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Ein Arzt, betrogen um sein Medizinstudium, verbringt sein letztes Lebensjahr hin- und hergerissen zwischen Verzweiflung und Euphorie. Überwältigt von Wissen und Weisheit sinniert er über die ihm gegebenen Doktrin, doch sein Leben endet, ohne einen Erben für seine Erkenntnis gefunden zu haben.

Rausch, Schmerz, Sucht – Georg Trakls Leben war geprägt von Extremzuständen und existenziellen Krisen. Dennoch erschuf der österreichische Lyriker und Expressionist in seinen gerade einmal 27 Jahren ein außergewöhnliches und beeindruckendes Werk, das bis heute nachhallt. 32 Schauspieler:innen, darunter Tobias Moretti, Paula Beer, Albrecht Schuch, Hannah Herzsprung, Max von der Groeben, Karoline Schuch u. v. a., interpretieren Trakls Gedichte auf vielstimmige Weise und erzeugen so, eingebettet in ein extra für diese Produktion geschaffenes Soundkonzept, einen ganz eigenen Trakl-Sound.

Centred around two lyric poems on imminent fatherhood and the birth of a child, Signs, Music is a book about masculinity, fatherhood, and love. The speaker, looking backwards to his late father and forwards to his new son, prepares to become a parent for the first time. Meditating on the cognitive and emotional dissonances between the ‘hypothetical’ and the ‘real’ of becoming a father, this irreversible transition causes the poet’s ‘lines [to] lead towards my father (again!)’.

This is a minute-by-minute depiction of a typical night at a legendary monthly house party known as 'The Wickedest'. Here, we meet a vivid cast of characters, young and old, all surfing a revelry steeped in camaraderie, community, desire and a spirit of jubilant defiance. A modern epic, The Wickedest explores the institution of shoobs or house parties and their vital role within working-class communities. The poems range from classical English sonnets to experimental forms and are immersively interwoven with text messages and ephemera.

День, который мы празднуем — история, вышедшая из-под пера популярного американского новеллиста О. Генри (англ. O. Henry, 1862–1910). Попугай, бездумно повторяя заученные слова, заставил друзей вспомнить о днях лишений на банановых плантациях далекой Коста-Рики. Писатель также прославился благодаря рассказам "Фараон и хорал", "Сыщики", "Момент победы", "Закон и порядок", "День, который мы празднуем", "Тысяча долларов", "Багдадская птица" и "Орден золотого колечка".

Like many people the world over, Viv Groskop wishes she was a little more French. A writer, comedian, and journalist, Groskop studied the language obsessively starting at age eleven, and spent every vacation in France, desperate to escape her Englishness and to have some French chic rub off on her. In Au Revoir, Tristesse, Groskop mixes literary history and memoir to explore how the classics of French literature can infuse our lives with joie de vivre and teach us how to say goodbye to sadness.

In After You Were, I Am, charged moments from history collide with our own godless modern world. Read by the author, the recording is divided into three sections - ingenious rewritings of canonical prayers, dramatic monologues from the Pendle witch trials of 1612, and the divine tragedy of the Elizabethan magus John Dee - obsess over individual human characters and how our past informs (and informs on) our present.

Entgegen sämtlicher Widerstände ihrer Zeit nimmt eine junge Lebkuchenbäckerin ihr Schicksal selbst in die Hand... 1864: Die Süße von Honig vereint mit dem würzigen Aroma des Orients - Lebkuchen haben auf die achtzehnjährige Elise schon immer einen besonderen Zauber ausgeübt. Als Tochter eines Nürnberger Lebküchners möchte sie unbedingt einmal die familieneigene Großbäckerei übernehmen und dort herrliche Lebkuchen-Kreationen herstellen. Doch dann droht Elises Traum zu zerplatzen: Ihr geliebter Vater verunglückt.

Sous le beau soleil de juin 1940, les Stukas allemands mitraillent les colonnes de civils en fuite. Pris au piège dans leur limousine hors d'usage, quatre amis, modèles de la jeunesse dorée parisienne, trouvent refuge dans une ferme. Une imprévisible et cocasse partie de campagne commence alors : pour ces oisifs, ces mondains, la rencontre brutale avec des paysans renverse toutes leurs certitudes. L'héritière et le diplomate, le gigolo et la bourgeoise délaissée découvrent la rudesse et l'inconfort d'un milieu insoupçonné.

Un texte sur le pouvoir émancipateur de la littérature, qui est aussi un pouvoir de consolation et de réconciliation avec la vie. Toute mon adolescence, j'ai entendu parler des personnages d' À la recherche du temps perdu, persuadée qu'ils étaient des cousins que je n'avais pas encore rencontrés. À la maison, les répliques de Charlus, les vacheries de la duchesse de Guermantes se confondaient avec les bons mots entendus à table, sans solution de continuité entre fiction et réalité.

Like the Roman matron for whom she is named, plain but clever Octavia seems destined for abandonment. Handsome, fun-loving and heir to an earldom, Dorian is the opposite. In Regency London, life for him is a game in which other people, including Octavia, are his pawns. Everyone loves him until he does the unspeakable: he runs off with anther man's wife. Despite the permanent ache in her heart, Octavia spends her early and middle years building a life she loves as a village apothecary with people who love and appreciate her. Exiled Dorian spends most of his in regret.

From 1820 to 1860, nearly two million Irish migrated to the United States, mostly due to the Great Irish Famine of 1845-1852. Many died crossing the ocean due to disease and dismal conditions of what became known as coffin ships. Not Forgotten is the story of love and loss, enchantment and despair, joy and sorrow. Nora Brown was smitten when she met Oliver McManus. After fathering six children with Nora, Oliver disappeared, joining the Irish Brotherhood and leaving his family behind, he never returned.

The Count of Monte Cristo (French: Le Comte de Monte-Cristo) is an adventure novel written by French author Alexandre Dumas (père) completed in 1844. It is one of the author's most popular works, along with The Three Musketeers. Like many of his novels, it was expanded from plot outlines suggested by his collaborating ghostwriter Auguste Maquet. The story takes place in France, Italy, and islands in the Mediterranean during the historical events of 1815–1839: the era of the Bourbon Restoration through the reign of Louis-Philippe of France.

Due uomini condividono lo stesso nome, Asle. Uno è un uomo di successo, l’altro alza il gomito troppo spesso. Viene da pensare che siano la stessa persona, eppure a volte si incontrano e si parlano. Il tempo e lo spazio li seguono come due rette che a volte sembrano intersecarsi, su quella che potrebbe essere la costa sudoccidentale della Norvegia, tra i ghiacci, il mare scuro e i fiordi. Tra amori fugaci, alcool, gruppi rock e sigarette, i due Asle si incontrano per la prima volta. Si assomigliano, si vestono allo stesso modo ed entrambi vogliono fare i pittori.

When his carriage is damaged on the way to surprise his sister with a visit, Mr Darcy is sure the delay is of no consequence. He could have no idea that even then, Mr Wickham was persuading Georgiana Darcy to marry him. The successful elopement will result not just in a highly imprudent marriage, but in icy estrangement between the Darcy siblings - and the alteration of Mr Bingley’s plans to let Netherfield Park.

Un roman dont le magnétisme, la gravité, le spectacle rappellent que toute littérature est une littérature d'évasion. " Il y a beaucoup de monde ! " remarqua la visiteuse à peine entrée. Lucille compta. " Nous sommes huit. Neuf avec vous. – Je ne parlais pas des vivants. " Sussex, Angleterre, 1934. Alors qu'ils viennent d'emménager dans le manoir de Winnicott Hall, Archibald et Lucille Montgomery confient à Viviane Lombard, une Française à l'attitude et au franc-parler peu ordinaires, l'éducation de George, leur jeune fils aveugle.

El Cafè de la Granota són catorze contes plens de gràcia i tendresa, i de misèria i desgràcies, i és també el primer llibre que Moncada va dedicar íntegrament a recrear la Mequinensa perduda sota el pantà de Riba-roja. Esperonat encara per Calders, que no es cansava d’animar-lo —“continua produint ‘granotes’ d’aquesta categoria i ens faràs contents a tots”, li diu a les cartes que clouen aquest volum—, i amb una llengua afinada, rica, divertida i vivíssima, Moncada treu a la palestra un enfilall de personatges dispars, rics i pobres, mesquins i ingenus, saberuts i ignorants, per fer-los girar en un calidoscopi alhora cru i entendridor.

John Donne was born on the 22nd January 1572 in London, into a Roman Catholic family when Catholicism was illegal in England, and there was turbulence and unrest with both state and church throughout much of Europe. During the 1590s, Donne wrote a wide range of verses, including both erotic and sacred poems, creating two major volumes of work. His strong vivacious and sensual style fusing intellect and passion, as well as inventive use of subtle argument and syntax, provided a new radical perspective that reached beyond his contemporaries.

Un ballo in maschera, due misteriose figure in domino rosso, uno straniero insolente, qualche parola incomprensibile e allusiva: queste apparizioni gettano, una sera, "un’ombra di avventura, di libertà e di pericolo" nella vita di un medico e di sua moglie, giovani, belli e chiusi in un’ovattata felicità domestica. Da quel momento essi entrano, senza saperlo, in un intreccio speculare di peripezie notturne tanto inverosimili da sembrare oniriche e di sogni tanto invadenti da sembrare fatti reali.

Della terra in cui è nata le sono rimasti pochi ricordi, vaghi e confusi: la zia Aster che si sforza di farla mangiare, i suoi passi a testa bassa sulla strada per la scuola, i giochi con il cugino Abbush e i bambini del quartiere. Le è rimasto il nome, che in amarico significa “nostalgia” e sembra alludere a qualcosa di originario che le mancherà sempre. E il cognome, Abraham, preso da un padre che non conosce, ma che si trascina dietro come un’ombra, come la traccia di un passato divenuto ormai troppo distante. Perché Tezeta è italiana.