den meisten seiner Werke Vogelscheiße, Martin Kippenberger hat in den 1980er-Jahren ein Bild von Gerhard Richter als Tischplatte in seiner eigenen Skulptur verarbeitet.

Avant que les yeux de sa petite fille ne voient plus, un grand-père décide de lui montrer autant d’œuvres que possible. Un merveilleux roman d’initiation, une plongée émouvante au cœur de l’art.