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Children have always disappeared under the right conditions - slipping through the shadows under a bed or at the back of a wardrobe, tumbling down rabbit holes and into old wells, and emerging somewhere...else. But magical lands have little need for used-up miracle children. Nancy tumbled once, but now she's back. The things she's experienced...they change a person. The children under Miss West's care understand all too well. And each of them is seeking a way back to their own fantasy world.

In the small town of Thistleford, on the edge of Faerie, dwells the mysterious Hawthorn family. There, they tend and harvest the enchanted willows and honour an ancient compact to sing to them in thanks for their magic. None more devotedly than the family’s latest daughters, Esther and Ysabel, who cherish each other as much as they cherish the ancient trees. But when Esther rejects a forceful suitor in favor of a lover from the land of Faerie, not only the sisters’ bond but also their lives will be at risk…

Zachary Mason's brilliant and beguiling debut novel, The Lost Books of the Odyssey, reimagines Homer's classic story of the hero Odysseus and his long journey home after the fall of Troy. With brilliant prose, terrific imagination, and dazzling literary skill, Mason creates alternative episodes, fragments, and revisions of Homer's original that taken together open up this classic Greek myth to endless reverberating interpretations.

When Clytemnestra marries Agamemnon, she ignores the insidious whispers about his family line, the House of Atreus. But when, on the eve of the Trojan War, Agamemnon betrays Clytemnestra in the most unimaginable way, she must confront the curse that has long ravaged their family. In Troy, Princess Cassandra has the gift of prophecy, but carries a curse of her own: No one will ever believe what she sees. When she is shown what will happen to her beloved city when Agamemnon and his army arrives, she is powerless to stop the tragedy from unfolding.

“Marigold was absorbed in her book; she had gotten as far as the V.” So begins Marigold and Rose, Louise Glück’s astonishing chronicle of the first year in the life of twin girls. Imagine a fairy tale that is also a multigenerational saga; a piece for two hands that is also a symphony; a poem that is also, in the spirit of Kafka’s Metamorphosis, an incandescent act of autobiography. Here are the elements you’d expect to find in a story of infant twins—but more than that, Marigold and Rose is an investigation of the great mystery of language and of time itself.

Quick-witted, ambitious Ji Lin is stuck as an apprentice dressmaker, moonlighting as a dance hall girl to help pay off her mother’s Mahjong debts. But when one of her dance partners accidentally leaves behind a gruesome souvenir, Ji Lin may finally get the adventure she has been longing for. Eleven-year-old houseboy Ren is also on a mission, racing to fulfill his former master’s dying wish: that Ren find the man’s finger, lost years ago in an accident, and bury it with his body. Ren has 49 days to do so, or his master’s soul will wander the earth forever.

Twice-widowed, Lady Etheldreda Verity Isolde Tremaine Bramley is solely responsible for her two children, a priggish stepdaughter, a razor-taloned peregrine falcon, and a crumbling manor. Fierce and determined, Ethel clings to the respectability her deceased husband’s title affords her, hoping it will secure her daughters’ future through marriage. When a royal ball offers the chance to change everything, Ethel risks her pride in pursuit of an invitation for all three of her daughters—only to see her hopes fulfilled by the wrong one.

After Nancy was cast out of the Halls of the Dead and forced to enroll at Eleanor West's School for Wayward Children, she never believed she'd find her door again, and when she did, she didn't look back. She disappeared from the school to resume her place in the Halls, never intending to return. Years have passed. A darkness has descended on the Halls, and the living statues who populate them are dying at the hands of the already dead.

Full of glimpses into gleaming worlds and fairy tales with teeth, Seasons of Glass and Iron: Stories is a collection of acclaimed and awarded work from Amal El-Mohtar. With confidence and style, El-Mohtar guides us through exquisitely told and sharply observed tales about life as it is, was, and could be. Like miscellany from other worlds, these stories are told in letters, diary entries, reference materials, folktales, and lyrical prose.

Morsel is a chilling testament to the burden of generational poverty and the all-consuming nature of capitalism, where the monster and the monstrous, in the end, are not the same.

From the New York Times bestselling author of Starling House comes a moving and genre-defying quest following the reluctant knight whose legend built a nation and the desperate scholar sent back through time to ensure she meets her tragic fate—even if it breaks his heart.

Anna is used to hunger and hardship. Ever since the pale shadows on her skin were mistaken for leprosy, she has lived alone in exile, each day focused only on survival. Then a single act of kindness towards a beautiful stranger changes her life forever. Suddenly, her body is as untouched by time as it is by harm, and Anna experiences a new freedom she has never known. But as decades and centuries pass, the lives of everyone she meets slip through her fingers like grains of sand… everyone, except Khiran—the shapeshifting god who gave her immortality.

Outside the last city on Earth, the planet is a wasteland. Without the Archive, where the genes of the dead are stored, humanity will end. Antigone’s parents–Oedipus and Jocasta–are dead. Passing into the Archive should be cause for celebration, but with her militant uncle Kreon rising to claim her father's vacant throne, all Antigone feels is rage. When he welcomes her and her siblings into his mansion, Antigone sees it for what it really is: a gilded cage, where she is a captive as well as a guest. But her uncle will soon learn that no cage is unbreakable. And neither is he.

Out on the Yorkshire Moors lives a secret line of people for whom books are food, and who retain all of a book's content after eating it. To them, spy novels are a peppery snack; romance novels are sweet and delicious. Eating a map can help them remember destinations, and children, when they misbehave, are forced to eat dry, musty pages from dictionaries.

Zinnia Gray, professional fairy-tale fixer and lapsed Sleeping Beauty is over rescuing snoring princesses. Once you’ve rescued a dozen damsels and burned 50 spindles, once you’ve gotten drunk with 20 good fairies and made out with one too many members of the royal family, you start to wish some of these girls would just get a grip and try solving their own narrative issues.

The girl knows she has a destiny before she even knows her name. She grows up in the wild, in a cave with her mother, but visions of a faraway lake come to her on the spring breeze, and when she hears a traveler speak of Artos, king of Caer Leon, she knows that her future lies at his court. And so, brimming with magic and eager to test her strength, she breaks her covenant with her mother and, with a broken hunting spear and mended armour, rides on a bony gelding to Caer Leon.

There is another school for children who fall through doors and fall back out again. It isn't as friendly as Eleanor West's Home for Wayward Children. And it isn't as safe. When Eleanor West decided to open her school, her sanctuary, her "Home for Wayward Children", she knew from the beginning that there would be children she couldn’t save; when Cora decides she needs a different direction, a different fate, a different prophecy, Miss West reluctantly agrees to transfer her to the other school.

All legends are born of truths. And just as much lies. These are mine. Judge me for what you will. But you will hear my story first. I buried the village of Ampur under a mountain of ice and snow. Then I killed their god. I've stolen old magics and been cursed for it. I started a war with those that walked before mankind and lost the princess I loved, and wanted to save. I've called lightning and bound fire. I am legend. And I am a monster.

Marra never wanted to be a hero. As the shy, convent-raised, third-born daughter, she escaped the traditional fate of princesses, to be married away for the sake of an uncaring throne. But her sister wasn’t so fortunate—and after years of silence, Marra is done watching her suffer at the hands of a powerful and abusive prince. Seeking help for her rescue mission, Marra is offered the tools she needs, but only if she can complete three seemingly impossible tasks:

It's Zinnia Gray's 21st birthday, which is extra-special because it's the last birthday she'll ever have. When she was young, an industrial accident left Zinnia with a rare condition. Not much is known about her illness - just that no one has lived past 21. Her best friend Charm is intent on making Zinnia's last birthday special with a full sleeping beauty experience, complete with a tower and a spinning wheel.