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Night after night jostling crowds clamour for entry to Edinburgh’s Theatre Royal with one name on their lips: the Real Mackay. But who is he? The answer leaps out of this meticulously researched historical novel which plunges the listener into the weird and wonderful golden era of Scottish national drama, seen through the eyes of Charles Mackay and his family.

Read in the style of a secret diary, this famous sequel to I, Claudius gives a wry and human view of the Roman world, bringing to life some of the most scandalous and violent times in history. Claudius has survived the murderous intrigues of his predecessors to become, reluctantly, Emperor of Rome. He recounts his surprisingly successful rule; how he cultivates the loyalty of the army to repair the damage caused by his nephew Caligula; his friendship with the Jewish King Herod Agrippa; and his invasion of Britain.

The politics of empire-building and the hypocrisies, back-stabbings, and corruptions of Rome's first family come to light. First published in 1934, the book retains a marvelously modern and often comic tone, and is written in the form of Claudius' autobiography. This is gripping stuff, read by one of our finest actors, who also starred as Claudius in the classic television series.

In these short stories, collected and translated by Ralph McCarthy, we can see just how closely Dazai’s life mirrored his art, and vice versa, as the writer/narrator falls from grace, rises to fame, and falls again. Addiction, debt, shame, and despair dogged Dazai until his self-inflicted death, and yet despite all the lies and deception he resorted to in life, there is an almost fanatical honesty to his writing.

Drawing on James Baldwin's own boyhood in a religious community in 1930s Harlem, his first novel tells the story of young Johnny Grimes. Johnny is destined to become a preacher like his father, Gabriel, at the Temple of the Fire Baptized, where the church swells with song and it is as if 'the Holy Ghost were riding on the air'. But he feels only scalding hatred for Gabriel, whose fear and fanaticism lead him to abuse his family. Johnny vows that, for him, things will be different. This blazing tale is full of passion and guilt, of secret sinners and prayers singing on the wind.

Una donna ancora giovane, serena e appagata, tutt’altro che inattiva nel cerchio sicuro della famiglia, viene abbandonata all’improvviso dal marito e precipita in un gorgo scuro e antico. Rimasta con i due figli e il cane, profondamente segnata dal dolore e dall’umiliazione, Olga, dalla tranquilla Torino dove si è trasferita da qualche anno, è risucchiata tra i fantasmi della sua infanzia napoletana. Comincia a questo punto una caduta rovinosa, un racconto che cattura e trascina fino al fondo più nero, più dolente dell’esperienza femminile.

"Quando torni io non ci sarò già più." Sono le ultime parole di S. a Matteo, pronunciate al telefono in un giorno d'autunno del 1998. Sembra una comunicazione di servizio, invece è un addio. S. sta finendo di portare via le sue cose dall'appartamento di Matteo dopo la fine della loro storia d'amore. Quel giorno Matteo torna a casa, la casa in cui hanno vissuto insieme per sette anni, e scopre che S. si è tolto la vita. Mentre chiama inutilmente aiuto, capisce che sta vivendo gli istanti più dolorosi della sua intera esistenza.

This is a story of philosophy, identity, and the powerful grip of travel, written by an iconic American author at the height of his fame, after spending ten days in France searching for his French heritage. Was the satori handed to him by a taxi driver, a waiter, a monsieur with a dazzlingly beautiful secretary, or while feeling fearful in the foggy streets at 3:00 a.m.?  Or was it when hearing a requiem by Mozart in an old church, seeing trees in the Tuileries Garden, or while walking on a bridge over the River Seine?

Leo Tolstoy began his trilogy Childhood, Boyhood, and Youth in his early twenties. Although he would in his old age famously dismiss it as an ‘awkward mixture of fact and fiction’, generations of readers and listeners have not agreed, finding the series to be a charming and insightful portrait of inner growth against the background of a world limned with extraordinary clarity, grace and color.

Brutal wird die kleine Anna 1944 in Siebenbürgen aus den Armen ihrer jungen Mutter gerissen – und in ein jugoslawisches Kinderheim verschleppt. Nur dank der Kraft der absoluten Verzweiflung gelingt es der 5-Jährigen schließlich, mit bloßen Händen ein Loch durch die kalte, harte Erde unter dem Zaun zu graben. Doch als Anna sechs Jahre später endlich wieder mit ihrer Mutter vereint ist, kann ihr die schwer traumatisierte Frau keine Liebe mehr geben. Und im Nachkriegsdeutschland hat niemand Zeit für Mitgefühl.

La Guadeloupe des années cinquante. Contre des parents qui semblent surtout soudés par le mensonge, contre une mère aussi dure avec les autres qu'avec elle-même, contre un père timoré, la petite Maryse prend le chemin de la rébellion. La soif de connaissance, les rêves d'autonomie et de liberté la guident vers son destin d'écrivain. Mais peu à peu les épreuves de la vie appellent l'indulgence, la nostalgie de l'âme caraïbe restitue certains bonheurs de l'enfance.

Wife and mother to a dynasty of kings, crusader, prisoner and formidable political operator, Eleanor of Aquitaine is a thoroughly modern woman, despite living almost 900 years ago. Intelligent, witty and independent, she is tough enough to forge her own destiny—and subtle enough to shape the world to her will.

Il 27 marzo 1995 Maurizio Gucci, erede della favolosa dinastia dell'alta moda, mentre sta per raggiungere il suo ufficio di Milano viene assassinato a colpi di pistola da uno sconosciuto. Nel 1998, l'ex moglie Patrizia Reggiani Martinelli - soprannominata la "Vedova nera" dalla stampa - viene condannata a 29 anni di prigione come mandante dell'omicidio.

Waking in the small hours, Marcel Proust embarks on a retrospective journey, endeavouring to capture the elusive moments that shaped his life. A sip of tea and the taste of a madeleine prompt further recollections, and the floodgates of memory open, pouring forth a torrent of vivid reminiscences.

Nadie parece entender a Baylys: ¿cómo es posible que un cuarentón casi gay, con novio desde hace años y dos hijas encariñadas con este, anuncie de pronto en televisión que se ha enamorado de una joven de la que podría ser el padre y poco después haga alarde de que está embarazada?

Now a major TV series on PBS Masterpiece! "In a cultured, melodious voice, narrator Juliet Stevenson becomes Miss Cassandra Austen, older sister to Jane and keeper of her memory." -- AudioFile Magazine, Earphones Award winner For fans of Jo Baker’s Longbourn, a witty, poignant audiobook about...

"Sa robe caresse le sol. À cet instant, nous sommes comme les pierres des voûtes, immobiles et sans souffle. Mais ce qui raidit mes frères, ce n'est pas l'indifférence, car ils sont habitués à ne pas être regardés ; ni non plus la solennité de l'entretien - tout ce qui touche à Aliénor est solennel. Non, ce qui nous fige, à cet instant-là, c'est sa voix. Car c'est d'une voix douce, pleine de menaces, que ma mère ordonne d'aller renverser notre père." Aliénor d'Aquitaine racontée par son fils Richard Cœur de Lion.

Celia Imrie and Toby Jones star in this BBC Radio 4 dramatisation of Gerald Durrell's much-loved comic gem. My Family and Other Animals is the classic tale of naturalist Gerald Durrell's magical 1930s childhood on pre-war Corfu. His descriptions of his eccentric family and his encounters with...

"Daisy Miller", scritto nel 1878, è considerato uno dei capolavori dello scrittore americano Henry James. Ritratto intenso di una giovane americana che, nella buona società europea (la trama si dipana dalla Svizzera alla stupenda e decadente Roma dei papi), viene giudicata troppo libera (se ne va a passeggio per Roma dopo il tramonto, sola con un giovanotto che non è nemmeno il suo fidanzato...) e quindi imperdonabilmente poco seria, e messa al bando; solo dopo la sua morte improvvisa sapremo, insieme al protagonista narratore, che Daisy era assolutamente innocente, non una civetta o peggio, ma semplicemente una ragazza libera, indipendente, spontanea e disinteressata, amante del passeggiare e vagabondare, oppressa dai lacci delle convenzioni sociali che imprigionavano le donne.

«Éste es un libro sobre la vida... apasionado y alegre, sentimental y burlón.» ROSA MONTERO Cuando Rosa Montero leyó el maravilloso diario que Marie Curie comenzó tras la muerte de su esposo, y que se incluye al final de este libro, sintió que la historia de esa mujer fascinante que se...