検索キーワード： 制作 "-30- Press LLC" アメリカ

With lively writing and illuminating examples, David Caplan argues that two characteristics mark the vast, contentious literature. On the one hand, several of America's major poets and critics claim that America needs a poetry equal to the country's distinctiveness. They advocate for novelty and for a break with what is perceived to be outmoded and foreign.

During the Great Depression, labor camps crop up in remote areas throughout the American South. Destitute workers live under terrible conditions. Trapped in these isolated locations, workers are entirely dependent on the often greedy, abusive camp owners who provide food and housing at grossly inflated prices. But for the most desperate among America's vast unemployed, these camps are often the last and only option.

In this deeply intimate second poetry collection, Ocean Vuong searches for life among the aftershocks of his mother's death, embodying the paradox of sitting within grief while being determined to survive beyond it. Shifting through memory, and in concert with the themes of his novel On Earth We're Briefly Gorgeous, Vuong contends with personal loss, the meaning of family and the cost of being the product of an American war in America. At once vivid, brave and propulsive, Vuong's poems circle fragmented lives to find both restoration as well as the epicentre of the break.

In Alcohol, Tobacco, and Firearms, Tim McLoughlin draws upon his three-decade career in the criminal justice system with his characteristic wit and his fascination with misfits and malfeasance. A lifetime immersed in New York City feeds short stories that evoke a landscape of characters rife with personal arrogance and misjudgment; and nonfiction essays about toeing the line when the line keeps disappearing.

A decade and a half before surprising the world with a book of Civil War poetry, Herman Melville was already confident of what was “poetic” in his prose. As Hershel Parker demonstrates in this book, Melville was steeped in poetry long before he called himself a poet. Here Parker, the dean of Melville studies, gives a compelling, in-depth account of how one of America’s greatest writers grew into the vocation of a poet.

Los Angeles, 1986. A group of right-wing Christians has put an initiative on the November ballot to allow health officials to force people with HIV into quarantine camps - and it looks like it’s going to pass. Rios, now living in LA, agrees to be counsel for a group of young activists who call themselves QUEER. QUEER claims to be committed to peaceful civil disobedience. But when one of its members is implicated in the bombing of an evangelical church that kills its pastor, Rios finds himself with a client suddenly facing the death penalty.

In this award-winning screenplay, Bee Haden convinces her son, Tom, to drive with her from Los Angeles to Cape Cod. On the road they eventually discover that love is the only thing we can really give our children.

From the award-winning author of Chemistry comes a sharp and poignant short story that follows a young medical student working in clinical research and grappling with the realities of a future in her chosen field.

Gli alberi che non hanno radici sono gli abitanti di Ensenada de Barragán, il paese argentino dove arrivano, partono, ritornano emigranti di diverse generazioni, provenienti soprattutto dall'Istria italo-croata. Ma non si tratta di sradicati, perché non si sentono strappati alla loro terra, piuttosto animali randagi che amano ogni luogo in cui sostano, per breve tempo, a lungo o per sempre, aperti a nuovi incontri, mescolanze, congedi. Questo universo gagliardo e malinconico è pieno di personaggi e di storie comiche o tragiche, sempre epicamente vissute come radicali svolte di vita.

A man returns to the town where a baffling murder took place 27 years earlier, determined to get to the bottom of the story. Just hours after marrying the beautiful Angela Vicario, everyone agrees, Bayardo San Roman returned his bride in disgrace to her parents. Her distraught family forced her to name her first lover; and her twin brothers announced their intention to murder Santiago Nasar for dishonoring their sister. Yet if everyone knew the murder was going to happen, why did no one intervene to stop it?

Including: "Europe, Europe", "America", "Howl", and more!

Opal Chen reunites with her Chinese sisters after forty years; newly cosmopolitan Lulu Koo wonders why Americans “like to walk around in the woods with the mosquitoes”; Hong Kong parents go to extreme lengths to reestablish contact with their “number-one daughter” in New York; and Betty Koo, brought up on “no politics, just make money,” finds she must reassess her mother’s philosophy. With their profound compassion and equally profound humor, these eleven linked stories trace the intimate ways in which humans make and are made by history.

Formerly titled The Hill We Climb and Other Poems, the luminous poetry collection by number one New York Times best-selling author and presidential inaugural poet Amanda Gorman captures a shipwrecked moment in time and transforms it into a lyric of hope and healing. In Call Us What We Carry, Gorman explores history, language, identity, and erasure through an imaginative and intimate collage.

When My Brother Was an Aztec is a work of courage and invention - one that foregrounds the particularities of family dynamics and individual passion against the backdrop of Western mythologies and a deeply rooted cultural history. Natalie Diaz's arresting debut explores a brother's addiction and its devastating effects on a household, while offering a political critique of our nations and their pasts. It acknowledges absences and uncomfortable silences, as well as conjuring vivid voices and presences, from Antigone and Houdini to Huitzilopochtli and Jesus.

Ismael, un joven con experiencia en la marina mercante, decide que su siguiente viaje será en un ballenero. El joven entabla amistad con el arponero Queequeg, con quien se enrola en el Pequod, dirigido por el misterioso y autoritario capitán Ahab, un viejo lobo de mar con una pierna construida con la mandíbula de un cachalote.

The groundbreaking trans-genre work of Argentinian writer Jorge Luis Borges (1899-1986) has been insinuating itself into the structure, stance, and very breath of world literature for well over half a century. Multi-layered, self-referential, elusive, and allusive writing is now frequently labelled Borgesian.

One of Mark Twain’s classic tales, a small band of boys in a medieval village make friends with a very real angel whose name is Satan. He assures the boys that he’s not The Satan, but his nephew. He looks like a boy of their own age, but his magical powers and unusual perspectives on morals and mankind leave the boys amazed and bewildered. Mark Twain never finished this story to his own satisfaction. In 1916, his biographer and friend Albert Bigelow Paine, with fellow author Frederick Duneka, added an evil astrologer and devised an ending, and published the version presented here.

The evolution of Taylor Mali the poet could be measured in the number of people his poetry has directly inspired to be teachers. Or the increasing cast of high school and college-age students who perform his words in forensic competitions. This is Taylor in his element: performing in front of live and writhing audiences demanding and receiving all the rough, raw, and authentic passion of Taylor Mali's poetry.

Born just fifteen months apart, Subhash and Udayan Mitra are inseparable brothers, one often mistaken for the other in the Calcutta neighborhood where they grow up. But they are also opposites, with gravely different futures ahead. It is the 1960s, and Udayan—charismatic and impulsive—finds himself drawn to the Naxalite movement, a rebellion waged to eradicate inequity and poverty; he will give everything, risk all, for what he believes.

Jacob’s Room is Virginia Woolf’s own modernist manifesto. Jacob Flanders is a mere point of contact between a crowd of people, appearing and disappearing in a tableau in which all is flux, without certainty and without a controlling viewpoint. But it seems that the author could not maintain this rigorous impersonality, and the radical technique breaks down, so that we finally see Jacob as a person, just as his world is blown apart.