検索キーワード： 書簡

'All minors stand to one side and hold your ears!' The hall was filled with excitement, this phrase was strange to all of us, it had been a long time since we had crossed the walls of puberty so we looked at Dishekre standing in front of us in amazement. Dishakre laughed devilishly and said, "He who has recited 'Jhootay Roop Ke Darshan' is an adult and he who is still deprived of it is a minor, so quickly decide which of you is the minor and the adult."

Sybil Van Antwerp has throughout her life used letters to make sense of the world and her place in it. Most mornings, around half past ten, Sybil sits down to write letters—to her brother, to her best friend, to the president of the university who will not allow her to audit a class she desperately wants to take, to Joan Didion and Larry McMurtry to tell them what she thinks of their latest books, and to one person to whom she writes often yet never sends the letter.

In her letters to family and friends we come to know the life of Sybil Van Antwerp: stubborn, cantankerous, opinionated, always steadfast in her belief in the power of the written word. But as the clock begins to tick for Sybil, the need for a few post-scripts to the life she’s led becomes apparent. Fixing her difficult relationship with her children. Taking a final chance at romance. Atoning for an old legal case which has come back to haunt her. And finally, reckoning with a devastating loss that she has spent the last thirty years holding close to her chest.

Майстер корабля — письменницький дебют Юрія Яновського. Це модерністський роман, стилізований під мемуари, який передає атмосферу 20-х років двадцятого століття. Він має ознаки пригодницького, автобіографічного і водночас утопічного та мариністичного фантастичного романів. Текст побудовано як спогад оповідача й головного персонажа, але в його структуру також вплетено менші тексти, відмінні за жанром та стилістикою — це листи, фантазії, мрії, перекази, ідеї сценаріїв тощо. Таким чином читач стає свідком захопливого кількарівневого дистанціювання від реальності.

Upon its first publication in 1846, Poor Folk was an immediate critical triumph. Composed entirely of an exchange of letters between a middle-aged copy clerk and a young seamstress who live on opposite sides of a Petersburg tenement courtyard, the novel explores the emotional and psychological effects of a threatening urban environment on the psyches of poor people struggling to survive.

Coupland's iconic novels brought to life in two full-cast adaptations: In this adaptation by Theo Toksvig-Stewart, Douglas Coupland's brilliantly funny novel Microserfs takes a microscope to working culture in the early days of the tech boom. Perhaps one of Coupland's most iconic novels, Girlfriend in a Coma begins in December 1979 when 17-year-old Karen unexpectedly falls into a deep coma after a teen house party.

Lady Susan Vernon, middle-aged and recently widowed, has retained her looks and appealing vivacity. She makes use of her bereavement and her loss of wealth by imposing herself on the hospitality of relatives, and by amusing herself in flirtation with the various men who fall under her spell. Lady Susan has a daughter, Frederica, who is bashful and innocent—in stark contrast to her unfeeling and manipulative mother. Her mother is anxious to marry Frederica off to a spouse of appropriate wealth and social standing, and also, perhaps, to capture a new mate for herself.

Two girls emerge from a convent in order to marry and assume their places in post-Revolutionary French society. Louise is ruled by passion, Renée by pragmatism, and the intimate details of their trials and triumphs are revealed through their correspondence. Letters of Two Brides follows two strong women across the years as they navigate love, friendship, faith, and the conflicting expectations for women in society.

A non-everyday story book framed by friendly emails.

At 104 years of age, Mrs Elsie Drake of Granville Gardens, London, is the sixth oldest woman in Britain. But fed up with sitting in her armchair all day, Elsie is ready for new adventures. And so, armed with a computer she can barely operate, she fires off dozens of letters to everyone from the Prime Minister to Greggs Bakeries, to see if they can help. Whether offering her services as the new Arsenal football mascot dressed as a giant hare, or simply sending Sainsbury's a load of meat, no one can escape the clutches of Elsie Drake.

So how do I greet the New Millennium? In despair. I'm a single parent, I live with my mother...I have a bald spot the size of a jaffa cake on the back of my head...I can't go on like this, drifting into early middle-age. I need a Life Plan....

Adrian Mole is thirty, single and a father. His cooking at a top London restaurant has been equally mocked ('the sausage on my plate could have been a turd') and celebrated (will he be the nation's first celebrity offal chef?) And the love of his life, Pandora Braithwaite, is too busy as the newly elected MP for Ashby-de-la-Zouch to notice him. Frustrated, disappointed, and undersexed, Adrian despairs until a letter from his past changes everything.

Adrian Mole is an adult. At least that's what it says on his passport. But living at home, clinging to his threadbare cuddly rabbit 'Pinky', working as a paper pusher for the DoE and pining for the love of his life, Pandora, has proved to him that adulthood isn't quite what he expected.

Adrian Mole is thirty-nine and a quarter. He lives in the country in a semi-detached converted pigsty with his wife Daisy and their daughter. His parents George and Pauline live in the adjoining pigsty. But all is not well.

Adrian Mole continues to struggle valiantly against the slings and arrows of growing up and his own family's attempts to scar him for life in this second volume of his secret diary.

The fourth book in Adrian Mole's diaries, where we catch up with a hapless Adrian and his desperate attempts to win back the love of his life.

Manchmal gebären die widrigsten und unmöglichsten Umstände, die man schlicht nicht erfinden kann, einen Autoren, dessen Literatur den Menschen den Atem verschlägt. Der unmögliche Fall, der so absurd klingt, dass er nur wahr sein kann. Ständige Geldnöte, Verurteilung zum Tode, mehrjährige Gefängnisstrafe in angeketteter Einzelhaft, Verbot des Aufenthalts in Moskau und in Sankt Petersburg, Spielsucht, um ein paar der Schwierigkeiten zu erwähnen, welche das Schicksal letztendlich zu Voraussetzungen umwandelte, die Dostojewski in die Lage versetzten zu einem Titanen der Welt-Literatur zu werden.

Still grieving the death of her best friend, Erin knows she needs to start living - but has no idea how. Then she loses her favourite book, a heavily annotated copy of To Kill A Mockingbird containing her friend's last gift. When James finds Erin's note-filled book in his local community bookshelf, it sparks a life-changing conversation. He writes his own message for her to find, inviting her to meet him in the margins of Great Expectations. As the book exchange continues, they both begin to open up . . . and perhaps fall in love.

A teenage girl writes in her diary, similar to any other girl her age, except her experiences are like no other. Fifteen-year-old Sophie Smyth bought her diary to express the devastating tragedy of her past. She's spent her life being judged for what she looks like on the outside, and not for who she is on the inside. From being trampled on from an early age, to losing close relatives, to the reality of life, all she wants is to find happiness and to be an inspiration to other people. Will Sophie finally find that sense of security she's always dreamed of?

My name is Luke Edgewood, and there are few things in life that I require. Mainly black coffee. And flannel. And lots of solitude. And my dogs, Chewy and Indie. What I don't need is romance, so I have no plans to change my thirty-year-old-bachelor status anytime soon. But my youngest sister thinks that by accepting a short-term construction job in the small European country of Skymar, I'm going to follow along in her footsteps and discover my own romantic adventure. Nope. Bah humbug. The End. This time, her rom-com-movie senses are totally wrong. Or maybe not.