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Girlie Delmundo is the greatest content moderator in the world, and despite the setbacks of financial crises, climate catastrophe, and a global pandemic, she’s going places: she’s getting a promotion. Now thanks to her parent company Paragon’s purchase of Fairground—the world’s preeminent virtual reality content provider—she’s on the way to becoming an elite VR moderator, playing in the big leagues and, if her enthusiastic bosses are to be believed, moderating the next stage of human interaction.

In People Like Us, two Black writers are trying to find peace and belonging in a world that is riven with gun violence. One is on a global book tour after a big prize win; the other is set to give a speech at a school that has suffered a shooting. And as their two storylines merge, truths and antics abound in equal measure: characters drink booze out of an award trophy; menaces lurk in the shadows; tiny French cars putter around the countryside; handguns seem to hover in the air; and dreams endure against all odds.

In June 2000, Mimi Truang is on her way home to Vietnam when her toddler daughter vanishes in the Philadelphia airport. Seventeen years later, two best friends graduate from high school in the WASP-y town of Chestnut Hill, Pennsylvania. Kit is half Japanese, half American, and interracially adopted by white well-to-do parents. Sabrina is the daughter of a Chinese immigrant single mother who brandishes strict household rules to hide her own secrets. During that last summer before college, Kit travels to Tokyo, determined to uncover her Japanese identity.

Gracie Harris never intended to become the queen of grief. But when an essay she writes the night of her husband Ben’s memorial goes viral, she lands a popular column on love and loss and an impressive book deal. Now, the biggest tragedy of her life is the center of her world. With a looming book deadline and her kids at summer camp, Gracie escapes for a summer of solitude to the ramshackle mountain house she and Ben bought for their family before his death. When charming contractor Josh arrives on her doorstep to help renovate the home, Gracie discovers an unexpected connection.

In Ecstasy, Alex Dimitrov embraces a life on the edge in New York and the finely wrought poetry that can come out of it. He explores sex, drugs, parties, pleasure, and God in the 2020s, and looks back to a coming-of-age in the 1990s that still informs who his generation is and will be. His unabashed and drivingly musical poems are a call against repression, a rebuke of cultural norms and shame, and a celebration of human authenticity – even if to live under such philosophies is dangerous.

Ever since a man was found dead in Vera's teahouse, life has been good. For Vera that is. She’s surrounded by loved ones, her shop is bustling, and best of all, her son, Tilly, has a girlfriend! All thanks to Vera, because Tilly's girlfriend is none other than Officer Selena Gray. The very same Officer Gray that she had harassed while investigating the teahouse murder. Still, Vera wishes more dead bodies would pop up in her shop, but one mustn't be ungrateful, even if one is slightly...bored.

A poet renowned for her “wit and complexity” (Poetry Foundation) explores the endless evolution and malleability of life on earth in her most curious, inventive collection to date.

A mysterious book with a legacy spanning from the beginning of the twentieth century to the present day unites three women—and their secrets—in this unforgettable novel from New York Times bestselling author Chanel Cleeton.

Enka meets Mathilde in art school and is instantly drawn to her. Mathilde makes art that feels truly original, and Enka—trying hard to prove herself in this fiercely competitive world—pours everything into their friendship. But when Mathilde’s fame and success cause her to begin drifting away, Enka becomes desperate to keep her close.

On a cool autumn morning, Torie Nash heads into her village pulling a rickety wagon filled with late-season peaches. As she nears an intersection, a mysterious drifter with grimy thumbs and smudged cheeks and eyes as dark as a raven's wing stops to ask her the way. She could turn left or cross over. But she does not. 'Go as a river,' he whispers. So begins a mesmerising story that unfolds over a tumultuous lifetime as Torie begins to absorb and follow his words.

New York heiress Catherine Dohan seemingly has it all. There’s only one problem. It’s a lie. As soon as the Morro Castle leaves port, Catherine’s past returns with a vengeance and threatens her life. Joining forces with a charismatic jewel thief, Catherine must discover who wants her dead—and why.

Denise Levertov has called the poet Pattiann Rogers “a visionary of reality, perceiving the material world with such intensity of response that impulse, intention, meaning, interconnections beyond the skin of appearance are revealed.” The consistent theme In Flickering, her new collection, is the very breadth and prodigiousness of the universe itself. These wise poems, many inspired by various kinds of flickering actions in plants, animals, and natural processes, move nimbly between inner and outer worlds.

Our narrator produces a sound from the piano no one else at the Conservatory can. She employs a technique she learned from her parents—also talented musicians—who fled China in the wake of the Cultural Revolution. But when an accident leaves her parents debilitated, she abandons her future for a job at a high-end beauty and wellness store in New York City.

Ana María Luna Valdés has strived to be the perfect daughter, the perfect niece, and the perfect representative of the powerful Luna family. So when Ana María is secretly sent to London with her sisters to seek refuge from the French occupation of Mexico, she experiences her first taste of freedom far from the judgmental eyes of her domineering father. If only she could ignore the piercing looks she receives across ballroom floors from the austere Mr. Fox.

Anna Horn is always looking over her shoulder. For the bullies who torment her, for the entitled visitors at the reservation’s casino…and for the nameless, disembodied entity that stalks her every step—an ancient tribal myth come-to-life, one that’s intent on devouring her whole. With strange and sinister happenings occurring around the casino, Anna starts to suspect that not all the horrors on the reservation are old. As girls begin to go missing and the tribe scrambles to find answers, Anna struggles with her place on the rez.

The Colombian film director, Sergio Cabrera, is in Barcelona for a retrospective of his work. It's a hard time for him: his father, famous actor Fausto Cabrera, has just died; his marriage is in crisis; and his home country has rejected peace agreements that might have ended more than fifty years of war. In the course of a few intense days, as his films are on exhibit, Sergio recalls the events that marked his family's unusual and dramatic lives: especially his father's, his sister Marianella's and his own.

In Ann Lauterbach’s eleventh collection, the image of a Door recurs across several poems, as she considers the perpetual dialogue between what is open and what is shut for each of us. The Door is a threshold between the inner landscape of memory, thought, imagination and dream and the outer so-called real world, which increasingly comes to us through technology’s lens, displacing and distorting our sense of intimacy, presence and relation. What is near, and what is far away? She asks about the efficacy of language itself when confronted by the urgent uncertainties of experience.

Nothing ever changes in Redford, Georgia. It’s part of what freelance editor Jess Reid loves about her hometown—and part of what keeps her from ever leaving, no matter how much she might want to. That, and her relationship with her father, a car mechanic who raised her on his own after her mom left town. Jess is resigned to a safe, unremarkable existence...until Jasper Wilhelm, the town’s eccentric benefactor, dies suddenly. At his funeral, it’s revealed that he’s left his entire fortune to the people of Redford—but they’ll have to compete for it.

In 1951, a mysterious old woman confronts Pilar Aguirre in the small border town of La Cienega, Texas. The old woman is sure Pilar stole her husband and, in a heated outburst, lays a curse on Pilar and her family. More than forty years later, Lulu Muñoz is dodging chaos at every turn: her troubled father’s moods, his rules, her secret life as singer in a punk band, but most of all her upcoming quinceañera. When her beloved grandmother passes away, Lulu finds herself drawn to the glamorous stranger who crashed the funeral and who lives alone and shunned on the edge of town.

A favorite of longtime Harry Crews fans, The Knockout Artist (1988) portrays Eugene Talmadge Biggs, a young boxer from rural Georgia whose champion rise is diverted by a vulnerability, or gift, for knocking himself unconscious. As he begins to exploit his talents, the notorious Knockout Artist journeys a hero’s descent into the New Orleans underworld and meets characters who have long since checked their morals at the door. The unforgettable climax shows Crews at his virtuoso best, when Eugene confronts his truth, and sets out to claim his freedom and win his own self-respect.