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London, 1945. The capital is still reeling from the war. Fourteen-year-old Nathaniel and his older sister Rachel are abandoned by their parents who leave the country on business, and are left in the dubious care of a mysterious figure named The Moth. Nathaniel is introduced to The Moth’s band of criminal misfits and is caught up in a series of teenage misadventures, from smuggling greyhounds for illegal dog racing to lovers’ trysts in abandoned buildings at night. But is this eccentric crew really what and who they claim to be? And most importantly, what happened to Nathaniel’s mother?

Enter a school of magic unlike any you have ever encountered. There are no teachers, no holidays, friendships are purely strategic and the odds of survival are never equal. Once you’re inside, there are only two ways out: you graduate or you die. El Higgins is uniquely prepared for the school’s many dangers. She may be without allies, but she possesses a dark power strong enough to level mountains and wipe out untold millions - never mind easily destroy the countless monsters that prowl the school. Except, she might accidentally kill all the other students, too.

Twenty-nine-year-old PhD student Ingrid Yang is desperate to finish her dissertation on the late canonical poet Xiao-Wen Chou and never read about “Chinese-y” things again. But after years of grueling research, all she has to show for her efforts are a junk food addiction and stomach pain. When she accidentally stumbles upon a curious note in the Chou archives one afternoon, it looks like her ticket out of academic hell.

From the author of Malas comes a short story collection that centers the challenges of family, with characters constantly trying to navigate a web of allegiances and seeking breathing space for themselves. A young boy from the barrio settles a wager his dead father made with a rich man. A sister tries to make sense of her brother’s career as a bull rider. A group of kids searches for the bogeyman haunting their grandmother’s house. A suburban wife aches to understand her volatile husband.

Raya is a lost soul, going through the motions of life without a dream of her own. One night, on her subway ride home, Raya's thoughts wander too far. She wakes on the Elsewhere Express, a magical train that offers its passengers a sense of purpose, peace, and belonging. On board, Raya meets a charming, handsome artist named Q and together they race to find their place on the train, through a boarding car carpeted in meadow grass and along a dining carriage where passengers picnic on lilypads.

Elly does not believe God loves her. It’s what she was once told. So, she decides, one morning over a bowl of celery, that she must find another one that does. From Essex and Cornwall to the streets of New York, spanning the decades from 1968 to the events of 9/11, we follow Elly’s gradual loss of innocence through the evolving secrets she shares with her lifelong confidante, her brother Joe, and her increasing concern for an unusual best friend, Jenny Penny, who bears secrets of her own.

Growing up in the suburban hell of Misery Saga (a.k.a. Mississauga), Lizzie has never liked the way she looks—even though her best friend Mel says she’s the pretty one. She starts dating guys online, but she’s afraid to send pictures, even when her skinny friend China does her makeup: she knows no one would want her if they could really see her. So she starts to lose. With punishing drive, she counts almonds consumed, miles logged, pounds dropped. She fights her way into coveted dresses.

Yorkshire teacher Ellen Fenwick has never been abroad. But when her mother dies, this young woman finds herself taking a position as governess to an English girl in Florence in the summer of 1933. Little does Ellen realise how this girl, Juliet, and her family will claim her. For as the summer passes, Ellen falls so in love with Italy and her new home that she cannot bear to leave – even when her own hopes of love are cruelly thwarted.

Lucy Carmichael is jilted at the altar. But no matter. Her loving and kind family never liked her explorer fiancé anyway. Instead of moping or falling into her supportive family’s arms, however, Lucy abandons their suburban home. Heading for the country, she takes up a teaching position in the industrial town of Ravonsbridge. There, she finds solace in her work, in her new (rather gossipy) colleagues – and rediscovers her sensible young self. But if Lucy has, despite everything, kept her head – where lies her heart?

With her family’s perfumery in dire straits, Stella Penhallam needs a miracle. So, when her great-aunt’s journal from 1940s Paris lands on her desk, Stella realises that the missing pages could hold the answers she seeks. In 1939, as war breaks out across Europe, Iris Penhallam is forced into an impossible situation, one that will cause her world to come crashing down.

After 10 years in a London prison, Louise Adler (Lulu) is released with only a new alias to rebuild her life. Working a series of dead-end jobs, she carries a past full of secrets: a childhood marked by the violence and madness of her parents,and a reckless adolescence. From abandoned psychiatric hospitals to Edwardian-themed casinos, from a brief first love to the company of criminals, Lulu has spent her youth in a shifting landscape of deceit and survival. But when she's awarded a settlement claim after prison, she travels to the landscape of her childhood imagination, the central African range known as the Mountains of the Moon.

Hot Little Hands immerses us in the world of eight young women at a time when the line between adolescence and adulthood blurs, and life can be thrilling and unnerving all at once. These are stories about breakups that last longer than relationships; about sexual encounters, both real and imagined; about stumbling on the fringes of innocence and the marks desire can leave. About a desperate longing for maturity - and what happens when you finally attain it.

Ruth is raised in a snow globe of Christian communism, a world without private property, television, or tolerance for idle questions. Every morning she braids her hair and wears the same costume, sings the same breakfast song in a family room identical to every other family room in the community; every one of these moments is meant to be a prayer, but to Ruth they remain puzzles. Her life is seen in glimpses through childhood, marriage, and motherhood, as she tries to manage her own perilous curiosity in a community built on holy mystery. Is she happy? Might this in fact be happiness?

The tables turn when the girl August Lancaster couldn’t stand at Lancaster Prep shows up at the same university he attends. She is suddenly everywhere. And is determined to remind him exactly who she is . . .

Christmas, 1983. In the aftermath of yet another furious argument, seven-year-old Andrev’s mother lets him in on a secret: his father is, in fact, not his father. And so begins a new kind of childhood, in which fathers come and go, arriving in red Volvos and sweeping his mother off her feet. Fathers can be magicians or murderers, artists or canoe enthusiasts, and, like growing pains, or the weather, they appear uninvited and leave without warning. Fathers are drawn to his mother like moths to a flame – but even she can’t control how they behave.

When Poppy discovers unanswered messages from a charming stranger in her late sister's dating app, she makes an impulsive choice: She'll meet him, just once, on what would have been Dandelion's fortieth birthday. It's exactly the kind of wild adventure her vivacious sister would have pushed her toward. Jake is ready to find something real—and not least because his ex-wife's twentysomething boyfriend has moved into their old family home. When he meets the intriguing woman who calls herself Dandelion, their connection is undeniable, and he can think of little else.

One year after the death of his beloved musician father, thirteen-year-old Benny Oh begins to hear voices. The voices belong to the things in his house—a sneaker, a broken Christmas ornament, a piece of wilted lettuce. Although Benny doesn't understand what these things are saying, he can sense their emotional tone; some are pleasant, a gentle hum or coo, but others are snide, angry and full of pain. When his mother, Annabelle, develops a hoarding problem, the voices grow more clamorous.

Sean's brother Anthony is a hard man. When they were kids their ma did her best to keep him out of trouble but you can't say anything to Anto. Sean was supposed to be different. He was supposed to leave and never come back. But Sean does come back. Arriving home after university, he finds Anthony's drinking is worse than ever. Meanwhile the jobs in Belfast have vanished, Sean's degree isn't worth the paper it's written on and no one will give him the time of day. One night he loses control and assaults a stranger at a party, and everything is tipped into chaos.

Teenage sisters Eve and Vera never imagined their summer vacation would be spent in the Arctic, tagging along on their mother’s scientific expedition. But there’s a lot about their lives lately that hasn’t been going as planned, and truth be told, their single mother might not be so happy either. Now in Siberia with a bunch of serious biologists, Eve and Vera are just bored enough to cause trouble. Fooling around in the permafrost, they accidentally discover a perfectly preserved, four-thousand-year-old baby mammoth, and things finally start to get interesting.

When Leah Kempler meets Charlie Nelson in line at the grocery store, their attraction is immediate and intense. Charlie, with his big feelings and grand proclamations of love, captivates her completely. But there are peculiarities of his life—he’s older than her but lives with his parents; he meets up with a friend at odd hours of the night; he sleeps a lot and always seems to be coming down with something. He confesses that he’s a recovering heroin addict, but he promises Leah that he’s never going to use again.