検索キーワード： 制作 "Audible Studios" 心理学

Campi di segale sotto il sole abbacinante dell'Arkansas. Le mani strappano i frutti dalla terra, la terra prude e si mangia le mani. I braccianti arrancano nel meriggio insieme ai cavalli e il sogno americano è un abbaglio nell'afa, una zacchera di fango sulla schiena, un canto di nostalgia e speranza spezzato dalle spighe del grano. Clara è la figlia di due contadini e trascorre l'adolescenza a correre tra gli odori aspri ed erbosi delle piantagioni, e a rubacchiare oggetti insignificanti nei negozi per divertimento e noia.

Può succedere anche una sola volta nell'arco di tutta una vita: un istante di improvvisa lucidità in cui il flusso delle cose si interrompe e la realtà si mostra senza veli. A Luca, che ha alle spalle un matrimonio fallito e vive una relazione ormai appiattitasi nella consuetudine, succede dopo una caduta da cavallo, che lo lascia smarrito e dolorosamente consapevole della propria infelicità. Da quel punto in poi niente sarà più come prima.

Arrivato a Parigi negli anni '70, Ben Jelloun ha lavorato come psicologo in un centro per le malattie psicosomatiche: qui ha incontrato e ascoltato per anni un centinaio di pazienti nordafricani, entrando così in quel mondo emotivo segreto che gli immigrati custodiscono, spesso ignorati dal resto della società. Cosa sognano? Cosa soffrono? Come sopportano la mancanza, la solitudine, il desiderio, le privazioni fisiche? Per Ben Jelloun nessun approccio scientifico o saggistico può davvero raccontare la verità di queste esperienze, solo la letteratura può tentare di farlo.

"Quella mattina ricevetti una lettera diversa dal solito". Inizia così l'ultimo audiolibro di Amélie Nothomb, in cui la scrittrice si confronta con un genere che conosce bene, quello epistolare. Amélie infatti passa parte del suo tempo a rispondere alle lettere dei suoi numerosissimi fan. La lettera arriva da un soldato americano di stanza a Bagdad, Melvin Mapple. Siamo agli inizi della presidenza Obama. L'uomo spera di tornare a casa.

How many times, when things go wrong, have you said to yourself 'Why me?' Some people seem to have more than their fair share of bad luck, and Kate Parker is one of them. So when Kate and her ten-year-old son Jack move to Oxford to start a new life, Kate is determined that events of the past will not come back to haunt them. Despite the suffocating support she receives from her overbearing in-laws, she starts to feel threatened. Somehow her comfortable family home doesn't feel quite safe - it's almost as though someone is watching them.

Single mother Callie has come to rely heavily on her best friend Suzy. But Callie suspects Suzy's life isn't as simple as it seems. It's time she pulled away - going back to work is just the first step towards rediscovering her old confidence. So why does she keep putting off telling Suzy about her new job? And who will care for her rather frail daughter, Rae, while she is gone?

The last time Dodie sees her mother alive, Stella is unusually busy and wearing an old red velvet dress. Soon after this, Dodie’s brother Seth goes missing: the only trace of him through postcards signed ‘Yours in the Lord’ addressed from New York State. When Stella hangs herself, Dodie must leave her baby Jake at home and cross the Atlantic to bring Seth back from the mysterious Soul Life Centre. And when baby Jake unexpectedly arrives at Soul Life events take a shocking turn for Dodie.

This dark psychological fantasy is more than a moral tale. It is also a product of its time, drawing on contemporary theories of class, evolution and criminality, and the secret lives behind Victorian propriety, to create a unique form of urban Gothic.

Anthea Fraser's gripping novel about families and the skeletons that lurk in the cupboard tells the story of Fay Marlow whose husband abandoned her and the kids on her birthday in 1973.

It is 1993 and Thomas Penmarsh has lived in Finisterre, the house by the sea, all his life, sleeping each night in the room with the barred window. He's only 48 but has been an old man since one evening in 1967 when he lost everything he valued. However, now his controlling mother has died and he is master of the house. When Esmond, his cousin and childhood confidant, comes to live with him, Thomas is overjoyed - Esmond always looks after him. But is Esmond all that he seems?

Andrew Taylor's Roth Trilogy has just been made in to a three-part TV adaptation for ITV called Fallen Angel.
It is 1970. David Byfield, a widowed parish priest with a dark past, brings home a new wife to Roth. Soon the murders and blasphemies begin. But does the responsibility lie in the present or the past? And can Byfield, a prisoner of his own passion, break through to the truth before the final tragedy destroys what he most cherishes?

Andrew Taylor's Roth Trilogy was recently made in to a three-part TV adaptation for ITV called Fallen Angel.
Little Lucy Appleyard is snatched from her child minder's on a cold winter afternoon, and the nightmare begins. It is as if the child had disappeared into a black hole with no clues to her whereabouts...until the first grisly discovery in a London graveyard. More such finds are to follow, all at religious sites. In a city haunted by religion, what do these offerings signify?

Dairy farmer Robin Meredith has just buried his Californian wife Caro who, though a central figure at the farm for more than twenty years, had remained a mystery to the family. With Caro gone, her adopted daughter Judy feels cut adrift. To Robin’s brother, Joe, Caro had been the emblem of a freedom he’d glimpsed in America and his grief is far deeper than the family suspects. Even Robin and Joe’s parents, entrenched in the adjoining farm, feel suddenly vulnerable to time and change as well.

The day that Jerry Hunt met Charlotte Frost was the day he decided to go straight. Jerry had been running a successful scam with his friend Pete, but something in Charlotte's smile made him take stock of his activities. He'd been to prison once and, Jerry decided, he wasn't going there again. In many ways, Charlotte, too, would like to pull away from her past.

"If it were I who were to be always young and the picture to grow old, I would give my soul for it." So says Dorian Gray, Oscar Wilde's brilliant creation who sells his soul for youth and beauty.

Cronaca di vita e d'amore ambientata in una cittadina della California degli anni Cinquanta, Mary e il gigante racconta la storia di Mary Anne Reynolds, una giovane donna dal carattere sensibile e intenso, e delle sue difficoltà affettive e relazionali.

Emma and Ariella, neighbours in one of Sydney’s most exclusive suburbs, appear to have it all—perfect homes, perfect husbands, perfect lives. But they both know dark secrets lurk beneath the surface and shallow waters can’t hide Ariella’s. Now she has been found murdered. Her daughter filmed the killing. Not knowing what she’s filmed, Emma’s daughter Kiki innocently uploads footage of Ariella’s brutal death. Emma fears the worst—the killer will know what she and Kiki have seen. Their safe suburban lives no longer exist.

Una mattina di fine estate, in un Giappone di un'era imprecisata, la direttrice dell'Istituto Gokuraku, Sada, e la sua assistente, Yuki, prelevano da una vecchia casa una bambina rimasta orfana: la piccola Sumiko. Presto si accorgono che Sumiko non intende parlare, mangiare, interagire con niente e nessuno; i suoi occhi sono persi in un punto indefinito davanti a sé, su qualcosa che sembra nulla. Anche Yuki, venticinque anni prima, è stata ospite dell'istituto: privata dei genitori, è stata sottoposta a un programma di accudimento materno artificiale.

A Oslo, una scrittrice sessantenne assiste come tutti gli anni a un concerto di Natale; siede accanto a una coppia accompagnata dalla figlia adolescente, che si mostra palesemente infastidita e viene rimproverata di continuo dalla madre. La scena fa scattare nella donna il ricordo dei suoi sedici anni, e il lettore viene catapultato nel racconto del suo passato: un’adolescenza su cui grava una figura materna opprimente, che controlla la figlia in maniera ossessiva, terrorizzata al pensiero che possa bere, fare sesso, assumere droghe.

Doemi es el descenso mental hacia la locura de una adolescente que lidia con sus tendencias suicidas. Sin embargo, no piensa irse de este mundo sin antes experimentar su primer beso.