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India, 1992. The country is ablaze with riots. In Lucknow, ten-year-old Shubhankar witnesses a terrible act of mob violence in which his family are complicit: an act that will alter the course of his life. In the two decades that follow, Shabby must wrestle with the ghosts of his past, the expectations of his family, and the seismic shifts taking place around him as the country enters the new millennium. As an adult in Mumbai, he encounters Syed and Shruti, who, like him, are seeking the freedom to rewrite their stories while navigating the contradictions of modern India.

For three years, Song Yan has filled the emptiness of her Beijing apartment with the tentative notes of her young piano students. With her marriage, she gave up on her own career as a concert pianist, but her husband Bowen has long rebuffed her desire to have a child. Instead, she must accommodate her mother-in-law, newly arrived from the province of Yunnan and bringing with her long-buried family secrets. Soon strange parcels start to show up on the doorstep and Song Yan's dreams become troubling and claustrophobic.

On opposite sides of the world, half-siblings Cassie and Christo have built their lives around work, intent on ignoring their painful past. When a dramatic storm in Galway hits the headlines, they're drawn back there to revisit a glorious childhood summer, the last before their mother died. But their journey uncovers memories of a far less happy summer—one that had tragic consequences. Confronted with the havoc their mother left in her wake, Cassie and Christo are forced to face their past and to deal with the messy tangle of parental love and neglect that shaped them.

For one, their family home is Roxborough Hall—a magnificent centuries-old mansion in the Norfolk countryside. For another, the house isn't passed down from parent to child—but rather to the family member deemed most worthy. Cecily Mordaunt is dead. On the evening of her funeral, her family will gather for dinner and each will be given a letter, revealing who is the next custodian of Roxborough Hall. The house is a burden, a millstone, a full-time job...but they all want it. And some are willing do anything to get it.

When his grandfather dies, Nik has the opportunity to learn about the man he never met. Armed with a key and new knowledge about his parents' past, Nik sets out to unlock the secrets that his mother has been holding onto his whole life. As the carefully crafted portrait Avani has painted for her son begins to crack, and painful truths emerge, can the two of them find their way back to each other?

July knows 18 things about her mother. But not the truth. Summer, 1995. On her tenth birthday, July's teacher sets the class a project to find out about a relation they don't know. It's easy for July to choose her subject. She doesn't remember her mother, who died when she was small, and her father refuses to talk about her. Ever. The only memories she has of her are flashbacks from the accident that claimed her mother's life. But then she receives the note: 'She didn't die in a car accident.'

Nisha Cantor and Sam Kemp are two very different women. Nisha, 45, lives the globetrotting life of the seriously wealthy, until her husband inexplicably cuts her off entirely. She doesn't even have the shoes she was, until a moment ago, standing in. That's because Sam—47, middle-aged, struggling to keep herself and her family afloat—has accidentally taken Nisha's gym bag. Now Nisha's got nothing. And Sam's walking tall with shoes that catch eyes—and give her a career an unexpected boost. Except Nisha wants her life back—and she'll start with her shoes....

Hull, 1856. James Ripley and his wife Moira have always looked out for the poor of Hull. When, during one stormy night, there is a flood in a nearby cellar—a popular shelter for the homeless—James rushes to help. Among those rescued is a dark-haired little girl who speaks a language no one can understand. Some say that she came to the cellar with her mother, but no one knows where the mother is now. Concerned for the child's safety, James is unsure of what to do.

After a lifetime spent navigating his desires, John Addington, married to Catherine, has met Frank, a working-class printer. Meanwhile Henry Ellis's wife Edith has fallen in love with Angelica—and Angelica wants Edith all to herself. When in 1894 John and Henry decide to write a revolutionary book together, intended to challenge convention and the law, they are both caught in relationships stalked by guilt and shame. Yet they share a vision of a better world, one that will expand possibilities for men and women everywhere.

Grandpa and Noah are sitting on a bench in a square that keeps getting smaller every day. The square is strange but also familiar, full of the odds and ends that have made up their lives: Grandpa's work desk, the stuffed dragon that Grandpa once gave to Noah, the sweet-smelling hyacinths that Grandma loved to grow in her garden. As they wait together on the bench, they tell jokes and discuss their shared love of mathematics. Grandpa recalls what it was like to fall in love with his wife, what it was like to lose her.

There's sibling rivalry and then there's the relationship of brothers Cal and Frank Belanger, which takes fraternal antipathy to a whole new level. Enemies seemingly since childhood, the small town of Littleford, where they are nicknamed 'The Bad Angle Brothers', just isn't big enough to hold them both. So Cal strikes out for the world's wild places—a gifted geologist in search of gold and other precious minerals, leaving Frank to develop a successful career as the town's lawyer, fixer and local hero.

Rife with the indulgent pleasures of life among New York’s one-percenters, Pineapple Street is a smart, escapist novel that sparkles with wit. Full of recognizable, loveable—if fallible—characters, it’s about the peculiar unknowability of someone else’s family, the miles between the haves and have-nots, and the insanity of first love—all wrapped in a story that is a sheer delight.

Veronica is late, and Julián is increasingly convinced she won't ever come home. To pass the time, he improvises a story about trees to coax his stepdaughter, Daniela, to sleep. He has made a life as a literature professor, developing a novel about a man tending to a bonsai tree on the weekends. He is a narrator, an architect, a chronicler of other people's stories. But as the night stretches on before him, and the hours pass with no sign of Veronica, Julián finds himself caught up in the slipstream of the story of his life—of their lives together.

Isha Patel is the black sheep of the family. She doesn’t have a “prestigious” degree or a “real” career, and her parents never fail to remind her. But that’s okay because she commiserates with her cousin, best friend, and fellow outcast, Rohan. Instead of letting her dreams fall through the cracks, Rohan convinces her to snag a pitch session with an Austinite high-profile celeb: the one and only Matthew McConaughey, who also happened to be her professor at the University of Texas years ago—he has to remember her, right?

Meet Claire: fifty-two, desperate to do something new and get a fresh start. Enter the chance to go to Rome: Home to a struggling convent facing a precipitous end, the city beckons Claire, who's long had a complicated relationship with religion, including a “missed connection” with convent life in her teens. Once in Rome, she finds a group of funny, fearless nuns in a gorgeous villa, beautiful runs throughout a color-saturated city, and a chance to reflect. It all leads her to an unexpected question—should she join the convent?

When siblings Jacob and Belinda Nti were growing up in Ghana, their goal was simple: to move to America. For them, the United States was both an opportunity and a struggle, a goal and an obstacle. Jacob, an awkward computer programmer who still lives with his father, wants a visa so he can move to Virginia to live with his wife—a request that the U.S. government has repeatedly denied.

Twenty-one-year-old Tanner Quimby needs a place to live. Preferably one where she can continue sitting around in sweatpants and playing video games nineteen hours a day. Since she has no credit or money to speak of, her options are limited, so when an opportunity to work as a live-in caregiver for an elderly woman falls into her lap, she takes it. The two start off their living arrangement happily ignoring each other until Tanner starts to notice things—weird things.

On a summer night in 1985, the lives of three teenagers are shattered by a horrific car crash in which a young woman is killed next to the sprawling oak tree that marks the perimeter of 18 Division Street. For the Wilfs, it will become the deepest kind of family secret, one so dangerous it can never be spoken. Secrets preside over the neighborhood along with the majestic oak. As we move through the decades, watching this family change and grow, we see how each of them is haunted by what they choose to ignore.

Grace Adams is one bad day away from saving her life. One hot summer day, stuck in traffic on her way to pick up the cake for her daughter's sixteenth birthday party, Grace Adams snaps. She doesn't scream or break something or cry or curl into a ball. She simply abandons her car in traffic and walks away. But not from her life—towards it. To the daughter who won't live with her anymore and has banned her from the party. To the husband divorcing her. Towards the terrible thing that has blown their family apart.

The stories collected in Call and Response are strongly anchored in place—in the village of Serowe, where the author is from, and in Gaborone, the capital city of Botswana—charting the emotional journeys of women seeking love and opportunity beyond the barriers of custom and circumstance. Gothataone Moeng is part of a new generation of writers coming out of Africa whose voices are ready to explode onto the literary scene. She offers us insight into communities, experiences and landscapes through stories that are cinematic in their sweep,