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Prohibition is in full swing, and the glamorous life of upper-class Kansas City is everything Rose (Luna) Lane ever hoped it would be. Being married to her best friend isn’t so bad either, considering their agreement to keep their real love lives out of the public eye. However, try as she might to continue her life of anonymity, her popularity as a land developer’s wife—and as a successful club owner—draws even more attention to her personal endeavors. Soon, the balancing act between the life of Luna and Rose becomes a full-time job itself, making visiting home harder than ever before.

Cuentos de toda la carrera narrativa de Ignacio Padilla, reunidos por primera vez en un solo volumen. «Padilla es un narrador de imaginación deslumbrante; un erudito que se vale de malabares y juegos de palabras para filtrar, de contrabando, sus abundantes conocimientos. Por añadidura, el mejor estilista de su generación.»

Como señala Juan Marqués en la presentación, sus poemas "además de ser escritos, en principio, exclusivamente para la inmensa minoría de sí misma, fueron, a un tiempo, complicadísimos y simples, alegres y tristes, transparentes y enigmáticos. Son poemas que acompañan y ayudan a vivir a quien los lee, que enseñan a observar mejor, que obligan a ser más compasivo".

Esta novela lanza una mirada profunda y valiente sobre la infancia desprotegida en Colombia, la soledad, el maltrato, la violencia y el sufrimiento de tantos niños y niñas en nuestro país. Esa indiferencia cotidiana, tan común, se contrapuntea con una narración paralela que busca una posibilidad, una esperanza y una razón para continuar y sobrevivir.

Una hija descubre la grieta en su familia: sus padres están separados y la casa en la que crecen ella y sus hermanos se va poblando de recuerdos. En junio de 2006, el padre de Karina —la protagonista de esta historia— encabeza una lucha popular para que el gobierno de Oaxaca caiga y se haga justicia. Una lucha que trae consigo el estigma de la cárcel. Una lucha que deja una ciudad en llamas. A la par de lidiar con el abandono paterno y la persecución social, Karina intenta descubrir quién ha sido y quién es ahora como mujer.

Après quelques années passées à Atlanta, Toya Gardner, une jeune artiste afro-américaine, revient dans la petite ville des montagnes de Caroline du Nord d'où sa famille est originaire. Déterminée à dénoncer l'histoire esclavagiste de la région, elle ne tarde pas à s'y livrer à quelques actions d'éclat, provoquant de violentes tensions dans la communauté. Au même moment, Ernie, un policier du comté, arrête un mystérieux voyageur qui se révèle être un suprémaciste blanc. Celui-ci a en sa possession un carnet dans lequel figurent les noms de notables de la région.

In einer kleinen Stadt in Kentucky haben sich fünf Außenseiter gefunden: Opal, eine 80jährige, die in einem Sex-Pistols-T-Shirt und in Cowboystiefeln herumläuft (gelesen von Cordula Trantow); Aurora, eine wunderschöne Frau im Rollstuhl (gelesen von Cosma Shiva Hagen); Ray, ein junger Iraker auf der Suche nach dem Amerikaner, den er im 1. Golfkrieg verwundet hat (gelesen von Feridun Zaimoglu); Ember, ein frühreifes kleines Mädchen (gelesen von Charlotte Roche) und Luster, ein extrem wortgewandter Afroamerikaner, der ständig auf Drogen zu sein scheint, tatsächlich aber völlig nüchtern durchs Leben geht (gelesen von Jan Josef Liefers).

Juan José Morosoli fue un destacado escritor uruguayo, calificado como uno de los más importantes del siglo XX y extrañamente muy poco conocido fuera de su país. En Tierra y Tiempo un libro póstumo, se reúnen veintinueve cuentos que ejemplifican la enorme capacidad literaria de este autor a quien el tiempo no le ha sustraído valor. El tema de estos cuentos es la vivencia de los hombres del sur; donde el trabajo, la soledad, la pobreza y la lucha diaria cobran un protagonismo especial, que además nutre su trabajo literario.

Gary's poetry is a rich tapestry of human experience, weaving together the profound and the everyday. These poems offer a diverse range of themes, from the intensity of life and death to the nuances of daily existence. The themes delve into historical contexts, providing a sense of time and place, while also exploring philosophical musings and religious reflections that invite listeners to ponder deeper meanings. The poetry is thought-provoking and emotionally resonant. The book appeals to readers who appreciate the beauty of language and the complexity of the human condition.

Acid rainstorms have transformed New York City into a toxic wasteland, cutting its remaining citizens off from one another. In one apartment building, an unlikely family of humans and ghosts survives. Mira reels from a devastating breakup with her partner, Mal, whose whereabouts are unknown, while her mother is plagued by furious dreams and her grandfather, Grandpa Why, stakes his claims as a rambunctious ghost. Across the hall, the cockroach Shin, also a ghost. As the world around them worsens, each character must learn to redefine what it means to live, die, and love at the end of the world.

My family's roots run deep, and my responsibilities are clear. My family and Rhodes Hotels, my family business. As a father first, I've always put my daughter above everything, living in a carefully maintained world close to my ex-wife, ensuring peace. I never expected to fall in love again and find the kind of passion I had with Aurora. I thought it would be easy, but when I introduced her to my daughter, it shattered the delicate balance of my life, forcing me to make regrettable choices that hurt the only woman I ever loved.

Lana Lee’s plate is already plenty full. Running her family’s Chinese restaurant in Cleveland’s Asia Village is challenging on the best of days. But just when Lana thinks she might be able to catch her breath before the weekend―which she’s eager to spend with her equally overworked boyfriend, Detective Adam Trudeau―Lana witnesses a car accident in the parking lot. And now she has no choice but to get involved.

It was supposed to be a fancy, intimate dinner party by the pool. Instead, Lana Lee’s first-ever catering event turns into full-course madness when a domestic worker is found dead. Is the party’s host Donna Feng, the sweet-and-sour owner of the Asia Village shopping plaza where Ho-Lee is situated, somehow to blame? That’s what Lana―whose plate is already plenty full with running the restaurant, pleasing her often-disapproving mother, and fretting over her occasionally serious boyfriend Detective Adam Trudeau―must find out.

Avalee Elvis prides herself with being able to fix just about anything. . . except her past. Unable to put the puzzle of her life together, she pours heart and soul into making neglected places whole again. As the owner of Lowcountry Lost, Avalee spends her days in hot-pink Carhartt overalls and a tool belt reclaiming Lowcountry properties. Making them beautiful again releases the deep sigh that soothes the hurt she holds.

A book that captures the Dirty Old Man of American letters at his fiercest and most vulnerable, on a subject that hits home with all of us. Charles Bukowski was a man of intense emotions, someone an editor once called a “passionate madman.” Alternating between tough and gentle, sensitive and gritty, Bukowski lays bare the myriad facets of love—its selfishness and its narcissism, its randomness, its mystery and its misery, and, ultimately, its true joyfulness, endurance, and redemptive power.

Find Me as the Creature I Am is a book full of tenderness and violence, longing and love. Ranging from inherited family tales, to meditations on the body, to the ways animals display love and grief alike, Emily Jungmin Yoon holds a mirror up to humanity to show that we are animal, too. In poems full of wonder and want, she showcases our tendencies to fight or fly, act with affection and cruelty, and ultimately, overflow with life itself.

“Imparting some piece of yourself—any part—is arduous and warrants some kind of commendation,” writes guest editor Wesley Morris in his introduction. Both personal and personable, the essayists in this volume use their own vulnerability to guide listeners on excursions that unfold on uncomfortable edges. From contemplating the nuances of memory to exploring the complexities of family, romance, gender identity, illness, and death, Morris’s selection of essays presents a roundup of the thinkers who masterfully grapple with the issues of our time.

In his introduction, guest editor S. A. Cosby observes that writing short stories is “a special skill that combines brevity with wit and cleverness and the hint of the existential malaise that imbues crime fiction with its gravitas.” The stories in this collection overflow with gravitas in the most unexpected ways: a cryptic note left on a windshield, a murder for hire meets a game of Mouse Trap, a swipe right on a dating app goes horribly wrong.

“There have never been as many exquisitely built stories in existence than there are now,” proclaims guest editor Lauren Groff in her introduction. This abundance led to a volume of robust stories with the nerve to push against narrative expectations. The Best American Short Stories 2024 boasts a collection of twenty stories that “buzz with their own strange logic.” Daring and resonant, the stories in this volume invite in Groff “a feeling that both the author and I were simultaneously discovering something together.”

“These are dangerous stories. The kind that warp reality and threaten to change the world” warns guest editor Hugh Howey in his introduction. The Best American Science Fiction and Fantasy 2024 promises a treasure trove of audacious characters, daring worldbuilding, and twisted realties. A sibling duo of supernatural hitmen. A traveling spellbreaker and his trusty alligator mount. Superheroes registering for work. Sentient spaceships with an AI-human interface grow up together with their human pilots.