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Nine-year-olds Max Sassaport and Ruby Johnson are best friends who can't imagine a world where they aren't together. Unfortunately, no one-not their families, nor anyone else in rural Georgia in 1906-wants to see a White middle-class Jewish boy get too close to the Black daughter of a sharecropper. It's only a matter of time before fate will separate the two. And that day comes on the eve of Ruby's womanhood, when a violent act sends her running from her home to the life of a child laborer at the National Pencil Factory in Atlanta.

In this unusual biography Krystal gives us not only the peripatetic and turbulent life of a cultural icon but also the intellectual sweep of a period in history that created our modern America. Some Unfinished Chaos delivers a nuanced portrait of a man whose various sides embodied the trends, passions, and pursuits of the imperfect society that both glorified and dismissed him.

Set in the fictional town of Steeplejack, nestled in the Bitterroot Mountains, Hazel Mackenzie provides law enforcement with sketch art and victim reconstruction following suspected crimes. Hazel is catapulted from observer to participant when her husband dies in an accident and then soon after, her gay twin brother Kento is shot by a member of Steeplejack's growing anti-LGBTQ community during a gender reveal party for his child.

Coal miner Joshua Morgan managed to do the impossible-he broke away from the stranglehold of the iron-fisted Barton family and the Company Store, to whom all the miners in the Appalachian Mountains are indebted. But it cost him the life of his young daughter, who was run down by a posse led by Thomas Barton while coming to collect Joshua's payment to the store.

Jo has a gift. She is a mathematical prodigy—a woman who sees and thinks in numbers. She secures a job as a teller at Central Bank & Trust, where she recreates herself as a modern woman and rises through the professional ranks. While working at the bank, Jo becomes fascinated by Levi Arrowood, the dark and mysterious manager of the Sky Club, an infamous speakeasy and jazz club on the mountainside above town.

In Unguessed Kinships, Steven Frye illuminates all these dimensions of McCarthy's work. In his novels and plays, McCarthy engages both explicitly and obliquely with the project of manifest destiny, in the western drama Blood Meridian, the Tennessee Valley Authority-era Tennessee novels, and the atomic frontier of Alamogordo in Cities of the Plain.

Amelia has been plotting to escape her abusive husband for years. When her mama's untimely death provides an unexpected opportunity, she hops on the next bus to the South Carolina Lowcountry. Her husband will eventually come for her. But she's prepared. Her freedom has given her the confidence to face her uncertain future. She settles in at her family's oceanfront estate to await her destiny. But a visit from Amelia's past presents danger in a different form.

Birdie Fuller doesn't like change. And a lot of change is happening at once. Her daughter, Hannah, finally cutting the apron strings, is moving with her three-year-old grandson to a nearby city. Facing a lonely empty nest, Birdie joins a dating website to find companionship. She meets the seemingly perfect man, but is their relationship too good to be true? When the past comes back to haunt Birdie, she struggles to maintain the sobriety she's worked so hard to achieve.

Knox Thompson thinks he's working a hustle, but it's a hustle that's working him. Trying to keep his pizza shop and parents afloat, he cleans out a backroom Kentucky poker game only to be roped into dealing marijuana by the proprietor—an arrangement Knox only halfheartedly resists. Knox's shop makes the perfect front for a marijuana operation, but his supplier turns out to be violent and calculating, and Knox ends up under his thumb. It's not long before more than just the pizza shop is at risk.

Told in alternating viewpoints, Long After We Are Gone is a searing portrait on the power of family and letting go of things that no longer serve you, exploring the burden of familial expectations, the detriment of miscommunication, and the lessons and legacies we pass on to our children.

Andy Griffith (1926-2012) is one of North Carolina's most beloved exports, capturing America's heart as Sheriff Andy Taylor. Evan Dalton Smith was born in the North Carolina Piedmont over four decades after Andy, just an hour south of Griffith's hometown of Mount Airy. Both were small-town boys who grew up in similar places, where the counties were dry and the churches plentiful. But for both, there was darkness, crushed hopes, and tragedy, hidden just below the surface.

The Provincetown Players created a revolution in American theatre, making room for truly modern approaches to playwriting, stage production, and performance. In Staging America, Jeffery Kennedy gives the unabridged story in a meticulously researched and comprehensive narrative that sheds new light on the history of the Provincetown Players. At the center of the study is an extensive account of the career of George Cram Cook, the Players' leader and artistic conscience, as well as one of the most significant facilitators of modernist writing in early twentieth-century American literature.

In a small southern pecan town, the annual harvest is a time of both celebration and heartbreak. Even as families are forced to sell their orchards and move away, Lil Clearwater, keeper of a secret covenant with her land, swears she never will. When her twin Sasha returns to the dwindling town in hopes of reconnecting with the girl her heart never forgot, the sisters struggle to bridge their differences and share the immense burden of protecting their home from hungry forces intent on uprooting everything they love.

Peace in the US Republic of Letters, 1840-1900 explores the early peace movement as it captured the imagination of leading writers. The book charts the rise of the peace cause from its sources in the works of William Penn and John Woolman, through the founding of the first peace societies in 1815 and the mid-century peace congresses, to the postbellum movement's consequential emphasis on arbitration.

In the rural South, a retired colonel in an upscale retirement community grieves the sudden death of his wife on the tennis court. On the other side of the highway, an elderly Black woman grieves the murder of her niece by a white man. Between them lies an abandoned field where three centuries of crimes are hidden, and only she knows the explosive secrets buried there.

This magnificent volume gathers the published verse of Allen Ginsberg in its entirety, a half-century of brilliant work from one of America's greatest poets.

Roller-coastering from the mournful to the comical, Watson's work is both embedded in a literary heritage tied to place and at home in a universal literature of the absurd. His stories waltz with lovely and strange melancholy, infused with wit and astonishing beauty. There Is Happiness embodies the twisted hilarity and undeniable grace of an underrecognized literary genius.