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Fairy tales are as old as language itself. Long, long ago, storytellers all around the world told tales of wonder both to enchant and entertain us, and also to teach us that – if we are good and kind and courageous enough – we can change the world for the better. For this is what fairy tales do. They give us hope. As we travel through the dark and dangerous world of the fairy tale, as we fight dragons and outwit ogres and save our sisters and brothers, we learn that we are capable of anything.

The world might be in disarray, but for one young woman, the very weave of herself seems to have loosened. Time and memories pass straight through her body, she’s afraid of her own floorboards, and ‘WHAT IS LOVE? BABY DON’T HURT ME’ plays over and over in her ears. ‘I’m sorry not to respond to your email,’ she writes, ‘but I live completely in the present now.’ But tearing through the slippery terrains of fiction and reality, the possibility for human connection seems to beckon from the other side – and with it, the chance for a blinding re-emergence into the world.

L'Empire du bien n'est pas un essai, c'est une charge, une provocation, un éclat de rire grinçant lancé contre le conformisme du monde moderne. Philippe Muray y démonte avec une ironie cinglante les travers d'une époque où le divertissement se confond avec la morale, où la critique est suspecte, où l'enthousiasme obligatoire dicte les règles. Dans la langue au panache aussi superbe qu'excessif d'un moraliste sous nicotine, Muray s'attaque à une société qui transforme tout en fête forcée et où la liberté de penser s'efface derrière le masque du bonheur collectif.

A seemingly unremarkable woman in her sixties stows away on dozens of flights. Inspired by a true story, THE SERIAL STOWAWAY celebrates the audacity of her tactics and the absurdity of her encounters, including a scholar of shrugging, a protester suing the CIA for implanting images in his brain, and the forgotten half of a comedy duo looking to resuscitate her career on reality TV. Comic and penetrating, this novel portrays the strength that can hide in invisibility.

Walter Schuler was undeniably dead, and there was no getting around that fact. But what led to his demise? Was there a goose involved in some way? Can a man truly be considered dead if no one in a position of authority is there to confirm it? Walter Schuler was gone, but did anyone actually care? As he rests in the deep freezer of his mansion, alongside a dead deer head that seems to have its own grievances with him, these are the kinds of questions he finds himself pondering.

Due anni, otto mesi e ventotto notti. Il tempo in cui le regole del mondo si rovesciano e strani, inspiegabili fenomeni iniziano ad accadere sulla terra: un giardiniere dal passato tormentato si alza una mattina levitando, un disegnatore di fumetti si trova obbligato allo scontro con il suo personaggio più riuscito, in una sala del municipio viene trovata una neonata dai poteri soprannaturali, un compositore lancia inquietanti profezie, e una giovane e seducente cacciatrice d'oro viene assoldata per una guerra al di là di ogni immaginazione.

Size matters. Or at least it does to Ed, nitpicking quantity surveyor and captain of his local pub football team who has faked a business trip abroad to get some cheap plastic surgery. Ed intends to be even more of a man upon his return. But has he managed to keep this as secret as he thinks? Will this really be such a wonderful surprise for Fiona on their wedding night? And just who is this operation for anyway?

Benjamin was never the sharpest tool in the shed. For as long as he can remember, he’s longed for adventure in far-away lands. But every day he wakes up in the same boring suburb, where nothing ever happens.

Protagonisti di questo romanzo sono due grandi amici, l'inglese Archie e il bengalese Samad. In una Londra dove l'estremismo è all'ordine del giorno, i due danno vita a una strana quanto improbabile coppia: Archie ha sempre seguito la corrente, Samad, invece, è un musulmano convinto, che mal sopporta la decadenza della società occidentale. Ad aggravare la già inquieta atmosfera arrivano i Chalfen, agiati intellettuali inglesi carichi di tutti i tic e le illusioni della Generazione dei Fiori. E l'incontro-scontro fra le diverse culture produrrà effetti tragicomici non meno che devastanti.

In a hotel room in the middle of the night, Abby, a young feminist economist, lies awake next to her sleeping husband and daughter. Anxious that she is grossly underprepared for a talk she is presenting tomorrow on optimism and John Maynard Keynes, she has resolved to practice by using an ancient rhetorical method of assigning parts of her speech to different rooms in her house and has brought along a comforting albeit imaginary companion to keep her on track—Keynes himself.

From the outside, Harold is an average seven-year-old third grader growing up in the 1960s. Bored by school. Crushing on a girl. Likes movies and baseball—especially the hometown Boston Red Sox. Enjoys spending time with his grandfather. But inside Harold’s mind, things are a lot more complex and unusual. His thoughts come to him as birds flying through a small rectangle in the middle of his brain. He visits an outdoor cafe on the moon and is invited aboard a spaceship by famed astronomer Carl Sagan.

In a dystopian world with no men, women are “rehabilitated” at an erotic amusement park. Climate change has caused massive flooding and warming in the Balkans, where one programmer builds a time machine. And a devious reimagining of The Sorrows of Young Werther refocuses to center a sexually adventurous Charlotte.

En una lúgubre ciudad de Europa del Este, que cubren al ocaso las brumas del río y enfrían las nieves nocturnas, un joven médico y su viejo mentor capturan a un vagabundo de porte monumental. Lo retienen en un sótano donde, ayudados por una sumisa asistente, han montado su laboratorio. Acorazado en un espléndido guardapolvo, el aspirante a galeno emprende su viril empresa sacrificial en favor de la ciencia.

As head of the crisis management team at a Madison Avenue PR firm, Leonard Lundell spends his days counseling executives whose reputations have been ruined by scandal. But Leonard has been managing a strange and debilitating crisis of his own that’s held him captive his entire adult life: Leonard likes to eat soap, pencils, paint chips—anything with no nutritional value. For years, he’s kept his compulsion hidden behind a professional veneer.

Metamorphosis is a novella written by Franz Kafka, first published in 1915. One of Kafka's best-known works, Metamorphosis tells the story of salesman Gregor Samsa, who wakes one morning to find himself inexplicably transformed into a huge insect and subsequently struggles to adjust to this new condition. In popular culture and adaptations of the novella, the insect is commonly depicted as a cockroach.

"Das Schloss" - Kafkas Romanfragment - wurde erst im Jahre 1926, also nach dem Tod des Autoren, veröffentlicht. In typisch kafkaesker Manier wird darin vom Landvermesser K. erzählt, dessen einzige Aufgabe im Leben die zu sein scheint, das Schloss zu erreichen - immerhin wurde er von dort bestellt. Doch dies stellt sich als unüberwindliche Aufgabe dar.

Before the clocks stopped, Narwhal Slotterfield was an ordinary basketball referee. He blew his whistle. He stretched the rules. He even had a girlfriend. But then the clock thing happened. Now it’s 7:23 p.m., Narwhal’s in a diner in the middle of the Great Plains, and now is all he’s got.

Evoking such classics as Elmer Gantry and The Day of the Locust, William Giraldi's About Face boldly transfers the perennial literary themes of celebrity, ambition, and obsession to twenty-first-century Boston. There we meet Val Face, a charismatic self-help guru who captivates multitudes with his uncanny ability to heal adherents using only the power of his words, the mysterious touch of his hands, and the transcendent beauty of his face.

Am Morgen seines dreißigsten Geburtstages wird der Bankangestellte Josef K. verhaftet. Doch wieso? Er hat keinerlei Schuldbewusstsein. Auch kann er sich weiterhin frei bewegen und seiner Arbeit nachgehen. K. will herausfinden, was vorgeht, und dringt immer tiefer in einen labyrinthischen Albtraum einer Bürokratie, in der es keine Antworten gibt... Kafkas Romanfragment wurde nach seinem Tode veröffentlicht.

A doomed couple argues over the inevitable. A man weeps when he's finally given the structure he's needed. A stilted voicemail over a date that never happened. With a ballast of wit and reality, William Steffey’s second published work takes on the abstraction of love and does away with frivolity—grounding the listener in snapshots of fulfillment, heartbreak, and reverie. He and She sidesteps the conventional tropes and is privy to the crevices where real love hides.