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An enigmatic young woman. A manipulative sister. Their brilliant father. An unexpected suitor. One life-altering question. The search for the truth behind a mysterious mathematical proof is the perplexing problem in David Auburn's dynamic play. Starring Anne Heche and Jeremy Sisto, Proof is a winner of the 2001 Tony award for Best Play as well as the 2001 Pulitzer Prize for drama.

On April 4, 1968, Martin Luther King Jr. was assassinated outside of his room at the Lorraine Motel in Memphis. What happened inside room 306 on the evening of April 3 is the subject of Katori Hall's The Mountaintop. Hours after King's final speech, punctuated by his immortal line "I've been to the mountaintop", the celebrated reverend forms an unlikely friendship with a motel maid as they talk into the early hours of what will be his final day.

Isabel Allende parte de la célebre cita de Albert Camus -«en medio del invierno aprendí por fin que había en mí un verano invencible»- para urdir una trama que presenta la geografía humana de unos personajes propios de la América de hoy que se hallan «en el más profundo invierno de sus vidas»: una chilena, una joven guatemalteca ilegal y un maduro norteamericano.

La novela narra la historia de Tita de la Garza a manera de recetario, donde cada capítulo es una receta que relata las aventuras de la protagonista en una casa donde la tradición la obliga a quedarse a cuidar a su madre, y por lo tanto, sin poderse casar nunca.

In this deeply intimate second poetry collection, Ocean Vuong searches for life among the aftershocks of his mother's death, embodying the paradox of sitting within grief while being determined to survive beyond it. Shifting through memory, and in concert with the themes of his novel On Earth We're Briefly Gorgeous, Vuong contends with personal loss, the meaning of family and the cost of being the product of an American war in America. At once vivid, brave and propulsive, Vuong's poems circle fragmented lives to find both restoration as well as the epicentre of the break.

For over 40 years, Carlos Castaneda’s The Teachings of Don Juan has inspired audiences to expand their world view beyond traditional Western forms. Originally published as Castaneda’s master’s thesis in anthropology, Teachings documents Castaneda’s supposed apprenticeship with a Yaqui Indian sorcerer, don Juan Matus. Dividing the work into two sections, Castaneda begins by describing don Juan’s philosophies, then continues with his own reflections.

The Mississippi River, 1861. When the enslaved Jim overhears that he is about to be sold to a new owner in New Orleans and separated from his wife and daughter forever, he decides to hide on nearby Jackson’s Island until he can formulate a plan. Meanwhile, Huck Finn has faked his own death to escape his violent father who recently returned to town. Thus begins a dangerous and transcendent journey by raft along the Mississippi River, towards the elusive promise of the free states and beyond.

In this deeply intimate second poetry collection, Ocean Vuong searches for life among the aftershocks of personal and social loss, embodying the paradox of sitting in grief while being determined to survive beyond it. Shifting through memory, and in concert with the themes of his novel On Earth We’re Briefly Gorgeous, Vuong contends with the meaning of family and the cost of being the product of an American war in America. At once vivid, brave, and propulsive, these poems circle fragmented lives to find both restoration as well as the epicenter of the break.

Few of Emily Dickinson’s poems were published in her lifetime. Her posthumous fame is largely due to the efforts of her editors and supporters Thomas W. Higginson and Mabel Loomis Todd.

Vera Wong is a lonely little old lady—ah, lady of a certain age—who lives above her forgotten tea shop in the middle of San Francisco’s Chinatown. Despite living alone, Vera is not needy, oh no. She likes nothing more than sipping on a good cup of Wulong and doing some healthy detective work on the Internet about what her Gen-Z son is up to. Then one morning, Vera trudges downstairs to find a curious thing—a dead man in the middle of her tea shop.

Twelve-year-old Bird lives a quiet existence with his loving but broken father, a former linguist. He knows not to ask many questions, stand out too much, stray too far. For a decade, their lives have been governed by laws written to preserve 'American culture' in the wake of years of economic instability and violence. To keep the peace and restore prosperity, the authorities are now allowed to relocate children of dissidents, especially those of Asian origin, and libraries have been forced to remove books seen as unpatriotic—including the work of Bird's mother.

In the late 1950s and early 1960s, the writers of the Beat Generation revolutionized American literature with their iconoclastic approach to language and their angry assault on the conformity and conservatism of postwar society. They and their followers took aim at the hypocrisy and taboos of their time - particularly those involving sex, race, and class - in such provocative works as Jack Kerouac's On the Road (1957), Allen Ginsberg's "Howl" (1956), and William S. Burroughs's Naked Lunch (1959).

An excellent student from a poor, traditional family in Seoul, the narrator has absorbed the same message her whole life: Only a boy can provide the family with dignity and wealth. Not her. Not her three sisters. Receiving approval only for uncomplaining sacrifice, she has resolved to take on her family’s troubles. She is a good girl. And she knows what good girls must do.

Rei Shimura, a California girl living in Tokyo, has an antiques business that's only slightly more successful than her love life. When her aunt enrolls her in the Kayama School of Ikebana to learn how to arrange flowers, disaster strikes. A mean teacher is found with scissors in her neck, and Takeo Kayama, the sexy billionaire heir to the school, considers Rei's aunt the main suspect.

Japanese-American Rei Shimura is a 27-year-old English teacher living in one of Tokyo's seediest neighborhoods. She doesn't make much money, but she wouldn't go back home to California even if she had a free ticket (which, thanks to her parents, she does). Her independence is threatened, when a getaway to an ancient castle town is marred by murder. Rei is the first to find the beautiful wife of a high-powered businessman, dead in the snow. Taking charge, as usual, Rei looks for clues by crashing a funeral, posing as a bar-girl, and somehow ends up pursued by police and paparazzi alike.

Enter a vanished and unjust world: Jackson, Mississippi, 1962. Where Black maids raise white children, but aren't trusted not to steal the silver. There's Aibileen, raising her 17th white child and nursing the hurt caused by her own son's tragic death; Minny, whose cooking is nearly as sassy as her tongue and white Miss Skeeter, home from college, who wants to know why her beloved maid has disappeared. No one would believe they'd be friends; fewer still would tolerate it. But as each woman finds the courage to cross boundaries, they come to depend and rely upon one another.

At the end of his life, William Blake (1757-1827) gave up hope of being widely understood, but the twentieth century brought to his work a new and intense interest and acclaim.

Sometimes heartbreaking, sometimes deeply joyous, The House on Mango Street tells the story of Esperanza Cordero, whose neighborhood is one of harsh realities and harsh beauty. Esperanza doesn't want to belong, not to her rundown neighborhood, and not to the low expectations the world has for her. Esperanza's story is that of a young girl coming into her power, and inventing for herself what she will become.

Jacqueline Kennedy Onassis loved literature, especially poetry. "Once you can express yourself," she wrote, "you can tell the world what you want from it.... All the changes in the world, for good or evil, were first brought about by words." Now Caroline Kennedy shares her mother's favorite poems and the inspiration behind her strong belief in the power of literature.

La ciudad mexicana de Santa Teresa -trasunto de Ciudad Juárez- atrae como un imán a los protagonistas. Cuatro críticos literarios europeos viajan hasta Sonora tras las huellas del escritor desaparecido Benno von Archimboldi, cuya vida se refiere en la parte final de la novela.