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The stories collected in Call and Response are strongly anchored in place—in the village of Serowe, where the author is from, and in Gaborone, the capital city of Botswana—charting the emotional journeys of women seeking love and opportunity beyond the barriers of custom and circumstance. Gothataone Moeng is part of a new generation of writers coming out of Africa whose voices are ready to explode onto the literary scene. She offers us insight into communities, experiences and landscapes through stories that are cinematic in their sweep,

Cassandra Williams is twelve; her little brother Wayne is seven. One day, when they're alone together, there's an accident, and Wayne is lost forever. Though his body is never recovered, their mother can't stop searching. The missing boy cleaves the family with doubt: how do you grieve an absence? And how does it feel? As C grows older, she relives and retells her story, and she sees her brother everywhere: in cafes, airplane aisles, subway cars.

Amy Connell and Lan Honey are having the best childhood, growing up on a West Country farm—three families, a couple of lodgers, goats, dogs and an orphaned calf called Gabriella Christmas. The parents are best friends, too. The adults are far too busy to keep an eye on Amy and Lan, and Amy and Lan would never tell them about climbing on the high barn roof, or what happened with the axe that time, any more than their parents would tell them the things they get up to—adult things, like betrayal—that threaten to bring the whole fragile idyll tumbling down.

Alice Stern isn't ready to turn 40. She thought she'd have more time to figure it all out. Above all, she thought she'd have more time with her father, Leonard Stern, an eccentric novelist—but he's lying in a hospital bed and Alice isn't sure if she'll hear his voice again. When she falls asleep outside their old apartment on the night before her birthday, she's surprised to be greeted the next morning by a much younger Leonard, with a 16th birthday card for a teenage Alice who, far from clinging to her youth, is hurtling towards adulthood.

At 17, Renee Rushmore lives at home with her father Ivan—a cruel man who rules the house with an iron fist and keeps Renee isolated and alone. She is desperate to escape him, but with no friends to help her, what hope does she have? Then war breaks out. With factories and farms looking to take on female workers, Renee dares to hope that her freedom might be within grasp. And when she hears through a kindly local farmhand named Jimmy that Oak Valley Farm is in need of help, she might just have found her chance.

Things are finally looking up for Anna. Fourteen miserable years of marriage to man-child Connor have left her drained and ready for a new start. So when they separate, she couldn't be more thrilled to move in with James, a handsome lecturer who is everything her ex-husband is not: kind, thoughtful and above all, reliable. But Anna and James' kids hate living with the loved-up couple and the new set-up. Their teenage daughters—one a studious high achiever and the other a cool rich girl unbothered by grades or exams—have nothing in common.

The fates of two unforgettable women—one just beginning a journey of reckoning and self-discovery and the other completing her life's last vital act—intertwine in this sweeping, deeply researched debut set in the Black communities of Ontario that were the last stop on the Underground Railroad. In the Upper Country weaves together unlikely stories of love, survival, and familial upheaval that map the interconnected history of the peoples of North America in an entirely new and resonant way.

Twenty years ago: One rainy night, Olivia Rutherford is driving three friends home when a figure in the road causes her to swerve and crash. Regaining consciousness, she finds herself alone in the car—her friends have vanished. They are never seen again. Now: Journalist Jenna Halliday visits the close-knit community of Stafferbury to persuade Olivia to talk and solve the mystery of the girls' disappearance. But Olivia won't speak. What happened? Is Olivia hiding something? Why are the people of Stafferbury so frightened?

It's mid-December, and for the fifth year in a row, there is little sign of the festive season in the Sullivan family's home in South London. That is until a mysterious someone starts sending strange gifts to widower Henry and his two children. First, a small-beaked and feathered face pokes its head out from between the branches of a pear tree. Before they know it, the Sullivan's home is full of boisterous animals and house guests, all demanding their attention.

Min works at the BBC as an audio engineer, where she is struggling to replicate the sound of a heartbeat. At home, other matters of the heart are making a mockery of life as Min knows it. Min has found herself the object of her lodger's affection. An internationally renowned opera singer she's nicknamed 'The Bloater', Min is disgusted and attracted to him in equal measure. But with a husband so invisible that she accidentally turns the lights off on him even when he's still in the room, Min can't quite bring herself to silence The Bloater's overtures.

New Delhi, 3 a.m. A speeding Mercedes jumps the curb and in the blink of an eye, five people are dead. It’s a rich man’s car, but when the dust settles there is no rich man at all, just a shell-shocked servant who cannot explain the strange series of events that led to this crime. Nor can he foresee the dark drama that is about to unfold. Deftly shifting through time and perspective in contemporary India, Age of Vice is an epic, action-packed story propelled by the seductive wealth, startling corruption, and bloodthirsty violence of the Wadia family.

In the resort town of Tramore, County Waterford, visitors arrive in waves with the tourist season, reliving the best days of their childhoods at the seaside amusements. Local teenager Helen Grant is indifferent to the charm of her surroundings; infatuated with her glamorous classmate Stella Swaine, she yearns to escape with her to art college, and from there, the world. But leaving Tramore is easier said than done. With an alcoholic father and an unsympathetic mother, Helen's family life may shatter her dream, just when it seems to be within reach.

Lucy is uprooted from her life in New York City and reluctantly goes into lockdown with her ex-husband, William, in a house on the coast of Maine. Strout's new novel is a miraculous work of fiction. A brilliantly sharp evocation of the period we have just lived through, it is a novel that both resonates deeply and consoles us, too.

The Aylward women of Nenagh, Tipperary, are mad about each other, but you wouldn't always think it. You'd have to know them to know—in spite of what the neighbours might say about raised voices and dramatic scenes—that their house is a place of peace, filled with love, a refuge from the sadness and cruelty of the world. Their story begins at an end and ends at a beginning. It involves wives and widows, gunrunners and gougers, sinners and saints. It's a story of terrible betrayals and fierce loyalties, of isolation and togetherness, of transgression, forgiveness, desire and love.

Bel Kumar wakes up in hospital surprised and confused. Surprised to be told she had a near-fatal accident outside work. And confused as to why her ex-boyfriend is by her bedside. Bel's HR record still lists her ex as her next of kin, but she can't think of a less appropriate person to nurse her back to health.

21-year-old Lucy feels content with her life in Hertfordshire—not least because she lives next door to Tom and Jamie, two very different brothers for whom she has equally great affection. But her comfortable life is turned upside down when Tom decides he must travel to Spain to fight for the Democratic party in the bloody Spanish Civil War. He is quickly followed by Jamie, who, much to Lucy's despair, is supporting General Franco and his Fascist party.

A prime number is inherently a solitary thing: it can only be divided by itself, or by one: it never truly fits with another. Alice and Mattia, too, move on their own axis, alone with their personal tragedies. As a child, Alice’s overbearing father drove her first to a terrible skiing accident, and then to anorexia. When she meets Mattia, she recognizes a kindred, tortured spirit, and Mattia reveals to Alice his terrible secret: that as a boy he abandoned his mentally-disabled twin sister in a park to go to a party, and when he returned, she was nowhere to be found.

1946. Three years after a cataclysmic event that tore their lives apart, a mother and daughter flee Poland for Paris, shame and fear at their heels, not knowing how hard it is to escape your past. Nearly 80 years later, Gretel Fernsby lives a life that is a far cry from her traumatic childhood. When a couple moves into the flat below her in her London mansion block, it should be nothing more than a momentary inconvenience. However, the appearance of their nine-year-old son, Henry, brings back memories she would rather forget.

In a spellbinding narrative of sacrifice and survival, chaos and connection, four characters are caught up in the tides of history over three centuries and drawn to the sacred White Rock of San Blas off the coast of Mexico. In 2020, an Englishwoman travels to give thanks for her child, a singer in 1969 runs from the law, two Yacqui sisters are torn from their homeland at the start of the 20th century and in 1775, a Spanish Lieutenant prepares to set sail from the White Rock to continue the conquest of the Pacific coast.

Amid daily reports of violence, Cushla lives a quiet life with her mother in a small town near Belfast. By day she teaches at a parochial school; at night she fills in at her family’s pub. There she meets Michael Agnew, a barrister who’s made a name for himself defending IRA members. Against her better judgment—Michael is not only Protestant but older and married—Cushla lets herself get drawn in by him and his sophisticated world, and an affair ignites.