From the acclaimed author of Above the Fire comes Concert Black, a hauntingly elegant novel that unspools a tale of music, obsession, and the fragile architecture of legacy.

Ellen Wroe, a celebrated biographer known for her piercing insight, sets her sights on Cecil Woodbridge, the legendary conductor whose name reverberates through concert halls and conservatories. But Woodbridge, imperious and elusive, rebuffs her approach and conspires to thwart her efforts. Undeterred, Wroe embarks on a relentless pursuit, trailing the maestro across continents—through the archives of his correspondence, into the confidences of his colleagues, and deeper still into the long shadow of his past.

Maestro, cellist, king of the baton—Woodbridge is a man enshrined in myth and bristling with contradictions. Beneath the grandeur lies a hidden lattice of ambition, betrayal, and sorrow. As Wroe attempts to chart his ascent, she uncovers not only the cost of genius but the wreckage it often leaves behind.

With lyrical precision and atmospheric sweep, Concert Black echoes the psychological depth of Ian McEwan’s Atonement and the philosophical resonance of Julian Barnes’s The Noise of Time. From the frostbitten avenues of postwar London to the symphonic stages of Boston and Chicago, biographer and subject circle each other in an elegiac dance—until they collide in a reckoning neither can escape.

A novel of ambition and artistry, Concert Black is a symphony of human complexity: piercing, poised, and unforgettable.