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Best friends Eleanor and Fin are inseparable. They are convinced that it will always be this way. But to be sure, they make a pact to keep their lives intertwined. And of course, they'll get married if they're both 35 and single. Eleanor and Fin haven't spoken in 15 years. They live on different continents, but more than an ocean separates them. Everything has changed since the last time they met. So, when newly single Fin reappears, there's no way they can keep their promise. Is there?

Dublin, 7th October 2019. One day, one city, two women: Ruth and Pen. Neither known to the other, but both asking themselves the same questions: how to be with others and how, when the world doesn't seem willing to make space for them, to be with themselves? Ruth's marriage to Aidan is in crisis. Today she needs to make a choice—to stay or not to stay, to take the risk of reaching out, or to pull up the drawbridge. For teenage Pen, today is the day the words will flow and she will speak her truth to Alice, to ask for what she so desperately wants.

Frances is an English graduate student bruised by a messy breakup. On the spur of the moment, she decides to volunteer at a farm in rural France with the hope that the change of scenery will help clear her head. The farm, curiously named Noa Noa, is owned by Paul, an appealing, enigmatic Frenchman. Frances is charmed by his easygoing ways and by the area itself, both welcome changes from the life she has known. Yet the more time she spends in Paul’s world, the more unmoored she begins to feel.

Graduating into the long maw of an American recession, Sneha is one of the fortunate ones. She’s moved to Milwaukee for an entry-level corporate job that, grueling as it may be, is the key that unlocks every door.

Growing up in an Italian American family in working-class Boston, Anna lives a simple but comfortable childhood—filled with homemade meals and front-porch gatherings in a close-knit neighborhood. She and her sisters are devoted to their mother, orbiting her like the sun, trying to keep up with her loving but mercurial nature. When their father gets a new job outside the city, the family is tossed unceremoniously into a middle-class suburban existence.

Chrissie has always wanted to be a mother. After months of trying to adopt, she and her husband Stuart finally get the news that a little girl named Sunshine is waiting for them. The child comes to them without a history, and it feels like a fresh start for all of them. But when fragments from Sunshine's previous life start to intrude on her new one, the little girl's mysterious past quickly becomes Chrissie's greatest fear.

When it was first published in 2006, then-literary critic and poet Alejandro Zambra’s first novel, Bonsai, caused a sensation. Here, in a brilliant new translation from four-time International Booker Prize nominee Megan McDowell, is the little book that started it all: The story of Julio and Emilia, two Chilean university students who, seeking truth in great literature, find one another instead. As they fall together and drift apart over the course of young adulthood, Zambra spins an emotionally engrossing, expertly distilled, formally inventive tale of love, art, and memory.

When half-sisters Kat, Flora, and Lauren are unexpectedly summoned to Rock Point, their wild and remote Cornish summer home, it's not a welcome invitation. They haven't been back since that fateful summer twenty years ago—a summer they're desperate to forget. But when they arrive, it's clear they're not alone. Someone is lurking in the shadows, watching their every move. Someone who remembers exactly what they did.

Introvert Gina Mulley is determined to become a tattoo artist, and to find somewhere she belongs in her conventional Long Island town. But this is 1985, when tattooing is still a gritty, male-dominated fringe culture, and Gina’s whimsical style is far from the norm. Luck is on her side: Gina’s older brother Dominic owns a tattoo shop, and he reluctantly grants her one year to prove herself.

The last place very average 31-year-old Mara Williams thought she’d be is on a solo vacation impersonating her fortune teller when she finally meets the one. Josef, a gorgeous Austrian cellist, sits down for a reading and before she knows it, she’s telling him his destiny will be sitting in a pub in the English seaside town of Broadgate on the last Friday of August. And her name is Mara. Enter Project Mara: three months to turn herself into the stylish, confident woman she’s always hoped to be. Can Mara pull off the transformation of a lifetime?

Selin is the luckiest person in her family: the only one who was born in America and got to go to Harvard. Now it’s sophomore year, 1996, and Selin knows she has to make it count. The first order of business: to figure out the meaning of everything that happened over the summer. Why did Selin’s elusive crush, Ivan, find her that job in the Hungarian countryside? What was up with all those other people in the Hungarian countryside?

When the Seoul police inform Min that his girlfriend Yu-jin has committed suicide, he’s sure it can't be true. She was successful, ambitious, happy, just on the cusp of graduating from university and claiming the future she’d always dreamed of.

For Samantha Miller's young fans—her 'girls'—she's everything they want to be. She's an oracle, telling them how to live their lives, how to be happy, how to find and honour their 'truth'. And her career is booming: she's just hit three million followers, her new book Chaste has gone straight to the top of the best-seller lists and she's appearing at sell-out events. Determined to speak her truth and bare all to her adoring fans, she's written an essay about her sexual awakening as a teenager, with her female best friend, Lisa.

Beth has never stuck at anything. She's quit more jobs and relationships than she can remember, and she still sleeps in her childhood bedroom. It's not that she hasn't tried to grow up, it's just that so far, the only commitment she's held down is Friday drinks at the village pub. Then, in the space of a morning, her world changes.

Mallory is a freshman in college when she meets the woman. She sees her for the first time at the university’s gym, immediately entranced by this elegant, older person, whom she later learns is married and works at the school. Before long, they begin a clandestine affair. Self-possessed, successful, brilliant, and aloof, the woman absolutely consumes Mallory, who is still reeling from her mother’s death a few months earlier.

They say you can never go home again, and for Persephone Fraser, ever since she made the biggest mistake of her life a decade ago, that has felt too true. Instead of glittering summers on the lakeshore of her childhood, she spends them in a stylish apartment in the city, going out with friends, and keeping everyone a safe distance from her heart. Until she receives the call that sends her racing back to Barry’s Bay and into the orbit of Sam Florek—the man she never thought she’d have to live without.

A tender and quirky novel about the romantic choices we make from the author of the New York Times best seller and Reese's Book Club Pick The Last Thing He Told Me.

When Andrée joins her school, Sylvie is immediately fascinated. Andrée is small for her age, but walks with the confidence of an adult. Under her red coat, she hides terrible burn scars, and when she imagines beautiful things, she gets goosebumps. Secretly Sylvie believes that Andrée is a prodigy about whom books will be written. The girls become close. They talk for hours about equality, justice, war and religion; they lose respect for their teachers; they build a world of their own. But they can't stay like this forever.

On the brink of 40, newly single with a failed business, Philip thought he'd reached an all-time low. It only needed a discarded chip on a South London street to lay him literally flat. So, bedbound and bored, Philip naturally starts to write the story of his life. But between the mundane catalogue of seaside holidays and bodged DIY, broken relationships and unspoken truths, more surprises are revealed, both comic and touching, than Philip or his family ever bargained for. Even, perhaps, a happy ending.

None of us ever agreed on the exact beginning. Was it when we started drawing the chalk figures, or when they started to appear on their own? Was it the terrible accident? Or when they found the first body?