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Deep in limestone country, at the corner of Wiltshire, Oxfordshire, and Gloucestershire, lies the village of Coleshill. This haunting new collection from Fiona Sampson is a portrait of place, both real and imaginary; a dreamscape with its roots deep in the local soil. The poems hum with an evocative music of their own: there are hymns of the orchards, verses for walkers, songs for bees. These are slices of life and states of mind; poems of grief, fears, and maledictions, but also of renewal, resurrections, and the promise of spring.

In Paradise Lost, Milton produced a poem of epic scale, conjuring up a vast, awe-inspiring cosmos and ranging across huge tracts of space and time. And yet, in putting a charismatic Satan and naked Adam and Eve at the centre of this story, he also created an intensely human tragedy on the fall of man....

Penguin presents the unabridged, downloadable audiobook edition of Letters to a Young Poet by Rainer Maria Rilke, read by Max Deacon and Dan Stevens. At the start of the 20th century, Rainer Maria Rilke wrote a series of letters to a young officer cadet, advising him on writing, love, sex, suffering and the nature of advice itself; these profound and lyrical letters have since become hugely influential for writers and artists of all kinds.

The Divine Comedy describes Dante's descent into Hell with Virgil as a guide, his ascent of Mount Purgatory and his encounter with his dead love Beatrice, and finally, his arrival in Heaven. Examining questions of faith, desire and enlightenment, the poem is a brilliantly nuanced and moving allegory of human redemption. This major translation is published here for the first time in a single volume.

This is the history of England told in a new way: glimpsed through twenty-five remarkable poems written down between the eighth century and today, which connect us directly with the nation’s past, and the experiences, emotions and imaginations of those who lived it. These poems open windows onto wildly different worlds – from the public to the intimate, from the witty to the savage, from the playful to the wistful. They take us onto battlefields, inside royal courts, down coal mines and below stairs in great houses.

Impassioned, insightful, electric, Manorism is a poetic examination of the lives of Black British men and boys: propped up and hemmed in by contemporary masculinity, deepened by family, misrepresented in the media, and complicated by the riches, and the costs, of belonging and inheritance. It is also an exploration of the differences of impunity afforded to white and Black people, and to white and Black artists.

One day, Édouard Louis finds a photograph of his mother from twenty years ago. A picture of a happy young woman, full of hopes and dreams. Growing up, Édouard only knew his mother's sadness, as she found herself trapped in the humdrum life of a housewife, and her struggles against the dominant world of men. What happened in those years since the photo was taken? Then, at the age of forty-five, his mother frees herself from this oppression. She leaves her husband and her old life behind, to start a new one in Paris.

In his essay about the life of Irish writer John McGahern, Tóibín reveals the tones of melancholy and amusement within both art and the artist. In his extraordinary essay on his cancer diagnosis, Tóibín unpicks the word 'battle', and illuminates the distress, horror and blankness of his experiences. From the shades of light and dark in a Venice without tourists, to the streets of Buenos Aires riddled with disappearances and tied up with dictators and politics, we find ourselves considering law and religion in Ireland as well as in Marilynne Robinson's fiction.

Translating as 'initiation', kumukanda is the name given to the rites a young boy from the Luvale tribe must pass through before he is considered a man. The poems of Kayo Chingonyi's remarkable debut explore this passage: between two worlds, ancestral and contemporary, between the living and the dead, between the gulf of who he is and how he is perceived. Underpinned by a love of music, language and literature, here is a powerful exploration of race, identity and masculinity, celebrating what it means to be British and not British, all at once.

Kayo Chingonyi's remarkable second collection follows the course of a 'blood condition' as it finds its way to deeply personal grounds. From the banks of the Zambezi river to London and Leeds, these poems speak to how distance and time, nations and history can collapse within a body. With astonishing lyricism and musicality, this is a story of multiple inheritances—of grief and survival, renewal and the painful process of letting go—and a hymn to the people and places that run in our blood.

An arresting debut collection about identity, ancestry and history, from a young poet selected as an inaugural winner of the #Merky Books New Writers' Prize, dedicated to discovering the best writers of a new generation. Written with profound depth and insight, the poems in Teeth in the Back of My Neck explore the joys, the confusions and the moments of sadness behind having one's history scattered around the globe ­- and the way in which your identity is always worn on your skin, whether you like it or not.

The Salpêtrière asylum, 1885. All of Paris is in thrall to Doctor Charcot and his displays of hypnotism on women who have been deemed mad or hysterical, outcasts from society. But the truth is much more complicated - for these women are often simply inconvenient, unwanted wives or strong-willed daughters. Once a year, a grand ball is held at the hospital. For the Parisian elite, the Mad Women's Ball is the highlight of the social season; for the women themselves, it is a rare moment of hope.

With her first full-length poetry collection, Warsan Shire introduces us to a girl who, in the absence of a nurturing guide, makes her own stumbling way toward womanhood. Drawing from her own life and the lives of loved ones, as well as pop culture and news headlines, Shire finds vivid, unique details in the experiences of refugees and immigrants, mothers and daughters, Black women and teenage girls.

For every moment in your life there is a poem. In Dancing by the Light of the Moon, we have a remarkable collection of over 250 best-loved poems in the English-speaking world. Allow Gyles Brandreth to be your guide to not only the wonders of poetry - and there are many - but also its practical uses in everyday life.

At the start of the 20th century, Rainer Maria Rilke wrote a series of letters to a young officer cadet, advising him on writing, love, sex, suffering, and the nature of advice itself. These profound and lyrical letters have since become hugely influential for generations of writers and artists of all kinds, including Lady Gaga and Patti Smith. With honesty, elegance, and a deep understanding of the loneliness that often comes with being an artist, Rilke's letters are an endless source of inspiration and comfort.

The Vita nuova is elaborately and symbolically patterned, consisting of a selection of Dante's early poems interspersed with his own prose commentary. The poems themselves tell the story of his love for Beatrice, from their first meeting at a May Day party in her father's house, through Dante's sufferings and his attempts to conceal the true object of his devotion by the use of "screen-loves", to his overwhelming grief at her death, ending with the transformative vision of her in heaven.

A fascinating new volume of messages about fatherhood, from the author of the best-selling Letters of Note collections. In Letters of Note: Fathers, Shaun Usher collects together remarkable correspondence by and about fathers, including proud parental words of love, advice from experienced dads to new ones, as well as letters from both frustrated and adoring offspring.

Vincent Van Gogh curses the stare of the blank canvas. Salvador Dali contemplates mailing a piece of his "lobster-colored pajamas" to Federico Lorca. Hollis Frampton, to the MoMA, demands that artists be paid. The dean of students at San Francisco Art Institute argues to Alicia McCarthy, in very stern words, that graffiti is not art but, rather, a "pain in the ass". In a letter to the editor, Martin Scorsese defends and celebrates Fellini's filmmaking.

Bringing together tales of melancholy and madness, nightmare and fantasy, this is a new collection of the most haunting German stories from the past 200 years. Macabre, dreamlike and expressing deep unconscious fears, these stories are also spiked with unsettling humour, showing stylistic daring as well as giving insight into the darkest recesses of the human condition. Peter Wortsman's powerful translations are accompanied by brief overviews of the lives of each author, and an introduction discussing the notion of 'angst' and the stories' place in the context of German history.

Taliesin's is one of the most important names in all Welsh literature - and one of its greatest mysteries. He has fascinated and inspired some of our greatest poets, including Tennyson and Robert Graves. He is a poet; a shape-shifter; a seer; a chronicler of battles fought, by sword and with magic, between the ancient kingdoms of the fifth- and sixth-century British Isles; a bridge between old Welsh mythologies and the new Christian theology; and a figure whose literary legend culminated with the compilation in 13th-century North Wales of The Book of Taliesin.