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In Open Mouths Sharan Hunjan presents a vision of a world simultaneously familiar and strikingly strange. The quotidian, the domestic, the commonplace are interrogated and manipulated through the poet's eye for detail, linguistic sense of play and restless imaginative and philosophical impulses.

Живя в своем фешенебельном доме в Вестминстере Флер и Майкл Монт вращаются среди самых ярких и привилегированных представителей общества. Но послевоенный Лондон это уже совсем не та старая добрая Англия. Теперь это место для реализации личных амбиций, в котором принято жить одним днем. Сомс Форсайт постоянно находится рядом с любимой дочерью балуя и оберегая ее, но он никак не может понять и принять новые правила жизни. И в тот самый момент, когда думает, что защищает свою дочь, он оказывается инициатором крупного великосветского скандала.

De klassieker aller klassiekers Honderd jaar eenzaamheid van Nobelprijswinnaar Gabriel García Márquez is voor het eerst verfilmd; Cien años de soledad is vanaf 11 december 2024 te zien als 16-delige serie op Netflix 'Een brok superieure literatuur dat zich als een trein laat luisteren.' de Volkskrant over Honderd jaar eenzaamheid In 1967 verscheen Gabriel García Márquez' meesterwerk Honderd jaar eenzaamheid , waarmee de Latijns-Amerikaanse literatuur definitief op de wereldkaart werd gezet.

Lucie est une journaliste mariée à la vie bien réglée, lorsqu'elle croise un homme qui lui fait oublier ses principes et ses méfiances. Basculer dans la dissimulation amoureuse déclenche en elle un vertige et la ramène au destin de sa mère. Et surtout au terrible secret de sa naissance qui fait de Lucie, elle-même, un mensonge.

On a rainy hike by Loch Lomond, Eve Waldman stumbles upon a perfectly preserved journal in a hidden cave. The time-worn lettering details the illicit affair of two Jewish lovers that sent a shiver of shame through a Scottish family — and echoes down the bloodlines.

Chaque année, à la même date, ils se retrouvent dans la cafétéria d'un aéroport. Elle, entre deux avions, toujours sur le départ. Lui, toujours plein d'espoir, fidèle à leur serment d'enfants de s'aimer toute la vie. Entre l'humanitaire au grand cœur et le publicitaire de Manhattan, les incompréhensions n'ont cessé de grandir. Le tourbillon de la vie a rendu leur amour impossible.

I 5. bind af Finnskog-serien, Det synger i løvet, er vi kommet til tiden omkring 1900. Igen møder vi Linas uægte datter Annikka, der stadig går og sørger over det barn, hun engang fødte i hemmelighed og begravede i et stenskred. Vi møder den afsatte, godhjertede, men fordrukne præst, der engang elskede en mand, og som har en ulykkelig og opofrende kone. Og der er den snart 100-årige, ekstremt nærige kone på Valkola. Parallelt med handlingen i Finnskogen følger vi de udvandrere, der har arbejdet sig op i Amerika.

Helmer doet zijn vader naar boven; het is tijd om schoon schip te maken. Hij haalt de woonkamer en de voormalige ouderlijke slaapkamer leeg, schildert de boel en koopt nieuwe spullen. Ooit had hij een tweelingbroer, Henk, de lieveling van zijn vader, degene die de boerderij zou overnemen. Van de ene op de andere dag werd Helmer tot opvolger gebombardeerd, door vader uit de stad gehaald en onder de koeien gezet. Nu is het grote wachten begonnen, bijna zonder dat hij het zelf in de gaten heeft.

A four-part collection that stretches the possibilities of the poetic form, from the traditional to the experimental; from the simple to the highly complex.

Victorian poet Robert Browning was renowned for his evocative dramatic monologues peopled with vivid, morally ambiguous characters. In 1846, he eloped with fellow poet Elizabeth Barrett, and they rapidly became Britain's most famous literary power couple. This collection brings together four of Browning's poetic masterpieces, juxtaposed with a play inspired by his work and a drama about Robert and Elizabeth's romance.

… Un morto, che pure è un morto, caro mio, vuole anche lui la sua casa. E se è un morto per bene, bella la vuole; e ha ragione! Da starci comodo, e di marmo la vuole, e decorata anche. E se poi è un morto che può spendere, la vuole anche con qualche profonda… come si dice? allegoria, già!, con qualche profonda allegoria d’un grande scultore come me: una bella lapide latina: HIC JACET… chi fu, chi non fu… un bel giardinetto attorno, con l’insalatina e tutto...

In The Gaeilge Guide, Mollie Guidera - Ireland's leading online Irish teacher and creator of the hit platform 'Irish with Mollie' - brings her joyful, down-to-earth approach to the page in a book guaranteed to spark your connection to the Irish language and legacy. Mollie shows us how to reconnect with our ancient and endangered language - and with ourselves - by demystifying the shame and frustration many still feel around Irish, and replacing it with a fun, accessible path back to the richness of our native tongue.

Está en la sala familiar, sombría, y entre nosotros, el querido hermano que en el sueño infantil de un claro día vimos partir hacia un país lejano. Hoy tiene ya las sienes plateadas, un gris mechón sobre la angosta frente; y la fría inquietud de sus miradas revela un alma casi toda ausente.

Fortunata, una joven humilde y apasionada, se enamora de Juanito Santa Cruz, un hombre adinerado y casado con Jacinta. A lo largo de la historia, se exploran las diferencias sociales, los conflictos emocionales y las pasiones desenfrenadas que surgen entre los personajes. La trama se desarrolla en el Madrid del siglo XIX, mostrando las tensiones entre la moralidad tradicional y los deseos individuales.

The Prince by Niccolò Machiavelli is a timeless political treatise that explores the dynamics of power, leadership, and statecraft. Written in the early 16th century, this concise yet provocative work offers pragmatic advice to rulers on how to gain, maintain, and consolidate authority, often advocating for realism over idealism. Machiavelli examines historical examples and human behavior to present strategies that prioritize effectiveness over morality, making the book both influential and controversial.

«Qui giace l'Aretin, poeta Tosco, che d'ognun disse mal, fuorché di Cristo, scusandosi col dir: "Non lo conosco"!»

My poetry is about catching a glimpse of a doorway to another world, there is a sense of a spiritual yearning to know that place and to connect with it. It lies beneath or throughout our world and pulling it into concrete form is not an easy task but it is a gift to me when it happens. It creates something I love. I touch this world in landscape and in nature and sometimes in a particular place like in the Rock of Dunamase. If you have travelled in Ireland, you will know some of these landscapes and their temperaments well.

Hannah Sullivan's first collection, Three Poems , won the T. S. Eliot Prize and the inaugural John Pollard International Poetry Prize. Was It for This continues that book's project, offering a trenchant exploration of the ways in which we attempt to map our lives in space and time. But there is also the wider, collective experience to contend with, the upheaval of historic event and present disaster. 'Tenants', the first poem, is an elegy for Grenfell, written from the uneasy perspective of a new mother living a few streets away.

Do Jane Austen novels truly celebrate—or undermine—romance and happy endings? How did Jane Austen become a cultural icon for fairy-tale endings when her own books end in ways that are rushed, ironic, and reluctant to satisfy readers' thirst for romance? In Jane Austen and the Price of Happiness, Austen scholar Inger Sigrun Bredkjær Brodey journeys through the iconic novelist's books in the first full-length study of Austen's endings.

‘We Poets Speak Of Stars But Who Has Ever Met One?’ contains 62 poems of a varying nature. This poetry book is dedicated to, and begins with a eulogy for, a dear friend who passed away at the age of 70. He was a businessman & lecturer in life and had only just retired. News of this close friend’s death reached the poet on his 35th birthday.