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The London suburb of Croydon, 1964: Helen Hansford is unmarried and in her thirties. Something of a disappointment to her middle-class parents, she’s an art therapist at the Westbury Park psychiatric hospital, where she has been having a rebellious love affair with her colleague Gil, a dashing but married doctor. One spring afternoon they receive a call about a disturbance at a derelict, vine-covered Victorian house a few miles up the road. There the police find a mute, thirty-seven-year-old man called William Tapping, his hair and beard down to his waist.

After her mother invites a new man to live with them, tensions quickly rise in the cramped house. Gunner is kind but strange, too—a one-eyed shoplifter with more than a few hidden secrets. But when tragedy strikes shortly after, Cora rebels against her small-town existence in search of love, acceptance, and a path to something good. If only she can learn to navigate her grief and everything she thinks she knows about who she is and what she might be capable of, she may finally find the way forward.

Pumkin Patterson is a thirteen-year-old girl living in a tiny two-room house in Kingston, Jamaica, with her grandmother (who wants to improve the family’s social standing), her Aunt Sophie (who dreams of a new life in Paris for her and Pumkin), and her mother Paulette (who’s rarely home). When Sophie is offered the chance to move to France for work, she seizes the opportunity, and promises to send for her niece in one year’s time....

Ahead of looming layoffs within the ongoing decimation of media, Jacob Goldberg, a culture writer in New York, knows what will save him: a podcast. Not just any podcast, but something that will demonstrate his singular thoughtfulness in an oversaturated, competitive market. When Jacob learns the true, tragic circumstances behind the mysterious death of Seth, one of his best friends from high school, his world is turned completely upside down. But when the dust settles, he realizes he has an idea worth digging into. Of course, it’s not so simple.

Maya and Natasha are twin sisters born in the midst of the Siege of Leningrad in 1941 and immediately abandoned by their mother, a prima ballerina at the Kirov Ballet who would rather die than not dance. Taken in by their mother’s best friend at the Kirov, the girls are raised to be dancers themselves. The Vaganova Ballet Academy—and the totalitarian Soviet regime—is the only world they know. In 1958, now seniors at the Vaganova at the height of the Cold War, all Maya and Natasha and their classmates want is to dance with the Kirov, and to join the company on its tour to America next year.

When Darby finds himself unemployed and in need of a fresh start, he moves back to the small Illinois town he left behind. But Oak Falls has changed almost as much as he has since he left. One thing is familiar: In Between Books, Darby’s refuge growing up and eventual high school job. When he walks into the bookstore now, Darby feels an eerie sense of déjà vu—everything is exactly the same. Even the newspapers are dated 2009. And behind the register is a teen who looks a lot like Darby did at sixteen. . . who just might give Darby the opportunity to change his own present for the better

In the fall of 1959, Freda Gilroy arrives on the campus of Fisk University full of hope, carrying a suitcase and the voice of her father telling her she’s part of a family legacy of Black excellence. Soon, the ugliness of the Jim Crow South intrudes, and Freda, reluctant to get involved, is torn between a soon-to-be doctor and an audacious young activist. Freda must decide how much she’s willing to risk in the name of justice.

Rosie Benson has always struggled to fit in with her over-accomplished family, type-A roommate/best friend, and workaholic boss. But she’s nearly losing herself as she strives to become everyone else’s idea of perfect. When Rosie is abruptly fired from her job at a tech start-up where her boss was way too enthusiastic about synergy and company swag, the illusion that she has life figured out is shattered.

As far as Jolene is concerned, her interactions with her colleagues should start and end with her official duties as an admin for Supershops, Inc. Unfortunately, her irritating, incompetent coworkers don’t seem to understand the importance of boundaries. Her secret to survival? She vents her grievances in petty email postscripts, then changes the text color to white so no one can see. That is until one of her secret messages is exposed. Her punishment: sensitivity training (led by the suspiciously friendly HR guy, Cliff) and rigorous email restrictions.

It is 1936, and in the small Italian city of Monza, on the pebbled bank of the Lambro, two frantic girls scramble to bury a body—the dead son of the city's most prominent fascist. Soon, they will find their fierce friendship put to the ultimate test.

A year earlier, Francesca Strada, the well-mannered daughter of a bourgeois family, dreams of a life beyond provincial conformity. From afar she spies on Maddalena, the town’s rebellious outcast—whom neighbors call “the Cursed One”—and whose indomitable spirit fascinates her.