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The year is 1910. Nate Cooper is an old-school cowboy. He sees the change brought by the turn of the century and reckons none of it to be good. Even after spending nearly 30 years in a Montana prison for a wrongful murder conviction, Nate’s moral compass is true and unwavering: He does all the wrong things for all the right reasons. So when he returns to his northern Montana ranching town to find the Blackfoot Indians - the people he went to prison trying to defend - are still being cheated out of their territory by ranchers, Nate can’t rest on his laurels.

When a dispute over her parents’ will grows bitter, Bergljot is drawn back into the orbit of the family she fled 20 years before. Her mother and father have decided to leave two island summer houses to her sisters, disinheriting the two eldest siblings from the most meaningful part of the estate. To outsiders, it is a quarrel about property and favoritism. But Bergljot, who has borne a horrible secret since childhood, understands the gesture as something very different - a final attempt to suppress the truth and a cruel insult to the grievously injured.

Isha is a girl who loves animals but struggles in the confines of school. When she is sent away to live with her grandparents on the Indian countryside, she discovers a sacred grove where a young Bengal tiger has taken refuge. Isha knows that the ever-shrinking forests of India mean there are few places left for a tiger to hide. When the local villagers also discover the tiger, Isha finds herself embroiled in a life-or-death cultural controversy.

Maxim Osipov, who lives and practices medicine in a town 90 miles outside Moscow, is one of Russia’s best contemporary writers. In the tradition of Anton Chekhov and William Carlos Williams, he draws on his experiences in medicine to write stories of great subtlety and striking insight. Osipov’s fiction presents a nuanced, collage-like portrait of life in provincial Russia - its tragedies, frustrations, and moments of humble beauty and inspiration. The 12 stories in this volume depict doctors, actors, screenwriters, teachers, entrepreneurs, political bosses, and common criminals.

The town of Soldiers Grove is nestled amongst the driftless hills of southwestern Wisconsin. Its winters are long; its warmer seasons bright and challenging. The population is fewer than 600, including those residing in the senior citizens home. Two of these seniors, Cyril and Louise, have come to live there. Unlikely as it may seem, for they come from very diverse backgrounds, they form a close friendship, and their growing attachment sparks them to adventures and unlikely locations.

Twelve-year-old Sarah Jacob was the most famous of the Victorian fasting girls, who claimed to miraculously survive without food, serving as flash points between struggling religious, scientific, and political factions. In this novel based on Sarah’s life and premature death from what may be the first documented case of anorexia, an American journalist, recovering from her husband’s death in the Civil War, leaves her home and children behind to travel to Wales, where she investigates Sarah’s bizarre case by becoming the young girl’s friend and confidante.

Seventeen-year-old Georgia has a secret - one that is isolating her from everyone she loves. She is desperate to tell her best friend, but Sophia is ignoring her, and she doesn’t know why. Before she can find out, Sophia is left fighting for her life after a hit-and-run, with Georgia a traumatized witness. As a school psychologist, Georgia’s mother Anya should be used to dealing with scared adolescents. However, it’s very different when the girl who needs help is your own child.

Nelson Algren was a renowned writer, known for his penetrating and influential social novels such as The Man with the Golden Arm and A Walk on the Wild Side. Originally published in 1935, Somebody in Boots was Algren’s first novel, based on his experiences living in Texas during the Great Depression. A wonderful companion to Steinbeck’s The Grapes of Wrath, this new edition of Somebody in Boots features an introduction by Colin Asher, the author of a biography of Algren.

The fiction and reportage included in The Last Carousel, one of the final collections published during Nelson Algren’s lifetime, was written on ships and in ports of call around the world, and includes accounts of brothels in Vietnam and Mexico, stories of the boxing ring, and reminiscences of Algren’s beloved Chicago White Sox, among other subjects. In this collection, not just Algren’s intensity but his diversity are revealed and celebrated.

In Entrapment and Other Writings - containing his unfinished novel and previously unpublished or uncollected stories, poems, and essays - Algren speaks to our time as few of his fellow great American writers of the 1940s and ’50s do, in part because he hasn’t yet been accepted and assimilated into the American literary canon, despite that he is held up as a talismanic figure.

The Devil’s Stocking is the story of Ruby Calhoun, a boxer accused of murder in a shadowy world of low-purse fighters, cops, con artists, and bar girls. Chronicling a battle for truth and human dignity which gives way to a larger story of life and death decisions, literary grandmaster Nelson Algren’s last novel is a fitting capstone to a long and brilliant career.

Algren’s classic 1947 short story collection is the pure vein Algren would mine for all his subsequent novels and stories. The stories in this collection are literary triumphs that “don’t fade away.” Among the stories included here are “A Bottle of Milk for Mother”, about a Chicago youth being cornered for a murder, and “The Face on the Barrome Floor”, in which a legless man pummels another man nearly to death - the seeds that would grow into the novel Never Come Morning.

Nestled on the edge of Chicago's gritty west side, Oak Park is a suburb in flux. To the west, theaters and shops frame posh houses designed by Frank Lloyd Wright. To the east lies a neighborhood still recovering from urban decline. In the center of the community sits Ilios Lane, a pristine cul-de-sac dotted with quiet homes that bridge the surrounding extremes of wealth and poverty. On the first warm day in April, Mary Elizabeth McPherson, a lifelong resident of Ilios Lane, skips school with her friend Sofia.

Blindsided by her mother’s sudden death and wrecked by a recent love affair, Casey Peabody has arrived in Massachusetts in the summer of 1997 without a plan. Her mail consists of wedding invitations and final notices from debt collectors. A former child golf prodigy, she now waits tables in Harvard Square and rents a tiny, moldy room at the side of a garage where she works on the novel she has been writing for six years. At 31, Casey is still clutching onto something nearly all her old friends have let go of: the determination to live a creative life.

This remarkable novel immerses us in the lives of two women in a small upstate New York town: Frances Thorn, who waits tables, despite her privileged background, and raises her twin daughters without even a memory of their father; and Helle Ten Brix, an elderly Danish composer. At the heart of the two women’s friendship is a Hans Christian Andersen tale about a prideful girl (the subject of Helle’s final opera) who is damned for using a precarious loaf of bread, intended as a gift for her parents, as a stepping stone.

Twelve-year-old Bo Bo lives with his uncle U Ba in Kalaw, a town in Burma. An unusually perceptive child, Bo Bo can read people’s emotions in their eyes. This acute sensitivity only makes his unconventional home life more difficult: His father comes to visit him once a year, and he can hardly remember his mother, who, for unclear reasons, keeps herself away from her son. Everything changes when Bo Bo discovers the story of his parents’ great love, which threatens to break down in the whirlwind of political events, and of his mother’s mysterious sickness.

Ellen Wroe, a celebrated biographer known for her piercing insight, sets her sights on Cecil Woodbridge, the legendary conductor whose name reverberates through concert halls and conservatories. But Woodbridge, imperious and elusive, rebuffs her approach and conspires to thwart her efforts. Undeterred, Wroe embarks on a relentless pursuit, trailing the maestro across continents—through the archives of his correspondence, into the confidences of his colleagues, and deeper still into the long shadow of his past.

Kate gave up her dreams of being a painter years ago. But six little words pinned to the bulletin board of her local café could change her path forever. “To be, or not to be …”—printed on an orange card with no explanation—appears one morning. Each day, a new line from a different Shakespeare play is added, sparking curiosity throughout the café. Among the regulars is Bardy, a retired English teacher grappling with writer’s block.

Aleksy still remembers the last summer he spent with his mother in Northern France. At eighteen, eager to fly the nest and escape a family still grief-stricken by the death of his sister years earlier, these lazy months in the countryside are akin to torture. And then, his mother tells him she’s dying.

Howard Norman’s The Bird Artist, the first book of his Canadian trilogy, begins in 1911. Its narrator, Fabian Vas, is a bird artist: he draws and paints the birds of Witless Bay, his remote Newfoundland coastal village home. In the first paragraph of his tale, Fabian reveals that he has murdered the village lighthouse keeper, Botho August. Later, he confesses who and what drove him to his crime—a measured, profoundly engrossing story of passion, betrayal, guilt, and redemption between men and women. The Bird Artist is a 1994 National Book Award Finalist for Fiction.